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This collection has access restrictions. For details, please see the restrictions.
This collection has use restrictions. For details, please see the restrictions.
This is a finding aid. It is a description of archival material held in the Wilson Library at the University of North Carolina at Chapel Hill. Unless otherwise noted, the materials described below are physically available in our reading room, and not digitally available through the World Wide Web. See the Duplication Policy section for more information.
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Collection Overview
| Size | 64.0 feet of linear shelf space (approximately 32,800 items) |
| Abstract | George C. Stoney (1916-2012), a white documentary filmmaker, specialized in socially relevant films. He mentored and taught generations of filmmakers and media activists worldwide and was a pioneer in the movement for the creation and use of public access television to enact social change. The collection consists of papers chiefly relating to George C. Stoney's professional work as a documentary filmmaker, teacher, and early advocate of public access television. Correspondence with colleagues, friends, his wife, and a long-time companion all blend description of personal and working life. Also of note are love letters and Stoney's accounts of his experiences as a photo intelligence officer with the 8th United States Army Air Forces. Subject files comprise the bulk of the collection and include materials relating to films Stoney wrote, directed, and/or produced for the Southern Educational Film Production Service and George C. Stoney Associates. Topics include sexually transmitted disease; outreach programs of the Methodist Church; cardiovascular healthcare; education; community mental health; race relations in the South; police training; old age and retirement; midwifery; urban redevelopment; and other social issues. Some of Stoney's early work as a journalist and social researcher is also documented in essays, a report on race relations in Mississippi, and materials relating to his work for the Farm Security Administration. Subject files also document classes and workshops Stoney taught. Additionally, there are film treatments and research materials for prospective projects and printed and other material relating to the documentary film and cable television industries. Loose papers, 1980-1990s, consist of memobooks that likely relate to Stoney's filmmaking, and clippings, reports, readings, conference advertisements, miscellaneous printed materials, handwritten notes, and writings by others. Photographs depict the documentary filmmaking process for several of Stoney's films, public access projects and the Alternate Media Center, the work of Farm Security Administration photographers in the South in the early 1940s, and Stoney's family life. The audiovisual materials consist of films, tapes, and sound reels from various Stoney productions, 1950s-2000s. |
| Creator | Stoney, George C. |
| Curatorial Unit | University of North Carolina at Chapel Hill. Library. Southern Historical Collection. |
| Language | English |
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Information For Users
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Processing Information
Processed by: Caroline Moakley, Megan Bricker, and Nancy Kaiser, September 2009
Encoded by: Nancy Kaiser, September 2009
Updated by: Nancy Kaiser, February 2021; Anne Wells, February 2022
The revised finding aid compiles archival collecting, description, and preservation work performed by: Sarah Arnold, February 2011; Jodi Berkowitz, December 2018; Anne Wells, Emma Evans, and Melanie Meents, April 2019; Patrick Cullom, June 2019; Nancy Kaiser and Biff Hollingsworth, April 2020.
Since August 2017, we have added ethnic and racial identities for individuals and families represented in collections. To determine identity, we rely on self-identification; other information supplied to the repository by collection creators or sources; public records, press accounts, and secondary sources; and contextual information in the collection materials. Omissions of ethnic and racial identities in finding aids created or updated after August 2017 are an indication of insufficient information to make an educated guess or an individual's preference for identity information to be excluded from description. When we have misidentified, please let us know at wilsonlibrary@unc.edu.
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Subject Headings
The following terms from Library of Congress Subject Headings suggest topics, persons, geography, etc. interspersed through the entire collection; the terms do not usually represent discrete and easily identifiable portions of the collection--such as folders or items.
Clicking on a subject heading below will take you into the University Library's online catalog.
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Related Collections
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Biographical Information
George Cashel Stoney was born in Winston-Salem, N.C., in 1916. He studied journalism at the University of North Carolina, Chapel Hill, and while still a student, wrote feature articles for the Raleigh News and Observer and the Greensboro Daily News. Upon graduation in 1937, Stoney set out traveling across the South and wrote a daily column for the News and Observer in which he recorded his observations of the region as it faced fundamental social change. He moved to New York, N.Y., in 1938, where he freelanced as a writer on the South, pursued graduate studies in social research methods at the Henry Street Settlement and at the New School for Social Research, and was associate editor of Survey Graphic magazine. In 1940, he went to work for Ralph Bunche as a field research assistant in the South on Gunnar Myrdal's study of American race relations ( An American Dilemma: The Negro Problem and Modern Democracy ). Stoney next worked as a publicist for the Farm Security Administration (FSA), trying to raise middle class support for sharecropper and tenant farmer programs in Alabama, Georgia, Florida, and South Carolina. Stoney's interest in photography began during this time period when he toured FSA photographers around the South.
During World War II, Stoney served as a photo intelligence officer for the 8th United States Army Air Forces in England, France, Belgium, and Germany. He met his future wife, Mary Newcomb Bruce (1926-2004), while stationed in England. In 1946, he joined the Southern Educational Film Production Service at the University of Georgia as writer of educational films for federal and state agricultural, educational, and public health agencies. The first film he wrote, directed, and produced was Palmour Street, about an African American family in Gainesville, Ga. Then in 1950, he moved to Washington, D.C., to make films for the Association of Medical Colleges. He also started with Nicholas Read a production company, Potomac Film Producers, that specialized in socially relevant films for government agencies, non-profit organizations, and corporate sponsors. In 1957, Stoney started his own production company, George C. Stoney Associates Inc. in New York, N.Y. Stoney's films were characterized by social interpretation and addressed such issues as disease and health care, mental health, race relations, education, farming, retirement, and urbanism. One of his earliest and most important films is the award-winning All My Babies (1953), produced for the Georgia Department of Health.
Through the next two decades, Stoney pioneered the field of socially relevant documentary filmmaking while teaching and training the next generation of filmmakers at the University of Southern California, the City College of New York, Columbia University, Stanford University, the International Honors Program, and at other leading American universities with film study programs. From 1968 to 1970, Stoney served as executive producer for the Challenge for Change project, a socially active documentary production wing of the National Film Board of Canada, that encouraged ordinary people to use media as a means to improve the quality of their lives. Stoney returned to the United States in 1970 to head up the undergraduate film department at New York University and to continue to produce his own films and videos.
George Stoney also is considered the father of public access television. Building on his work at the National Film Board of Canada, Stoney advocated the use of cable television channels by the public to enact social change. In 1972, he co-founded the Alternate Media Center, which trained citizens in the uses of video technology for use on public access television. In 1976, he was a founding member of the National Federation of Local Cable Programmers (now called the Alliance for Community Media) as an advocacy and support group for the cable movement.
Over the course of his career, Stoney wrote, directed, and produced over 50 documentaries and television series, including The Invader (1954), The Cry for Help (1962), How the Myth Was Made (1978), The Weavers: Wasn't that a Time (1982), Southern Voices (1985), Images of The Great Depression (1990), and The Uprising of '34 (1995). He has been a mentor and teacher to generations of filmmakers worldwide. George C. Stoney died in 2012.
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Scope and Content
The collection consists of papers chiefly relating to the professional work of George C. Stoney, a white documentary filmmaker, teacher, and early advocate of public access television. Correspondence, 1944-1993 (bulk 1960-1990), is chiefly work-related in content, though many of Stoney's correspondents were long-time friends and colleagues and wrote personally as well. Letters, 1944-1945, from Stoney to his future wife, Mary Bruce (1926-2004), are chiefly personal in nature and include love letters, but also, to a lesser extent, describe Stoney's experiences as a photo intelligence officer with the 8th United States Army Air Forces in England, France, Belgium, and Germany. Correspondence between Stoney and his long-time companion Betty Puleston (d. 2009), 1967-1968, also blend description of personal and working life.
Subject files comprise the bulk of the collection and include materials relating to films Stoney wrote, directed, and/or produced for the Southern Educational Film Production Service and George C. Stoney Associates. Topics include sexually transmitted disease; outreach programs of the Methodist Church; cardiovascular healthcare; education; community mental health; race relations in the South; police training; old age and retirement; midwifery; urban redevelopment in New York, N.Y., Philadelphia, Pa., Pittsburgh, Pa., and Washington, D.C.; and other social issues. Some of Stoney's early work as a journalist and social researcher is also documented in essays submitted to Survey Graphic, a background report on race relations in Mississippi for Gunnar Myrdal's An American Dilemma: The Negro Problem and Modern Democracy , and materials relating to his work for the Farm Security Administration.
Subject files also document classes and workshops Stoney taught, especially at New York University Tisch School of the Arts, Stanford University, and Columbia University, and his involvement with the growth of public access and local cable television, the Challenge for Change project of the National Film Board of Canada, the Alternate Media Center, and the National Federation of Local Cable Programmers. Additionally, there are film treatments and research materials for prospective projects and printed and other material relating to the documentary film and cable television industries.
Loose papers, 1980-1990s, consist of memobooks that likely relate to Stoney's filmmaking, and clippings, reports, readings, conference advertisements, miscellaneous printed materials, handwritten notes, and writings by others that are not clearly connected to his film projects or cable and public access advocacy work. Photographs depict the documentary filmmaking process for several of Stoney's films, public access projects and the Alternate Media Center, the work of Farm Security Administration photographers in the South in the early 1940s, and Stoney's family life.
Because there is considerable overlap in subjects, especially between Series 1. Correspondence and Series 2. Subject Files, researchers should be sure to check both series for materials of interest.
The final prints of many of Stoney's films, as well as production materials and use copies are all found in Series 5. Audiovisual materials. Additionally, the collection includes coverage of a lecture that Stoney gave in October 2009 at UNC Chapel Hill.
The addition of August 2015 consists of scattered papers, photographs, and videotapes related to Stoney and his various film productions. Papers consist mostly of photocopied letters from Stoney to his father and to his future wife, Mary Bruce (1926-2004). Other paper materials include papers found with the videotapes in the series; clippings; materials relating to 1989 Perugia student works festival in Perugia, Italy; letters and materials on Stoney's family tree; materials relating to memorials for Stoney; an oral history transcript; and printed publications that reference Stoney. Photographs consist of original prints and negatives and copy prints depicting Stoney, his family, and film productions. Videotapes consist mostly of materials related to film productions by Stoney, including All My Babies, Shepherd of the Night Flock, and others. Other videotapes include clips or footage of Stoney; materials related to the work-in-progress, Finding Freire; and original footage related to the Krahos of Brazil, including recordings with Chief Po-Hi.
The addition of January 2020 consists of the full transcript (about 80 pages) of an interview with George Stoney by Pauline Spiegel, who was Stoney's student at New York University in 1978. Portions of the interview were published in The Anthropology of Visual Communication Newsletter, Vol. 7 No.3, Spring-Fall, 1979. Also included is Spiegel's copy of Stoney's Documentary Film course syllabus, and her own film diary kept during the class, which contains Stoney's handwritten comments.
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Series Quick Links
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Series 1. Correspondence Files, 1957-1993 and undated.
Arrangement: chronological list followed by alphabetical list.
Correspondence, 1944-1993 (bulk 1957-1968), is chiefly related to Stoney's work as a documentary filmmaker and teacher. Many of Stoney's correspondents were long-time friends and colleagues who wrote personally as well. Letters, 1944-1945, from Stoney to his future wife, Mary Bruce (1926-2004), are chiefly personal in nature, but also, to a lesser extent, describe Stoney's experiences as a photo intelligence officer with the 8th United States Air Force in England, France, Belgium, and Germany, with some commentary about the people and war-time conditions in these places and his growing interest in documentary film. There are a few letters from Neal Bruce to his sister, Mary Bruce, and from Mary to her mother. Correspondence between Stoney and his long-time companion Betty Puleston (d. 2009), 1967-1968, also blend description of personal and working life.
Note that correspondence related to Stoney's documentary films may be found here, as well as in Series 2. Subject Files.
Folder 1-4
Folder 1Folder 2Folder 3Folder 4 |
1944-1945Chiefly love letters written to Mary Bruce of Oxford, England, while Stoney was stationed with the United States Air Force in England, France, Belgium, and Germany during and immediately after World War II. Letters also describe his work as a photo intelligence officer and his Air Force colleagues, and offer self-aware commentary on civilians and living conditions in Europe, especially in Paris, France; Brussels, Belgium; and surrounding towns in the spring of 1945. |
| Folder 5 |
1961 |
Folder 6-10
Folder 6Folder 7Folder 8Folder 9Folder 10 |
1962 |
Folder 11-21
Folder 11Folder 12Folder 13Folder 14Folder 15Folder 16Folder 17Folder 18Folder 19Folder 20Folder 21 |
1963 |
Folder 22-25
Folder 22Folder 23Folder 24Folder 25 |
1964 |
Folder 26-30
Folder 26Folder 27Folder 28Folder 29Folder 30 |
1965 |
Folder 31-36
Folder 31Folder 32Folder 33Folder 34Folder 35Folder 36 |
1966 |
Folder 37-44
Folder 37Folder 38Folder 39Folder 40Folder 41Folder 42Folder 43Folder 44 |
1967Includes correspondence during International Honors Program tour, 1967-1968. |
Folder 45-48
Folder 45Folder 46Folder 47Folder 48 |
1968 |
| Folder 49 |
1969-1971 |
| Folder 50 |
1973-1975 |
| Folder 51 |
1976 |
| Folder 52 |
1977 |
| Folder 53 |
1978 |
Folder 54-55
Folder 54Folder 55 |
1979 |
Folder 56-57
Folder 56Folder 57 |
1980 |
Folder 58-59
Folder 58Folder 59 |
1981 |
Folder 60-62
Folder 60Folder 61Folder 62 |
1982 |
Folder 63-64
Folder 63Folder 64 |
1983 |
| Folder 65 |
1985-1986 |
Folder 66-67
Folder 66Folder 67 |
1987 |
Folder 68-69
Folder 68Folder 69 |
1988 |
| Folder 70 |
1989-1992 |
| Folder 71 |
1993, 1996, 1998, 2003 |
| Folder 72 |
Undated |
| Folder 73 |
Betts, Sylvia, 1960-1962 |
| Folder 74 |
Brazil, 1990-1992 |
| Folder 75 |
Bruce, Neil, 1963 |
| Folder 76 |
Douglass, Harold, 1965 |
| Folder 77 |
Hitchens, Gordon, 1965 |
| Folder 78 |
Ireland, 1990-1992 |
| Folder 79 |
Israel, 1990-1992 |
| Folder 80 |
Laune, Irene Wilson, 1964-1965 |
| Folder 81 |
Mayer, Dr. Henry, 1966 |
| Folder 82 |
McAnany, Emile and William Desloge, 1966 |
Folder 83-84
Folder 83Folder 84 |
Personal, 1961-1963 |
| Folder 85 |
Puleston, Betty, 1967-1968Other letters to Betty Puleston can be found in the chronological run of correspondence. |
| Folder 86 |
Rogers, Ron, 1965 |
| Folder 87 |
Slayton, Leonard, 1965 |
| Folder 88 |
Students and Colleagues, 1990-1992 |
| Folder 89 |
Television, Radio and Film Commission (TRAFCO), 1961-1962 |
| Folder 90 |
Wilson, Dr. Glen, 1962 |
| Folder 91 |
With People in Canada, 1959 |
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Subseries 1A. Letter (Addition of 2014)
Acquisitions Information: Accession 102142
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Series 2. Subject Files, 1940-2009.
This collection contains materials which are closed. Student records in the Class and Teaching Materials (folders 364, 366, 367, 369, 371, 372, 377, 378, 384, 386, 390, 391, 392, 400, 403, 405, and 407), New York University (folder 734), and Stanford University (folders 1009 and 1011) in Series 2 are CLOSED to researchers until 75 years after the date of the item. The juvenile crime case files created by COMP (folder 416) in Series 2 are CLOSED to researchers until 2037. Psychiatric patient evaluations (folder 1036) in Series 2 are CLOSED until 2029. Prior to these dates, researchers may gain access to redacted versions of the closed documents. The redaction process will remove personally identifying information, and the costs associated with redaction will be paid by the requesting researcher. Please be advised that the redaction process can be lengthy, and depending on the volume and complexity of the documents, redaction may take a few weeks or even a few months to complete. Should you require access to these documents, please contact Research and Instructional Services staff as early in your research process as possible.
Access to audio materials may require production of listening copies..
Processing Information: Note that original file folder titles have been retained, but frequently annotated by the archivist for clarity. Material related to a film originally may have been filed under its final title, a working title, a portion of its final or working title, or a related subject. Where possible, the final film title has been added to the various related file names and related subject material has been brought together. Likewise, materials relating to cable television and the public access movement have been brought together under the heading Cable/Public Access; however, additional materials likely may be found throughout this series.
Subject files comprise the bulk of the collection and include materials relating to films Stoney wrote, directed, and/or produced for the Southern Educational Film Production Service and George C. Stoney Associates. Topics include sexually transmitted disease; outreach programs of the Methodist Church; cardiovascular healthcare; education; community mental health; race relations in the South; police training; old age and retirement; urban redevelopment in New York, N.Y., Philadelphia, Pa., Pittsburgh, Pa., and Washington, D.C.; and other social issues. Some of Stoney's early work as a journalist and social researcher is also documented in essays submitted to Survey Graphic, a background report on race relations in Mississippi for Gunnar Myrdal's An American Dilemma: The Negro Problem and Modern Democracy , and materials relating to his work for the Farm Security Administration.
Subject files also document classes and workshops Stoney taught, especially at New York University Tisch School of the Arts, Stanford University, and Columbia University, and his involvement with the growth of public access and local cable television, the Challenge for Change project of the National Film Board of Canada, the Alternate Media Center, and the National Federation of Local Cable Programmers. Additionally, there are film treatments and research materials for prospective projects and printed and other material relating to the documentary film and cable television industries.
SEE ALSO Series 1. Correspondence and Series 4. Photographs for additional materials related to Stoney's documentary films.
| Folder 92 |
8th Air Force: 13th Photographic Squadron: 17th Photogroup Association |
| Folder 93 |
1832 Biltmore Corporation, 1951-1961 |
| Folder 94 |
AARP Newsletter, 1978 |
| Folder 95 |
Abbott, Berenice |
| Folder 96 |
Accuracy in Media, 1986 |
| Folder 97 |
Adopt a Student, 1985-1989 |
| Folder 98 |
Agency for Instructional Television Newsletter, 1977-1980 |
| Folder 99 |
Agriculture, 1946-1952Includes photographs relating to southern agriculture, correspondence with Survey Associates, and background printed material. SEE ALSO related photographs under Rural Poverty in Series 4. |
| Folder 100 |
Airtime/Global Village, 1979-1980 |
Folder 101-112
Folder 101Folder 102Folder 103Folder 104Folder 105Folder 106Folder 107Folder 108Folder 109Folder 110Folder 111Folder 112 |
All My BabiesArticles, correspondence, releases, research, soundtrack text, and other materials. SEE ALSO related correspondence in Series 1 (circa early 1980s), Biographical Information (film clips) in this series, and photographs in Series 4. |
| Folder 113 |
All My Babies II, 2003SEE ALSO Biographical Information (film clips) in this series. |
| Folder 114 |
Almond and Powell: "The Capabilities of Political Systems" |
Folder 115-121
Folder 115Folder 116Folder 117Folder 118Folder 119Folder 120Folder 121 |
Alternate Media Center, 1971-1990Publications, reports, and other materials relating to the Community Connection Seminar, a pilot internship program, and dissertation research by Franklin Reese Carlile for "From Communication Power to Communication Access: An Examination of Goal Displacement in the Development of an Innovation" (1977). |
| Folder 122 |
Amazon Week: "Reflecting on the Brazilian Rain Forest: A Dialogue with the Insiders," 1990 |
| Folder 123 |
American Association of State Colleges and Universities, 1982 |
Folder 124-137
Folder 124Folder 125Folder 126Folder 127Folder 128Folder 129Folder 130Folder 131Folder 132Folder 133Folder 134Folder 135Folder 136Folder 137 |
American Heart Association, 1950s-1960sPrinted material, treatments, film scenes, releases, billing, and other materials relating to Myocardial Infarction: The Nurse's Role; One Fine Day; and Second Chance: A Film for Laymen on the Management of Strokes SEE ALSO "Code Blue"; Risks/Cardiovascular Disease; Second Chance: A Film for Laymen on the Management of Strokes/Cerebral Vascular Disease: The Challenge of Management ; and Valiant Heart in this series. |
| Folder 138 |
"American Song During the Great Depression," Charles Hamm, 1977 |
| Folder 139 |
"An Anti-Nuclear Songbook, as Performed by Shelly and the Crustaceans" |
| Folder 140 |
Anderson, Houston, Rotha, and Wright: The Critical Issue |
| Folder 141 |
Anderson, Lindsay: "Stand Up! Stand Up!" |
| Folder 142 |
Anderson, Sherwood: Biography |
| Folder 143 |
Angels with Silver Wings (Air Force Nurse Corps) |
| Folder 144 |
The Animator, 1975-1976 |
| Folder 145 |
Anthropology |
Folder 146-147
Folder 146Folder 147 |
Aphrodisias, 1987 |
| Folder 148 |
Appalshop, 1996 |
| Folder 149 |
Applications for Employment, 1957-1961 |
| Folder 150 |
Appointments, 1987Invitations to events, requests for participation. |
| Folder 151 |
Archeology/"River Valley Archaeology"/Southern Educational Film Production Service, 1950 |
| Folder 152 |
Architects, 1962 |
| Folder 153 |
Archives and Video, 1986-1997 |
| Folder 154 |
ARD Magazine, March-April 1987 |
Folder 155-159
Folder 155Folder 156Folder 157Folder 158Folder 159 |
Army and Navy Films, 1957-1958Includes narration for Jack Tars to White Hats and Those New Army Greens, final script for "The Uniform of the United States Army," and releases. |
| Folder 160 |
Army Film Catalogs, 1965-1966 |
| Folder 161 |
"At the Movies with Pauline Kael: The Function of a Critic" |
| Folder 162 |
Auburn, Ala./Race Relations and the Methodist Church, 1963 |
| Folder 163 |
Australia, 1981-1988 |
Folder 164-166
Folder 164Folder 165Folder 166 |
Autumn Flight: A Film About Bird Migration, 1967 |
Folder 167-169
Folder 167Folder 168Folder 169 |
Back on the Job, 1958-1959Final script, release forms, and other materials SEE ALSO American Heart Association in this series and related photographs in Series 4. |
Folder 170-176
Folder 170Folder 171Folder 172Folder 173Folder 174Folder 175Folder 176 |
Baha'is, 1967-1970Correspondence and scene descriptions |
| Folder 177 |
BBC People, 1977, 1985, 1988 |
| Folder 178 |
Belgium, 1977SEE ALSO Sabbatical Year in this series. |
| Folder 179 |
Bellport, N.Y., 1977 |
Folder 180-190
Folder 180Folder 181Folder 182Folder 183Folder 184Folder 185Folder 186Folder 187Folder 188Folder 189Folder 190 |
Biographical InformationIncludes curriculum vitae, articles about and interviews with Stoney, catalog of his film library, publicity and film clips (DVD-4970/1-2) relating to "An Evening with Filmmaker George C. Stoney" (9 October 2009), and Happy Collaborator: George Stoney (DVD-4970/3), a reel of film clips collected as part of a documentary film and archive organization project on Stoney's life and work. |
| Folder 191 |
Birth Control, circa 1950s |
Folder 192-194
Folder 192Folder 193Folder 194 |
"Birthright"/Southern Educational Film Production Service, 1950 |
| Folder 195 |
Blacks in American Film, 1975 |
| Folder 196 |
Blue, James |
| Folder 197 |
"The Blue Sky": Film Treatment, 1963-1964 |
Folder 198-206
Folder 198Folder 199Folder 200Folder 201Folder 202Folder 203Folder 204Folder 205Folder 206 |
Booked for Safekeeping, 1960-1961Discussion guide, correspondence, budget materials, completed releases, notes and pamphlets, publicity, reviews, police reports, and film production materials. SEE ALSO Louisiana Association for Mental Health in this series and related photographs in Series 4. |
| Folder 207 |
Books and Reviews, 1961, 1963 |
| Folder 208 |
The Boy Who Saw Through |
| Folder 209 |
Brandon Films, 1965-1966 |
Folder 210-213
Folder 210Folder 211Folder 212Folder 213 |
Brazil, 1984-1989, 1997Material relating to a 1984 lecture tour for the United States Information Agency |
| Folder 214 |
Brewster Methodist Hospital (Jacksonville, Fla.)/Race Relations and the Methodist Church, 1963 |
| Folder 215 |
Bronchopulmonary Segments/Pfizer Laboratories, 1955 |
| Folder 216 |
Bunche, Ralph: Political Status of the Negro in the Age of FDR (1973) |
Folder 217-219
Folder 217Folder 218Folder 219 |
Burlingame, Lloyd, 1985-1986Includes partial log of tapes. |
Folder 220-223
Folder 220Folder 221Folder 222Folder 223 |
Cable/Public Access, 1975-1985 |
| Folder 224 |
Cable/Public Access: The Access News (Schenectady Access Cable Council), 1980 |
| Folder 225 |
Cable/Public Access: Advocacy, 1982-1990 |
| Folder 226 |
Cable/Public Access: Alaska |
| Folder 227 |
Cable/Public Access: "An Examination of the Social and Political Implications of Cable TV," 1973 |
Folder 228-229
Folder 228Folder 229 |
Cable/Public Access: Anti-Trust Suit, 1978-1980Joel Levitch et al v. Columbia Broadcasting System Inc., National Broadcasting Inc., and American Broadcasting Inc. |
| Folder 230 |
Cable/Public Access: Arkansas |
| Folder 231 |
Cable/Public Access: Art and Cable Access, 1985 |
Folder 232-233
Folder 232Folder 233 |
Cable/Public Access: Austin, Tex., 1982-1987 |
| Folder 234 |
Cable/Public Access: Berks Community Television |
Folder 235-237
Folder 235Folder 236Folder 237 |
Cable/Public Access: Boston, 1983Includes "Boston Community Access and Programming Foundation: An Implementation Plan for Public Access." |
| Folder 238 |
Cable/Public Access: "Cable Information Booklet" |
| Folder 239 |
Cable/Public Access: "Cable News Hits the Small Time," Lawrence Zuckerman |
| Folder 240 |
Cable/Public Access: "Cable Television: A Chance for Programs" Conference, 1982-1983 |
| Folder 241 |
Cable/Public Access: "Cable Television Regulation in the 1980s: Some Unanswered Questions" |
Folder 242-243
Folder 242Folder 243 |
Cable/Public Access: Cambridge, Mass. |
| Folder 244 |
Cable/Public Access: Canada |
| Folder 245 |
Cable/Public Access: Chicago Cable Television Study Commission Report, 1982 |
| Folder 246 |
Cable/Public Access: Churches, 1986-1988 |
Folder 247-249
Folder 247Folder 248Folder 249 |
Cable/Public Access: Clippings |
| Folder 250 |
Cable/Public Access: Comax, et al. v. New York Cable Commission |
| Folder 251 |
Cable/Public Access: Community Programming in Austin, Tex., and Muscatine, Iowa, 1981-1982 |
| Folder 252 |
Cable/Public Access: Engelman, Ralph: Public Radio and Television in America: A Political History (1996) |
Folder 253-254
Folder 253Folder 254 |
Cable/Public Access: England, 1987 |
| Folder 255 |
Cable/Public Access: Fayetteville, Ark., 1985 |
Folder 256-258
Folder 256Folder 257Folder 258 |
Cable/Public Access: First AmendmentIncludes "Cable Television, Government Regulation and the First Amendment," Bob Ross, 1981. |
| Folder 259 |
Cable/Public Access: Franchises in Rochester and Brighton, 1977-1978 |
| Folder 260 |
Cable/Public Access: General Fundamentals |
| Folder 261 |
Cable/Public Access: Germany |
| Folder 262 |
Cable/Public Access: History |
Folder 263-264
Folder 263Folder 264 |
Cable/Public Access: International |
| Folder 265 |
Cable/Public Access: Iowa City, Iowa |
| Folder 266 |
Cable/Public Access: "Is There a Cable Recession," 1982 |
| Folder 267 |
Cable/Public Access: Israel |
| Folder 268 |
Cable/Public Access: Journal of Film and Video, Volume 39, Number 3 (Summer 1987) |
Folder 269-270
Folder 269Folder 270 |
Cable/Public Access: Knoxville, Tenn. |
| Folder 271 |
Cable/Public Access: Legislation |
| Folder 272 |
Cable/Public Access: Longmeadow, Mass., 1981 |
| Folder 273 |
Cable/Public Access: MacLean Hunter Cable TV Community Programming, 1981 |
| Folder 274 |
Cable/Public Access: Madison, Wisc.: Franchising, 1980-1981 |
| Folder 275 |
Cable/Public Access: Melbourne, Australia, 1981-1982 |
Folder 276-277
Folder 276Folder 277 |
Cable/Public Access: Milwaukee, Wisc. |
| Folder 278 |
Cable/Public Access: Minnesota Cable Communications Board, 1980 |
| Folder 279 |
Cable/Public Access: New Orleans, La. |
Folder 280-290
Folder 280Folder 281Folder 282Folder 283Folder 284Folder 285Folder 286Folder 287Folder 288Folder 289Folder 290 |
Cable/Public Access: New York City, 1980-1991Includes "Cable Television in New York City: Final Report to the New York City Planning Commission" (1980) and cable franchising and Manhattan Cable/Channel L materials. |
Folder 291-301
Folder 291Folder 292Folder 293Folder 294Folder 295Folder 296Folder 297Folder 298Folder 299Folder 300Folder 301 |
Cable/Public Access: New York State, 1979-1983Includes "Cable Communications in New York State: An Agenda for Government Involvement" (1979, 1981); "Testimony before the New York State Commission on Cable Television Regarding the Franchise Agreements for the Unwired Boroughs of New York City" (1983); and other materials. |
| Folder 302 |
Cable/Public Access: New York University, 1982 |
| Folder 303 |
Cable/Public Access: Norwood, Mass.: By-Laws, 1982 |
| Folder 304 |
Cable/Public Access: Outlook Bibliography |
| Folder 305 |
Cable/Public Access: Port Washington, N.Y., 1980-1982 |
| Folder 306 |
Cable/Public Access: Portland, Ore. |
Folder 307-313
Folder 307Folder 308Folder 309Folder 310Folder 311Folder 312Folder 313 |
Cable/Public Access: Readings and Background Material |
| Folder 314 |
Cable/Public Access: Regina, Saskatchewan, Canada |
| Folder 315 |
Cable/Public Access: Seattle, Wash. |
| Folder 316 |
Cable/Public Access: Senate Bill 2172/Goldwater Bill, 1982 |
Folder 317-318
Folder 317Folder 318 |
Cable/Public Access: South Africa |
| Folder 319 |
Cable/Public Access: Spectrum Cable Network |
| Folder 320 |
Cable/Public Access: Sweden |
| Folder 321 |
Cable/Public Access: "Two-Way Cable Television: An Evaluation of Community Uses in Reading, Pennsylvania," Mitchell M. Moss, 1978/"A Community View of Cable Regulation," Eileen Connell, 1978 |
| Folder 322 |
Cable/Public Access: University Community Cable, 1982 |
| Folder 323 |
Cable/Public Access: Valley Cable Television (Encino, Calif.) |
| Folder 324 |
Cable/Public Access: Westchester, N.Y., 1987 |
| Folder 325 |
Cable/Public Access: "Why Public Access," Patricia Friedland, 1981 |
Folder 326-329
Folder 326Folder 327Folder 328Folder 329 |
Cable/Public Access: Miscellaneous |
| Folder 330 |
Calcutta, India: "Media and the Community," 1977 |
| Folder 331 |
Camera Mart Inc., 1964 |
| Folder 332 |
Cataloging, 1964-1965 |
Folder 333-334
Folder 333Folder 334 |
Challenge for Change: Newsletter of the National Film Board of Canada, 1968-1972 |
| Folder 335 |
Channel 4 (London), 1988-1989 |
| Folder 336 |
Charles S. Pierce Museum, 1978 |
| Folder 337 |
"The Child Who Is Afraid"/Georgia Department of Public Health, 1949 |
Folder 338-355
Folder 338Folder 339Folder 340Folder 341Folder 342Folder 343Folder 344Folder 345Folder 346Folder 347Folder 348Folder 349Folder 350Folder 351Folder 352Folder 353Folder 354Folder 355 |
China/Family Planning Trip/Planned Parenthood, 1977Materials related to Planned Parenthood Federation of America trip to China, including travel documents and printed materials on population control, health care, and law. Also includes audiocassette (C-4970/2) of news briefing about visit of Planned Parenthood delegation to China, transcripts of presentations and question and answer sessions. |
| Audiocassette C-4970/2 |
Shanghai news briefing, 1977Audiocassette |
| Folder 356 |
Circom, June 1982 |
| Folder 357 |
Civil Rights, 1962 |
Folder 358-359
Folder 358Folder 359 |
Civil Service "Information Specialist" Examination Materials, circa 1945 |
| Folder 360 |
Clark, Katherine, 1990 |
Folder 361-407
Folder 361Folder 362Folder 363Folder 364Folder 365Folder 366Folder 367Folder 368Folder 369Folder 370Folder 371Folder 372Folder 373Folder 374Folder 375Folder 376Folder 377Folder 378Folder 379Folder 380Folder 381Folder 382Folder 383Folder 384Folder 385Folder 386Folder 387Folder 388Folder 389Folder 390Folder 391Folder 392Folder 393Folder 394Folder 395Folder 396Folder 397Folder 398Folder 399Folder 400Folder 401Folder 402Folder 403Folder 404Folder 405Folder 406Folder 407 |
Class/Teaching Materials, 1960s-1980sCorrespondence, syllabi, student papers, and other resources relating to courses taught on documentary film, film history, images of the 1930s, broadcasting, community media, and communications at Columbia University Media Center, New York University, Stanford University, and elsewhere. Student records in folders 364, 366, 367, 369, 371, 372, 377, 378, 384, 386, 390, 391, 392, 400, 403, 405, and 407 have been removed and are closed to researchers for 75 years after the date of the item. Prior to these dates, researchers may gain access to redacted versions of the closed documents. The redaction process will remove personally identifying information, and the costs associated with redaction will be paid by the requesting researcher. Please be advised that the redaction process can be lengthy, and depending on the volume and complexity of the documents, redaction may take a few weeks or even a few months to complete. Should you require access to these documents, please contact Research and Instructional Services staff as early in your research process as possible. |
| Folder 408 |
"Code Blue," 1965Film treatment on nurses and myocardial infarction. |
| Folder 409 |
Columbia University, 1968 |
| Folder 410 |
Columbia University Multidisciplinary Faculty: Pediatric Nursing Film Proposal, 1966 |
| Folder 411 |
Communication and Development, 1977, 1981 |
| Folder 412 |
Community Mental Health at Work/ What Is Community Mental Health? , 1966-1967SEE ALSO San Mateo Community Mental Health Project in this series. |
Folder 413-414
Folder 413Folder 414 |
Community Programming |
| Folder 415 |
Community Television Review, October 1981 |
| Folder 416 |
COMP, 1966-1967Meeting minutes, reports, promotional materials, and juvenile crime case files relating to the Children Organized to Maintain Peace (COMP) project (also known as Coefficient Organized Monitoring Peace) in Jamaica, N.Y., and the Economic Liberty Bonds for Negro Self-Help Programs sponsored by the National Economic Growth and Reconstruction Organization Inc. (NEGRO). Also included is a sample transcript of a press conference by Stanley Hamilton of COMP and the Congress of Racial Equality (CORE) in Jamaica, N.Y. The juvenile crime case files created by COMP that are included in this file are closed to researchers until 2037. Prior to 2037, researchers may gain access to redacted versions of these closed documents. The redaction process will remove personally identifying information, and the costs associated with redaction will be paid by the requesting researcher. Please be advised that the redaction process can be lengthy, and depending on the volume and complexity of the documents, redaction may take a few weeks or even a few months to complete. Should you require access to these documents, please contact Research and Instructional Services staff as early in your research process as possible. SEE ALSO Under Pressure in this series. |
| Folder 417 |
Complaint to Health Department, 1975 |
| Folder 418 |
Connelly-Stevenson: "Fellow Americans" |
| Folder 419 |
Co-op Federation, 1961 |
| Folder 420 |
Copyright |
| Folder 421 |
Cosmos Club (Washington, D.C.), 1961-1962 |
| Folder 422 |
"Cotton by Machine"/Southern Educational Film Producation Series: Preliminary Outline for a Film, 1947 |
| Folder 423 |
Cox/TV Production Workshop |
Folder 424-425
Folder 424Folder 425 |
The Critical Decades, 1964-1965Script and other background materials. SEE ALSO Old Age/ Still Going Places/ The Critical Decades in this series and related photographs in Series 4. |
| Folder 426 |
"Crossroads"/Methodist Church: Shooting script |
Folder 427-436
Folder 427Folder 428Folder 429Folder 430Folder 431Folder 432Folder 433Folder 434Folder 435Folder 436 |
The Cry for Help/Suicide/Police Training FilmNotes, correspondence, budget and cost estimates, and other background materials. SEE ALSO related photographs in Series 4. |
| Folder 437 |
Culhane Productions, 1957Film treatments for "New York as She Was Lived" and "Science of R.C.A." |
| Folder 438 |
Curioso |
| Folder 439 |
Daly, Elliot/"Family Therapy," 1974 |
Folder 440-442
Folder 440Folder 441Folder 442 |
Dartmouth University: Film Study Conference, 1965 |
Folder 443-444
Folder 443Folder 444 |
Dead Sea Scrolls, 1956-1957, 1962 |
| Folder 445 |
Deafness in Adults: Film Proposal, 1965 |
| Folder 446 |
Death and Bereavement |
| Folder 447 |
Deitz, Geoffrey, 1987 |
| Folder 448 |
DeSalle, Michael (Governor of Ohio), 1962: Reelection campaign film |
| Folder 449 |
Development Communication (Chitraban: Newsletter number 48, November 1982) |
| Folder 450 |
Devine, John: "The Evolution of a School University Partnership" |
| Folder 451 |
Doctors and Dollars/Association of American Medical Colleges, 1951 |
| Folder 452 |
Documentaries for Learning |
| Folder 453 |
Drug Addiction/Association of American Medical Colleges, 1952 |
| Folder 454 |
Dunaway, David/ The Weavers, 1989SEE ALSO The Weavers: Wasn't That a Time, |
| Folder 455 |
Egerton, John: "Homegrown Progressives" in Southern Changes (1994) |
| Folder 456 |
El Salvador, 1987-1989 |
| Folder 457 |
Ellis, Jack/ The Documentary Idea: A Critical History of English-Language Documentary Film and Video , 1987 |
| Folder 458 |
Encyclopedia |
| Folder 459 |
"The End of the Documentary: A Critical Re-evaluation of a Film Genre" (book proposal), Brian Winston |
| Folder 460 |
English Manuscripts, 1947-1949Application materials for Julius Rosenwald Fellowship "to white southerners who wish to work on some problem distinctive to the South and who expect to make their careers in the South"; lectures given while on fellowship in England. SEE ALSO Oxford University Lectures in this series. |
| Folder 461 |
Equipment, 1964, 1995Inventory of Stoney's equipment and various owners manuals. |
Folder 462-463
Folder 462Folder 463 |
Eskimos, 1966, 1970 |
Folder 464-465
Folder 464Folder 465 |
European Film Material, 1970s |
| Folder 466 |
Exceptional Children, 1978-1979 |
| Folder 467 |
"Fact, Fiction, and Film," Lindley Page Hanlon |
| Folder 468 |
Fair Housing, 1965-1966 |
| Folder 469 |
Farm Security Administration: NotebookSEE ALSO Stuart Kidd in this series and related photographs in Series 4. |
| Folder 470 |
"Feeling All Right"/Southern Educational Film Production Service: Film Treatment, 1946, 1948 |
| Folder 471 |
Feldman, Daniel: "Medical Rehabilitation: The Clinical Management of Disability"/"The Consequences of Disease," 1966 |
| Folder 472 |
Festival Dei Popoli/ The Mask, 1964 |
| Folder 473 |
Field, Rachel: Chile Films, 1982-1983 |
| Folder 474 |
Film and History: Symposium on Problems in Collaboration, 1982 |
| Folder 475 |
Film Council of America, 1956 |
Folder 476-477
Folder 476Folder 477 |
Film Ideas, 1964-1965, 1974 |
| Folder 478 |
Film News, 1963-1964, 1974 |
| Folder 479 |
Film School |
| Folder 480 |
Film Series/"Films in the Tank," 1965-1966 |
| Folder 481 |
Films Screened |
| Folder 482 |
Fisher, Stephen: "Town in the Fog," 1965 |
| Folder 483 |
Florida: Wealth or Waste/Southern Educational Film Production Service, 1947 |
| Folder 484 |
Florida State University: Consultants Conference on the Program in Motion Pictures, Television and Recording Arts, 1987 |
| Folder 485 |
Foothill College Independent Filmmaker's Festival, 1966 |
Folder 486-487
Folder 486Folder 487 |
Ford Foundation/Vera Institute of Justice, 1974SEE ALSO Vera and the Law and They Call It Wildcat in this series. |
| Folder 488 |
Ford Motor Company Historical Film, 1952-1953 |
| Folder 489 |
Foreign Cities: Clippings, 1963 |
| Folder 490 |
Foreign Students: Correspondence, 1985-1990 |
| Folder 491 |
Fulbright, 1988 |
Folder 492-500
Folder 492Folder 493Folder 494Folder 495Folder 496Folder 497Folder 498Folder 499Folder 500 |
The Fur Lined Foxhole, 1960-1961Script, narration, public relations materials, correspondence, contract and payment, and other production materials for Nationwide Insurance Company film. SEE ALSO related photographs in Series 4. |
| Folder 501 |
Garland, Kate, 1985-1986 |
Folder 502-509
Folder 502Folder 503Folder 504Folder 505Folder 506Folder 507Folder 508Folder 509 |
George C. Stoney Associates, 1958Ledger, correspondence, and blank forms. |
| Folder 510 |
Gerontological Seminar, 1964-1965 |
| Folder 511 |
Gilbert, Ashley, 1992 |
| Folder 512 |
Ginsburg, Faye: "The After-Life of Documentary: The Impact of You Are on Indian Land"SEE ALSO Biographical Information (film clips) in this series. |
Folder 513-536
Folder 513Folder 514Folder 515Folder 516Folder 517Folder 518Folder 519Folder 520Folder 521Folder 522Folder 523Folder 524Folder 525Folder 526Folder 527Folder 528Folder 529Folder 530Folder 531Folder 532Folder 533Folder 534Folder 535Folder 536 |
Girl Scouts/ Something for the Girls, 1958-1962Materials relating to the anniversary film, including still photographs and letters contributed by former scouts; newspaper and magazine stories; budget, contract, music, and rights materials; "Cornelia Warren and the Story of Cedar Hill" by Dorothy M. Prescott; "Juliette Low and the Girl Scouts"; The Rally: A Scouting Magazine for the American Girl (1918-1921); notes; the script proposal; and other related materials. SEE ALSO related photographs in Series 4. |
| Folder 537 |
The Glide Foundation, 1965 |
| Folder 538 |
Goddard College, 1979 |
Folder 539-545
Folder 539Folder 540Folder 541Folder 542Folder 543Folder 544Folder 545 |
Goodwill Industries/ Walk With Me, 1957-1962Interviews, notes, releases, and other background material. SEE ALSO Methodist Church in this series and related photographs in Series 4. |
| Folder 546 |
"Group Communication in Different Cultures," in Media Development: Journal of the World Association for Christian Communication , 1981 |
| Folder 547 |
Hail to the Hearty, 1958SEE ALSO related photographs in Series 4. |
| Folder 548 |
"Half-Hour Motion Picture on Rheumatic Fever": Dramatic Treatment |
| Folder 549 |
"Half-Inch Video as a Way to Go" |
| Folder 550 |
Hamilton, Harry, 1986 |
| Folder 551 |
Hampshire College, 1990 |
Folder 552-553
Folder 552Folder 553 |
Hardenbergh, Margaret"Another Chance for Public Access in Connecticut" (1982), "In Defense of the Fairness Doctrine," and "Promise Versus Performance: A Case Study of Four Public Access Channels in Connecticut" (1985). |
| Folder 554 |
"Heifitz of the Harmonica"/Richard Bain |
| Folder 555 |
Help for Young Hearts: Script, 1962SEE ALSO The Secrets of the Heart/ Help for Young Hearts in this series and related photographs in Series 4. |
Folder 556-558
Folder 556Folder 557Folder 558 |
Hildreth, Harold Mowbray: "Tarawa: A Marine Tribute," 1963-1966 |
Folder 559-562
Folder 559Folder 560Folder 561Folder 562 |
History of Pathology, 1956Correspondence and other materials. |
Folder 563-564
Folder 563Folder 564 |
Hitchens, GordonIncludes "Homecoming" film treatment. |
| Folder 565 |
Houston, Penelope: "The Critical Question" |
Folder 566-570
Folder 566Folder 567Folder 568Folder 569Folder 570 |
How the Myth Was Made, 1977, 1987Includes interview transcripts, writings about Robert Flaherty and Man of Aran, and other materials. SEE ALSO Biographical Information (film clips) in this series. |
| Folder 571 |
"How to Get Your Patient Back to Bed": Film Treatment, 1959 |
Folder 572-574
Folder 572Folder 573Folder 574 |
How to Live in a City, 1962SEE ALSO Urbanism/ Metropolis: Creator or Destroyer in this series. |
| Folder 575 |
How to Look at a CitySEE ALSO Urbanism/ Metropolis: Creator or Destroyer in this series. |
Folder 576-577
Folder 576Folder 577 |
"Hudson River Cleanup: A Model for Social Action via Television," 1973 |
| Folder 578 |
Humanities and Film, 1979 |
| Folder 579 |
Hunter College: Nurse Proposal, 1962 |
| Folder 580 |
Images of the Great Depression, 1930-1940, 1990 |
| Folder 581 |
In Sync, volume II |
| Folder 582 |
India Contacts, 1982-1985 |
| Folder 583 |
"Industrial Nurse": Film Treatment |
| Folder 584 |
Instruction Booklets |
| Folder 585 |
Inter-Media Art Center, 1981-1982 |
| Folder 586 |
Internal Revenue, 1975 |
Folder 587-589
Folder 587Folder 588Folder 589 |
International Film Seminars Inc., 1974-1975, 1979-1987Includes public access seminar on "Public Television and the Independent Film: The Public's Right to Know" (1975), the Robert Flaherty Seminar, Board of Trustees, and other materials. |
Folder 590-593
Folder 590Folder 591Folder 592Folder 593 |
International Honors Program, 1967-1968Correspondence and other program materials. |
Folder 594-600
Folder 594Folder 595Folder 596Folder 597Folder 598Folder 599Folder 600 |
The Invader/Georgia Department of Public Health, 1955-1956Script treatment; narration; film guide; publicity materials; and pamphlets, reports, and other printed materials on syphillis. SEE ALSO related photographs in Series 4. |
| Folder 601 |
Iraq, 1987-1988 |
| Folder 602 |
Ireland, 1980 |
Folder 603-605
Folder 603Folder 604Folder 605 |
Israel, 1975, 1980SEE ALSO Middle East Trip in this series. |
| Folder 606 |
Israel Film Archive, 1977, 1980 |
| Folder 607 |
Jackson, Jesse, 1986 |
Folder 608-609
Folder 608Folder 609 |
Jackson, Lynne, 1982-2003 |
| Folder 610 |
Jennings, Humphrey |
| Folder 611 |
Jerome Foundation, 1975 |
| Folder 612 |
Job Applicants, 1962-1966 |
| Folder 613 |
The Journal of the Producers Guild of America, 1965, 1972 |
| Folder 614 |
Kaiser, Dorey: Lists, 1978-1981 |
| Folder 615 |
Kennedy, Tim, 1986 |
| Folder 616 |
Kentucky Legal Services, 1978-1979 |
| Folder 617 |
Keydel, Julia, 1980s, 2000 |
Folder 618-621
Folder 618Folder 619Folder 620Folder 621 |
Kibbutz Ein Dor/Yehousua Zamir/Zimmerman Video, 1980, 1982Includes "Survival Is Not Enough" manuscript (also in electronic format: FD-4920/2). SEE ALSO Series 1 for related correspondence from 1982. |
| Folder 622 |
Kidd, Stuart, 1992, 1994Research on Jack Delano and the Farm Security Administration. |
| Folder 623 |
Kids of Survival: The Art and Life of Tim Rollins and K.O.S., 1990-1996, Dan Geller and Dayna GoldfineSEE ALSO "Paulo Freire in Action." |
| Folder 624 |
Kirkpatrick, Dow, 1986-1987 |
Folder 625-626
Folder 625Folder 626 |
Kytle, Calvin, 1947, 1960, 1973Materials related to proposed projects on anti-discrimination and land use. SEE ALSO Newspaper Clippings in this series for a speech by Calvin Kytle that reflects on race relations and Christianity in light of the murder of Medgar Evers. |
| Folder 627 |
"Land and Life"/Southern Educational Film Production Service: Treatment, 1950-1951 |
| Folder 628 |
"The Land of Milk: The Story of America and Milk During the Past Century, with a Few Informed Guesses About the Future": Treatment |
| Folder 629 |
Levy, Stephen A., 1981 |
| Folder 630 |
London Trip, 1975 |
Folder 631-632
Folder 631Folder 632 |
Lorentz, Pare: "The Plow and the River: Documentation of America in the Cinema," 1978-1983 |
| Folder 633 |
Lost Films, 1979-1980 |
| Folder 634 |
Louisiana Association for Mental Health/Loyd Rowland and Hal Hildreth/Police Training Films, 1964-1965SEE ALSO Booked for Safekeeping, The Cry for Help , The Mask, and Under Pressure in this series. |
Folder 635-640
Folder 635Folder 636Folder 637Folder 638Folder 639Folder 640 |
The Man in the Middle/New York City Police Department/Police and Civil ProtestCorrespondence, notes, and outline. |
| Folder 641 |
Mankin, Helen Douglas, Campaign, 1942, 1946 |
Folder 642-645
Folder 642Folder 643Folder 644Folder 645 |
Manuscripts, 1940-1951Essays submitted for publication in Survey Graphic and other publications with a sociological bent. |
| Folder 646 |
Martha Stuart Communications, 1980s |
Folder 647-653
Folder 647Folder 648Folder 649Folder 650Folder 651Folder 652Folder 653 |
The Mask, 1964Correspondence, treatments, narration, contracts, budget, and publicity. SEE ALSO Louisiana Association for Mental Health/Loyd Rowland and Hal Hildreth/Police Training Films in this series and related photographs in Series 4. |
| Folder 654 |
McCalls Magazine: "Togetherness" Treatment, 1957 |
Folder 655-657
Folder 655Folder 656Folder 657 |
McGraw-Hill/ Family Life in India: Ten of Us and Family Life in Japan: Remember, I'm ME!, 1968-1969 |
| Folder 658 |
Media Commentary Council Inc., 1982 |
| Folder 659 |
Media Network, 1981, 1985SEE ALSO Promoting Alternatives: Grassroots Media and Social Change (Conference)/ Media Network in this series. |
| Folder 660 |
Media Technology |
| Folder 661 |
Media Watch, 1976-1980 |
| Folder 662 |
"Memorandum": Script, 1966 |
| Folder 663 |
Mendocino State Hospital, 1966 |
Folder 664-665
Folder 664Folder 665 |
Mental Retardation, 1951, 1964Includes article for Survey Graphic and Associates Inc. and background printed materials and a HEW grant proposal for "A Treatment for a Movie on the Community and Its Retarded People." |
Folder 666-667
Folder 666Folder 667 |
Methodist Church, 1962Chiefly concerning "The Church and the Inner City." SEE ALSO Goodwill Industries/ Walk With Me; The Newcomers; Auburn, Ala./Race Relations and the Methodist Church; Brewster Methodist Hospital/Race Relations and the Methodist Church; and "Crossroads"/Methodist Church in this series. |
| Folder 668 |
Metro Seminar, June 1963 |
| Folder 669 |
Middle East Alternative Media Project, 1978 |
| Folder 670 |
Middle East Trip, 1980SEE ALSO Israel in this series. |
Folder 671-672
Folder 671Folder 672 |
Midwifery Film/ A Concept of Maternal and Neonatal Care / All My Babies: A Midwife's Own Story, 1950-1952SEE ALSO All My Babies: A Midwife's Own Story and Pregnancy/ A Concept of Maternal and Neonatal Care. |
| Folder 673 |
Mint Museum of Art/ The Uprising of 1934, 1996 |
| Folder 674 |
"Mississippi Child Welfare Film": Script Outline and Explanatory Notes, 1953 |
| Folder 675 |
Mississippi Story, 1940Field reports on the agriculture, citizens, political climate, and law enforcement of Mississippi, sent to Ralph Bunche as background research for Gunnar Myrdal's An American Dilemma: The Negro Problem and Modern Democracy. |
Folder 676-677
Folder 676Folder 677 |
Moravian Church, 1962-1963 |
| Folder 678 |
Munich, 1983 |
| Folder 679 |
Museum of Modern Art: Distribution of Shepherd of the Night Flock , 1979 |
Folder 680-681
Folder 680Folder 681 |
Names and Contacts |
| Folder 682 |
"Nancy Edwards: Public Health Nurse," 1950 |
| Folder 683 |
National Association of Broadcast Employees and Technicians, 1960s |
| Folder 684 |
National Cable Television Association (NCTA) |
| Folder 685 |
National Citizens Committee for Broadcasting, 1978 |
Folder 686-692
Folder 686Folder 687Folder 688Folder 689Folder 690Folder 691Folder 692 |
National Educational Television and Radio Center (NETV), 1959-1963, 1975Includes correspondence, contracts, billing, and releases for Boston, Cincinnati, and Great Neck, N.Y., and a proposal for a program for broadcast on NET Channel 13. |
| Folder 693 |
National Endowment for the Arts, 1973-1974 |
| Folder 694 |
National Endowment for the Humanities, 1977, 1982 |
Folder 695-708
Folder 695Folder 696Folder 697Folder 698Folder 699Folder 700Folder 701Folder 702Folder 703Folder 704Folder 705Folder 706Folder 707Folder 708 |
National Federation of Local Cable Programmers (NFLCP), 1977-1988Reports and newsletters, by-laws and advocacy platform, and Ground Zero project. |
| Folder 709 |
NET Channel 13Newspaper clippings and proposals for programs on the church and finances and Kevin Guest House, a hospital hospitality house. |
Folder 710-711
Folder 710Folder 711 |
National Film Board of Canada, 1963-1964, 1968Includes annual report and Fogo Island Film and Community Development Project, 1968. SEE ALSO Challenge for Change Newsletter in this series. |
| Folder 712 |
Native American Health, 1965 |
| Folder 713 |
New Films: Lee Hayes, 1973 |
| Folder 714 |
New York City: Housing, 1962-1963SEE ALSO Public Policy and Urbanism/ Metropolis: Creator or Destroyer in this series. |
| Folder 715 |
New York Film Council, 1980s |
| Folder 716 |
New York Library Association: Film/Video Roundtable, 1978 |
Folder 717-719
Folder 717Folder 718Folder 719 |
New York State Commission Against Discrimination in Housing, 1958-1959Includes a film treatment. |
Folder 720-738
Folder 720Folder 721Folder 722Folder 723Folder 724Folder 725Folder 726Folder 727Folder 728Folder 729Folder 730Folder 731Folder 732Folder 733Folder 734Folder 735Folder 736Folder 737Folder 738 |
New York University, 1970-1990Materials relating chiefly to the Tisch School of the Arts, summer workshops (1958-1959), faculty, curriculum, budgets, and the anthropology and film program. Some class and teaching materials may be included here. SEE ALSO Class/Teaching Materials in this series. Student records in folder 734 have been removed and are closed to researchers until 2065. Prior to these dates, researchers may gain access to redacted versions of the closed documents. The redaction process will remove personally identifying information, and the costs associated with redaction will be paid by the requesting researcher. Please be advised that the redaction process can be lengthy, and depending on the volume and complexity of the documents, redaction may take a few weeks or even a few months to complete. Should you require access to these documents, please contact Research and Instructional Services staff as early in your research process as possible. |
Folder 739-742
Folder 739Folder 740Folder 741Folder 742 |
The Newcomers, 1963Correspondence, script, releases, and other materials. SEE ALSO Biographical Information (film clips) and Methodist Church in this series and related photographs in Series 4. |
| Folder 743 |
Newenhouse Film Library ( Autumn Flight), 1967 |
Folder 744-745
Folder 744Folder 745 |
Newfoundland, 1978 |
Folder 746-751
Folder 746Folder 747Folder 748Folder 749Folder 750Folder 751 |
NewslettersChiefly relating to cable and public access television. |
Folder 752-760
Folder 752Folder 753Folder 754Folder 755Folder 756Folder 757Folder 758Folder 759Folder 760 |
Newspaper Clippings, 1950s-1960s, 1980sChiefly relating to mental health, stereotypes, urban concerns, and integration; also includes a speech by Calvin Kytle that reflects on race relations and Christianity in light of the murder of Medgar Evers and a discussion of religion and cable television. |
Folder 761-762
Folder 761Folder 762 |
North Carolina Film Board, 1962-1963, 1980 |
| Folder 763 |
North Carolina Minority Report, 1964-1965 |
| Folder 764 |
Notes from the Center: Cable TV Information Center, 1976-1979 |
Folder 765-776
Folder 765Folder 766Folder 767Folder 768Folder 769Folder 770Folder 771Folder 772Folder 773Folder 774Folder 775Folder 776 |
Old Age/ Still Going Places/ The Critical DecadesCorrespondence, script outline, clippings, background information reports on geriatric health, retirement, and other related topics, and "Working With Older People: A Manual of Training" (Volumes 1-3), 1965. SEE ALSO Still Going Places and The Critical Decades in this series and related photographs in Series 4. |
Folder 777-781
Folder 777Folder 778Folder 779Folder 780Folder 781 |
Operation Abolition of the House Un-American Activities Committee, 1961Correspondence, clippings, pamphlets, and other background materials. |
| Folder 782 |
Oregon State Board of Health Film, 1965-1966 |
| Folder 783 |
Oregon State System of Higher Education Division of Continuing Education, 1965 |
| Folder 784 |
Orthopsychiatric Association Workshop, 1966 |
| Folder 785 |
Overtime Records, 1964 |
| Folder 786 |
Oxford University Lectures: Notebook, 1948 |
| Folder 787 |
Pacific Street Films: Documentary Series on Individual Rights, 1979 |
| Folder 788 |
Page, Dr. Irvine, 1956SEE ALSO The Secrets of the Heart/ Help for Young Hearts in this series. |
Folder 789-790
Folder 789Folder 790 |
Palmour Street: A Study of Family Life/Georgia Department of Health, 1949-1951Correspondence, dialogue, direction, and evaluation. SEE ALSO Biographical Information (film clips) in this series. |
| Folder 791 |
Paris, 1976-1977SEE ALSO Sabbatical Year in this series. |
| Folder 792 |
Pasack Valley School: Releases, 1960 |
| Folder 793 |
Pastures Film/ 12 Months Green/Southern Educational Film Production Service, 1946Includes a UNESCO survey response with Stoney's views on the effectiveness of educational film and related viewing and production capabilities in the Southeastern United States. |
| Folder 794 |
"Pat: A Biography of Daniel Patrick Moynihan," Douglas Schoen |
Folder 795-862
Folder 795Folder 796Folder 797Folder 798Folder 799Folder 800Folder 801Folder 802Folder 803Folder 804Folder 805Folder 806Folder 807Folder 808Folder 809Folder 810Folder 811Folder 812Folder 813Folder 814Folder 815Folder 816Folder 817Folder 818Folder 819Folder 820Folder 821Folder 822Folder 823Folder 824Folder 825Folder 826Folder 827Folder 828Folder 829Folder 830Folder 831Folder 832Folder 833Folder 834Folder 835Folder 836Folder 837Folder 838Folder 839Folder 840Folder 841Folder 842Folder 843Folder 844Folder 845Folder 846Folder 847Folder 848Folder 849Folder 850Folder 851Folder 852Folder 853Folder 854Folder 855Folder 856Folder 857Folder 858Folder 859Folder 860Folder 861Folder 862 |
"Paulo Freire in Action," 1993-2000Correspondence, paper and electronic versions (FD-4970/1) of interview transcripts, project planning materials, and other related materials. SEE ALSO Biographical Information (film clips) in this series. |
| Folder 863 |
Peace Corps: Educational Television Project in Colombia, 1966 |
| Folder 864 |
Perennial Education Inc. |
Folder 865-868
Folder 865Folder 866Folder 867Folder 868 |
PeriodicalsEquipment catalogs, industry magazines. |
| Folder 869 |
Personalities for Possible Screening, 1962-1963Transcripts of "Where to Draw the Line" and "Megalopolis, U.S.A." (WCBS-TV Public Affairs Department). |
Folder 870-877
Folder 870Folder 871Folder 872Folder 873Folder 874Folder 875Folder 876Folder 877 |
Philadelphia, Pa.Socioeconomic data and reports relating to the non-white population, city planning commission, poverty, urban renewal, the housing association, human relations commission, and related topics. Includes a portion of the audio associated with The Run from Race , a film about neighborhood development in Philadelphia, Pa. (T-4970/3). SEE ALSO Urbanism/ Metropolis: Creator or Destroyer in this series. |
| Audiotape T-4970/3 |
The Run from Race : Will Lescher; Scott talking to Betty in Scott's car; Ginger Scott1/4" Open Reel Audio |
| Folder 878 |
"Philosophy in Action" of City and Country News, 1960 |
Folder 879-881
Folder 879Folder 880Folder 881 |
Pittsburgh, Pa.: Urban Renewal Reports, 1963SEE ALSO Urbanism/ Metropolis: Creator or Destroyer in this series. |
| Folder 882 |
Platelets Transfusion Therapy, 1965 |
| Folder 883 |
Police Foundation/Vera Institute of Justice, 1975 |
Folder 884-885
Folder 884Folder 885 |
Pollution/Socony Mobile Oil, 1954-1956 |
| Folder 886 |
Portland State University, 1980 |
| Folder 887 |
Pregnancy/ A Concept of Maternal and Neonatal Care, 1951-1957SEE ALSO Midwifery Film/ A Concept of Maternal and Neonatal Care / All My Babies: A Midwife's Own Story. |
Folder 888-890
Folder 888Folder 889Folder 890 |
Presbyterians, 1963Contract and payments, correspondence, pamphlets. |
| Folder 891 |
President's Commission on National Goals: Gibson-Stoney Film Proposal, 1960 |
Folder 892-893
Folder 892Folder 893 |
Private Dream, Public Nightmare, 1963SEE ALSO Urbanism/ Metropolis: Creator or Destroyer in this series. |
Folder 894-895
Folder 894Folder 895 |
The Probing Mind, 1963SEE ALSO related photographs in Series 4. |
| Folder 896 |
Promoting Alternatives: Grassroots Media and Social Change, 1985 (Conference)/ Media Network |
| Folder 897 |
Proud Years, 1956 |
Folder 898-899
Folder 898Folder 899 |
Psychosomatic Medicine, 1940s-1950sPublished materials, notes, and treatments. |
| Folder 900 |
Public Health, 1951 |
| Folder 901 |
Public Policy, 1962-1963 |
Folder 902-904
Folder 902Folder 903Folder 904 |
Publications, 1970s-1980s |
Folder 905-909
Folder 905Folder 906Folder 907Folder 908Folder 909 |
Publicity, 1960-1965, 1979, 1990s |
| Folder 910 |
Race, 1941 and undated |
| Folder 911 |
Rain: Journal of Appropriate Technology |
Folder 912-915
Folder 912Folder 913Folder 914Folder 915 |
Ray, Satyajit and Indian FilmClippings relating to Apur Sansar ( The World of Apu), Pather Panchali ( Song of the Road), Apajarito ( The Unvanquished), Two Daughters, and Devi. |
| Folder 916 |
Read, Jenny: In Pursuit of Art and Life: The Journals and Letters of a Young Sculptor, San Francisco, 1970-1976SEE ALSO correspondence for February and March, 1980, in Series 1. |
Folder 917-927
Folder 917Folder 918Folder 919Folder 920Folder 921Folder 922Folder 923Folder 924Folder 925Folder 926Folder 927 |
Releases, 1950s-1960sFor Concord, suicide and hospice, rheumatic fever, and other films and locations. |
| Folder 928 |
Rheumatic Fever: "Half Hour Motion Picture on Rheumatic Fever" |
| Folder 929 |
Risks (Cardiovascular Diseases), 1965SEE ALSO American Heart Association in this series. |
| Folder 930 |
Rockefeller Foundation, 1975 |
| Folder 931 |
Rogers, Ron: "A Sack Full of Dreams," 1993 |
| Folder 932 |
A Room of Their Own: The Story of New York City's Youth Cellar Social ClubsSEE ALSO related photographs in Series 4. |
| Folder 933 |
Rowland, Loyd, 1964SEE ALSO Louisiana Association for Mental Health/Loyd Rowland and Hal Hildreth/Police Training Films in this series. |
| Folder 934 |
Ryan, Susan, 1996 |
Folder 935-936
Folder 935Folder 936 |
Sabbatical Year, 1977Review of time spent in London, Paris, Sweden, India, Israel, and the Aran Islands during sabbatical year. |
| Folder 937 |
Saint John's in the Village, 1973 |
Folder 938-941
Folder 938Folder 939Folder 940Folder 941 |
Saint Peter's Lutheran Church of New York CityMaterials relating to People on the Move and "Jazz at St. Peter's." |
| Folder 942 |
Sample Contract Forms, 1953-1954 |
Folder 943-948
Folder 943Folder 944Folder 945Folder 946Folder 947Folder 948 |
San Mateo Community Mental Health Project, 1966-1968Correspondence, film treatments, scripts, expenses for The Difficult Ones , The Psychiatric Emergency. SEE ALSO Community Mental Health at Work/ What Is Community Mental Health? in this series. |
| Folder 949 |
Savannah, Ga./Stroke, 1969 |
| Folder 950 |
Save the Children Federation Film on Greece, 1961 |
Folder 951-955
Folder 951Folder 952Folder 953Folder 954Folder 955 |
Schools and Segregation/School Integration in Progress, 1956-1957Correspondence, clippings, film proposal. |
| Folder 956 |
Scope, 1955 |
| Folder 957 |
Screen Directors International Guild, 1965 |
| Folder 958 |
Screening Address List, 1974 |
| Folder 959 |
Screenplays |
Folder 960-965
Folder 960Folder 961Folder 962Folder 963Folder 964Folder 965 |
Second Chance: A Film for Laymen on the Management of Strokes / Cerebral Vascular Disease: The Challenge of Management , 1958-1959Meeting minutes, promotional materials, clippings, releases, Pop Smith of Savannah, Ga. SEE ALSO American Heart Association in this series and related photographs in Series 4. |
| Folder 966 |
Second Thoughts, 1978 |
Folder 967-970
Folder 967Folder 968Folder 969Folder 970 |
The Secrets of the Heart/ Help for Young Hearts , 1955-1959Correspondence, narration, film treatment, and clippings. SEE ALSO Help for Young Hearts and Dr. Irvine Page, in this Series, and related photographs in Series 4. |
| Folder 971 |
Sex Life after Sixty, 1972 |
| Folder 972 |
Shastri Indo-Canadian Institute, 1973 |
| Folder 973 |
"Shipboard Accident Prevention"/United States Naval Photographic Center, 1950 |
| Folder 974 |
Sightlines: "The Social Documentary, 1960-1978" |
| Folder 975 |
Social Issue Films |
| Folder 976 |
Sociological Institute, Utrecht, Holland, 1978 |
| Folder 977 |
Sold American: Documentary on Growing Marijuana, Richard Boehm, John Dawson and Steve Parkford, 1982 |
Folder 978-983
Folder 978Folder 979Folder 980Folder 981Folder 982Folder 983 |
Something on their MindsVarious script versions. |
Folder 984-985
Folder 984Folder 985 |
The South (project proposal), 1977-1979 |
Folder 986-990
Folder 986Folder 987Folder 988Folder 989Folder 990 |
South Houston Street Project/ How Things Get Done in the CityInterview transcripts (includes audiotape for interview with Charlotte Schwab (T-4970/2)) and screen treatment. SEE ALSO How to Live in a City and Urbanism/ Metropolis: Creator or Destroyer in this series. |
| Audiotape T-4970/2 |
Charlotte Schwab interview, 19631/4" Open Reel Audio |
| Folder 991 |
Southampton College, 1965 |
Folder 992-997
Folder 992Folder 993Folder 994Folder 995Folder 996Folder 997 |
Southern Educational Film Production Service, 1947-1951Includes Southern Film News, biographical materials relating to Ledford Carter, a treatment on fire safety, a review of films by Nicholas Read. |
Folder 998-999
Folder 998Folder 999 |
Southern Voices/Doris Hayes, 1980-1987SEE ALSO Biographical Information (film clips) in this series. |
Folder 1000-1004
Folder 1000Folder 1001Folder 1002Folder 1003Folder 1004 |
Spain, 1983, 1985 |
| Folder 1005 |
Speeches, 1961-1962 |
| Folder 1006 |
Standard Oil, 1954 |
Folder 1007-1012
Folder 1007Folder 1008Folder 1009Folder 1010Folder 1011Folder 1012 |
Stanford University, 1964-1967Correspondence and student information. Student records in folder 1009 and 1011 have been removed and are closed to researchers until 2041. Prior to these dates, researchers may gain access to redacted versions of the closed documents. The redaction process will remove personally identifying information, and the costs associated with redaction will be paid by the requesting researcher. Please be advised that the redaction process can be lengthy, and depending on the volume and complexity of the documents, redaction may take a few weeks or even a few months to complete. Should you require access to these documents, please contact Research and Instructional Services staff as early in your research process as possible. |
Folder 1013-1014
Folder 1013Folder 1014 |
Still Going Places, 1957-1960SEE ALSO Old Age, The Critical Decades in this series and related photographs in Series 4. |
Folder 1015-1016
Folder 1015Folder 1016 |
Stills/Stock Footage: Sources |
| Folder 1017 |
Stoney, Kate, 1964-1994 |
| Folder 1018 |
Stoney, Mary Louise: "Horse: Man's First Transport" |
Folder 1019-1024
Folder 1019Folder 1020Folder 1021Folder 1022Folder 1023Folder 1024 |
Stoney Family |
| Folder 1025 |
Stratford Shakespeare Festival, 1958-1959 |
Folder 1026-1030
Folder 1026Folder 1027Folder 1028Folder 1029Folder 1030 |
Strokes, 1958-1959Correspondence with Savannah people, film comments from American Heart Association staff and committee, medical version, pamphlets, scripts, treatment. SEE ALSO Second Chance: A Film for Laymen on the Management of Strokes / Cerebral Vascular Disease: The Challenge of Management in this series. |
| Folder 1031 |
Student Thesis, undatedOn effectiveness of selected instructional films suggested in Curriculum Bulletin of the New York City Board of Education in conveying recommended understandings for fourth grade social studies. |
| Folder 1032 |
"Suburbia: Escape and Entrapment": ScriptSEE ALSO Urbanism/ Metropolis: Creator or Destroyer in this series. |
| Folder 1033 |
Suffolk Rehabilitation Center/Handicapped Integration Film, 1974 |
Folder 1034-1046
Folder 1034Folder 1035Folder 1036Folder 1037Folder 1038Folder 1039Folder 1040Folder 1041Folder 1042Folder 1043Folder 1044Folder 1045Folder 1046 |
Suicides in Hospitals, 1963-1967Veterans Hospital correspondence, narration, film treatment, and materials relating to the suicide prevention center, including record transcripts. Psychiatric patient evaluations in folder 1036 are closed until 2029. Prior to 2029, researchers may gain access to redacted versions of these closed documents. The redaction process will remove personally identifying information, and the costs associated with redaction will be paid by the requesting researcher. Please be advised that the redaction process can be lengthy, and depending on the volume and complexity of the documents, redaction may take a few weeks or even a few months to complete. Should you require access to these documents, please contact Research and Instructional Services staff as early in your research process as possible. SEE ALSO Under Pressure in this series. |
| Folder 1047 |
Summer Film Festival, 1966 |
| Folder 1048 |
Summer Workshops, 1978-1979 |
| Folder 1049 |
Sweden, 1988 |
Folder 1050-1051
Folder 1050Folder 1051 |
"The Sword and the Heart: Impact of Defense"/Psychiatry and Civil Defense, circa 1951 |
| Folder 1052 |
Tape Log, 1983 |
| Folder 1053 |
Tar Heel Family/Southern Educational Film Production Service, 1949 |
| Folder 1054 |
Telecommunication System of New York Fire Department, 1983 |
| Folder 1055 |
Television Licensing Center, 1982-1984 |
| Folder 1056 |
TELIcommunity, 1980-1982 |
Folder 1057-1058
Folder 1057Folder 1058 |
They Call it Wildcat, 1974-1975 |
Folder 1059-1060
Folder 1059Folder 1060 |
"They Learn to Read," 1956-1957 |
| Folder 1061 |
This Body the Earth, Paul Green, 1970-1981 |
| Folder 1062 |
The Time Tables of History (1927-1945), Bernard Grun |
| Folder 1063 |
To Speak with Friends: Final Script, 1960 |
| Folder 1064 |
Tuskegee Institute: Rural Life Conference on the Changing Status of the Negro in Southern Agriculture, 1950SEE ALSO related photographs under Tuskegee Institute/Soil Conservation Service in Series 4. |
| Folder 1065 |
Two Worlds to Remember, 1969-1970 |
| Folder 1066 |
TV Lab Applications, circa 1970s |
Folder 1067-1068
Folder 1067Folder 1068 |
Under Pressure: Script, 1965SEE ALSO Louisiana Association for Mental Health/Loyd Rowland and Hal Hildreth/Police Training Films in this series. |
| Folder 1069 |
United Church of Christ: Workshop, 1976 |
| Folder 1070 |
United States Agency for International Development, 1975 |
| Folder 1071 |
United States Information Agency: Contemporary Media, 1973 |
| Folder 1072 |
University Film Producers Association, 1967 |
| Folder 1073 |
University of Southern California, 1987-1988 |
Folder 1074-1077
Folder 1074Folder 1075Folder 1076Folder 1077 |
The Uprising of 1934, 1992-1993SEE ALSO Biographical Information (film clips) in this series. |
Folder 1078-1086
Folder 1078Folder 1079Folder 1080Folder 1081Folder 1082Folder 1083Folder 1084Folder 1085Folder 1086 |
Urbanism/ Metropolis: Creator or Destroyer, 1963-1964Budget, contract and payment agreement, clippings, treatments and notes, statistics, research on cites and neighborhoods, and urban redevelopment, and background materials of University Council Committee on Education for Public Responsibility, who sponsored the project. SEE ALSO research files for New York City, N.Y.: Housing; Philadelphia, Pa.; Pittsburgh, Pa.; Washington, D.C.; South Houston Street Project/ How Things Get Done in a City ; How to Live in a City; How to Look at a City; Private Dream, Public Nightmare ; and Victor Gruen Associates/Urban Redevelopment in this series. |
Folder 1087-1088
Folder 1087Folder 1088 |
The Valiant Heart, 1954-1958SEE ALSO American Heart Association in this series and related photographs in Series 4. |
| Folder 1089 |
The Vanishing Family, 1980sNewspaper clippings about African American families. |
Folder 1090-1091
Folder 1090Folder 1091 |
Vera and the Law, 1973-1975SEE ALSO Ford Foundation/Vera Institute of Justice in this series. |
| Folder 1092 |
Victor Gruen Associates/Urban Redevelopment, 1963SEE ALSO related photographs in Series 4. |
| Folder 1093 |
Video, 1974 |
| Folder 1094 |
Video Access Center, 1973 |
| Folder 1095 |
Video and Therapy |
Folder 1096-1102
Folder 1096Folder 1097Folder 1098Folder 1099Folder 1100Folder 1101Folder 1102 |
Video Memos/Vocational Education/Pittsburgh Video Project, 1978 |
| Folder 1103 |
Video Networks (formerly Networks): Bay Area Video Coalition Monthly, 1977-1980 |
| Folder 1104 |
Video Olympics, 1992 |
| Folder 1105 |
Video Skills Grant: Budget, 1977-1978 |
| Folder 1106 |
Videography (September 1980, October 1982) |
| Folder 1107 |
Vision Quest Film and Video Productions Inc., 1996 |
| Folder 1108 |
Visual Literacy Conference, 1971 |
| Folder 1109 |
Walker Project/Dr. Leo Dobrin, 1962 |
| Folder 1110 |
Washington D.C., 1963SEE ALSO Urbanism/ Metropolis: Creator or Destroyer in this series. |
| Folder 1111 |
"We are Left-Brained or Right-Brained," Maya Pines, 1973 |
| Folder 1112 |
We Shall Overcome: The Story Behind the Song that Changed History , 1986-1987SEE ALSO Biographical Information (film clips) in this series. |
Folder 1113-1114
Folder 1113Folder 1114 |
The Weavers: Wasn't That a Time, 1980-1982Publicity, reviews, a letter from Pete Seeger, and other related materials. SEE ALSO David Dunaway in this series. |
Folder 1115-1116
Folder 1115Folder 1116 |
Weisenborn, Gordon, 1974-1979Includes audio (C-4970/1) and script for "A Seaside Tragedy" by Honore de Balzac, and a photograph of Weisenborn with George Stoney. SEE ALSO Michael DeSalle (Governor of Ohio) in this series. |
| Audiocassette C-4970/1 |
"A Seaside Tragedy"Audiocassette |
| Folder 1117 |
West German Documentary |
Folder 1118-1120
Folder 1118Folder 1119Folder 1120 |
White House Conference on Children, 1970 |
| Folder 1121 |
"Whose First Amendment is it, Anyway?" Les Brown |
Folder 1122-1124
Folder 1122Folder 1123Folder 1124 |
"Why They're Called Leathernecks," 1950sScript and releases. |
| Folder 1125 |
Winter, 1978 |
| Folder 1126 |
Wolfe, Thomas |
| Folder 1127 |
Women: Welfare, Family Security Act, 1987 |
| Folder 1128 |
"Working-Class Struggles in the Great Depression: The Film Record," Roy Rosenzweig |
| Folder 1129 |
"World in White," Sidney Kingsley, 1956 |
| Folder 1130 |
"World Views," 1993Proposal for series of television programs on global environmental changes. |
Folder 1131-1135
Folder 1131Folder 1132Folder 1133Folder 1134Folder 1135 |
Writings, 1970-1972, 1977-1978, 1980-1984, 2002Includes articles by Stoney on documentary film, cable television, and public access. |
| Folder 1136 |
"Young Tom": Film Project, 1967 |
Folder 1137-1141
Folder 1137Folder 1138Folder 1139Folder 1140Folder 1141 |
Zeman, Frederic D./"Mental Rehabilitation of the Aged Patient," 1963-1964 |
| Box 46 |
Closed materialsCLOSED: Student records in the Class and Teaching Materials (folders 364, 366, 367, 369, 371, 372, 377, 378, 384, 386, 390, 391, 392, 400, 403, 405, and 407), New York University (folder 734), and Stanford University (folders 1009 and 1011) in Series 2 are CLOSED to researchers until 75 years after the date of the item. The juvenile crime case files created by COMP (folder 416) in Series 2 are CLOSED to researchers until 2037. Psychiatric patient evaluations (folder 1036) in Series 2 are CLOSED until 2029. Prior to these dates, researchers may gain access to redacted versions of the closed documents. The redaction process will remove personally identifying information, and the costs associated with redaction will be paid by the requesting researcher. Please be advised that the redaction process can be lengthy, and depending on the volume and complexity of the documents, redaction may take a few weeks or even a few months to complete. Should you require access to these documents, please contact Research and Instructional Services staff as early in your research process as possible. |
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Series 3. Loose Papers, 1950s-1990s and Undated.
Arrangement: chronological.
Loose papers, 1950s-1990s, are chiefly clippings, reports, readings, conference advertisements, miscellaneous printed materials (oversized are filed in OPF-4970/1), handwritten notes, and miscellaneous writings by others that are not clearly connected to George Stoney's film projects and cable and public access advocacy work. Memobooks are likely related to film projects.
| Folder 1142 |
1950s |
| Folder 1143 |
1960-1961 |
| Folder 1144 |
1963-1965 |
| Folder 1145 |
1968-1969 |
| Folder 1146 |
1970-1972 |
| Folder 1147 |
1973 |
| Folder 1148 |
1976 |
Folder 1149-1155
Folder 1149Folder 1150Folder 1151Folder 1152Folder 1153Folder 1154Folder 1155 |
1977-1979 |
| Folder 1156 |
1970s |
Folder 1157-1162
Folder 1157Folder 1158Folder 1159Folder 1160Folder 1161Folder 1162 |
1980 |
Folder 1163-1164
Folder 1163Folder 1164 |
1981 |
Folder 1165-1167
Folder 1165Folder 1166Folder 1167 |
1982 |
Folder 1168-1169
Folder 1168Folder 1169 |
1983 |
| Folder 1170 |
1984-1986 |
Folder 1171-1174
Folder 1171Folder 1172Folder 1173Folder 1174 |
1987-1988 |
| Folder 1175 |
1990s |
Folder 1176-1178
Folder 1176Folder 1177Folder 1178 |
Undated |
| Folder 1179 |
Business cards |
Folder 1180-1188
Folder 1180Folder 1181Folder 1182Folder 1183Folder 1184Folder 1185Folder 1186Folder 1187Folder 1188 |
Memobooks |
| Folder 1189 |
Notes |
| Folder 1190 |
Writings by Others |
| Extra Oversize Paper Folder XOPF-4970/1 |
Miscellaneous printed materials (oversize) |
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Series 4. Photographs, 1940s-1970s.
Arrangement: alphabetical.
Photographs depict the documentary filmmaking process for several of George Stoney's films, public access projects and the Alternate Media Center, the work of Farm Security Administration and Soil Conservation Service photographers in the South in the early 1940s, and Stoney's family life.
Image Folder PF-4970/1-3
PF-4970/1PF-4970/2PF-4970/3 |
All My Babies |
Image Folder PF-4970/4-6
PF-4970/4PF-4970/5PF-4970/6 |
American Heart Association: Myocardial Infarction |
Image Folder PF-4970/7-8
PF-4970/7PF-4970/8 |
Back on the Job |
Image Folder PF-4970/9-10
PF-4970/9PF-4970/10 |
Booked for Safekeeping |
| Image Folder PF-4970/11 |
Central Office of Information/Ministry of Information/Ministry of Health/Ministry of Education/Foreign OfficeStills from films: Birth-Day, Start in Life , Your Children's Eyes, The Defeat of Deafness, Man Alive, Your Children's Meals, Serving Dinner at School , Your Children's Sleep, Children Learning by Experience, Children Growing up with Other People , One Man's Story. Producers include the Realist Film Unit, Horizon Film Unit, Anglo Scottish Pictures, Films of Great Britain for the Foreign Office, the Ministry of Education, and the Ministry of Health. |
| Image Folder PF-4970/12 |
The Critical Decades |
| Image Folder PF-4970/13 |
Cry for HelpSEE ALSO Police Training Films in this series. |
Image Folder PF-4970/14-19
PF-4970/14PF-4970/15PF-4970/16PF-4970/17PF-4970/18PF-4970/19 |
FamilySnapshots and an anotated photograph album. |
Image Folder PF-4970/20-22
PF-4970/20PF-4970/21PF-4970/22 |
Farm Security AdministrationPhotographs, taken in Carroll County, Georgia, by Jack Delano, John Collier, and Russell Lee; photographs by George Stoney were taken for the Office of War Information and document farmers who migrated to Childersburg, Ala., to work in and around the local defense industries; unattributed photographs also were taken by George Stoney. |
| Image Folder PF-4970/23 |
Film Crews |
Image Folder PF-4970/24-25
PF-4970/24PF-4970/25 |
The Furlined Foxhole |
Image Folder PF-4970/26-27
PF-4970/26PF-4970/27 |
Girl Scouts, 1948International conference at Camp Edith Macy, Pleasantville, N.Y., 30 June-9 July 1948. |
| Extra Oversize Image Folder XOP-PF-4970/1 |
Girl Scouts, 1923-1929Annual conventions of National Council of Girl Scouts. |
| Image Folder PF-4970/28 |
"Grass Roots"Slide show on public access center in Aspen, Colo. Produced by Jacqueline Paul, 1976, for Alternate Media Center; includes audio (T-4970/1). |
| Audiotape T-4970/1 |
Lo Que ES and Grass Roots with Signals, master dupe1/4" Open Reel Audio |
Image Folder PF-4970/29-30
PF-4970/29PF-4970/30 |
Hail to the Hearty |
| Image Folder PF-4970/31 |
Harts |
| Image Folder PF-4970/32 |
Help for Young Hearts |
| Image Folder PF-4970/33 |
The Invader |
Image Box IB-4970/11-12
IB-4970/11IB-4970/12 |
The InvaderStrips of film numbered by frame. |
| Image Folder PF-4970/34 |
"Lo Que Es"Slide show on public access center in Hayward, Calif. Produced by Jacqueline Paul, Summer 1976, for Alternate Media Center; includes audio (T-4970/1). |
| Image Folder PF-4970/35 |
The MaskSEE ALSO Police Training Films in this series. |
| Image Folder PF-4970/36 |
New York City, N.Y., Aerials |
| Image Folder PF-4970/37 |
The Newcomers |
| Image Folder PF-4970/38 |
Palmour Street |
Image Folder PF-4970/39-42
PF-4970/39PF-4970/40PF-4970/41PF-4970/42 |
Police Training FilmsIncludes images related to The Cry for Help and The Mask and/or Under Pressure. |
| Image Folder PF-4970/43 |
The Probing Mind/ To Speak With Friends |
| Image Folder PF-4970/44 |
A Room of Their Own: The Story of New York City's Youth Cellar Social Clubs |
Image Folder PF-4970/45-47
PF-4970/45PF-4970/46PF-4970/47 |
Rural Poverty |
Image Folder PF-4970/48-53
PF-4970/48PF-4970/49PF-4970/50PF-4970/51PF-4970/52PF-4970/53 |
Second Chance |
| Image Folder PF-4970/54 |
The Secrets of the Heart |
| Image Folder PF-4970/55 |
Still Going Places |
| Image Folder PF-4970/56 |
Tuskegee Conference/Soil Conservation Service |
| Image Folder PF-4970/57 |
Under Pressure |
| Image Folder PF-4970/58 |
Valiant Heart |
| Image Folder PF-4970/59 |
Victor Gruen Associates (architectural renderings) |
Image Folder PF-4970/60-61
PF-4970/60PF-4970/61 |
Walk With Me |
| Image Folder PF-4970/62 |
Miscellaneous PhotographsIncludes a contact sheet of head shots, a cartoon illustration "Did you make New York dirty today?", and images of a ship and crew members and a street protest in an unidentified location. |
Image Folder PF-4970/63-64
PF-4970/63PF-4970/64 |
Miscellaneous NegativesChiefly relating to family, playing volleyball. |
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Series 4A. Photographs (Addition of July 2013).
Acquisitions Information: Accession 101852
Image Folder PF-4970/65-69
PF-4970/65PF-4970/66PF-4970/67PF-4970/68PF-4970/69 |
Exhibit prints and captions |
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Series 4A. Photographs, circa 1900-2011 and undated (Addition of August 2015).
Acquisitions Information: Accession 103005
Processing Information: Titles for photographic materials compiled from original enclosures.
Photographs depicting scenes related to films George Stoney was involved with production of, images of George Stoney throughout his life, and also includes images depicting Stoney family members.
| Image Box IB-4970/10 |
Photographs, circa 1900-2011Black-and-White and Color Photographic Prints, Black-and-White Photographic Negatives A majority of the photographs are associated with the films of George Stoney. Films include:
|
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Series 5. Audiovisual Materials, 1940s-1990s.
Arrangement: by production and then format.
Processing informtation: Descriptions are taken directly from original containers. Please note audiotapes T-4970/1-3 are found with related manuscript and photographic materials. T-4970/1 is found in Series 4. Photographs, while audiotapes T-4970/2-3 are found in Series 2. Subject Files.
Audiovisual materials depict the documentary filmmaking process for several of George Stoney's films, public access projects and the Alternate Media Center, the work of Farm Security Administration and Soil Conservation Service photographers in the South in the early 1940s, and Stoney's family life.
This collection consists of films, videotapes, cassettes, 1/2-inch open reel, 1/4-inch open reel-to-reel from the George Stoney Associate's Productions as well as from George Stoney's personal collection. The items chiefly consist George Stoney's documentary films, How the Myth was Made and The Shepherd of the Night Flock . The rest of the collection consists of various productions, including Painting from Nature, In China, Family Planning is NO Private Matter , and Weavers Wasn't That a Time .
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Subseries 5.1. How the Myth Was Made, 1978.
Arrangement: by format.
Materials include films, 1/4-inch reel-to-reel audiotapes, videotapes, and cassettes all pertaining to How the Myth was Made.
| Film F-4970/1 |
How the Myth was Made, 1978Wildsong Bill Bonyen Singing Golden Thread P0000-D0245 Mag only. Roll #1 Sync AA0000 -AA11002, CTI Sync Dialogue and street interior [?] As well as sync scenes of Paradise/ Sync[?] Effex. |
| Film F-4970/2 |
How the Myth was Made, 1978Stoney. GenTV#115.StudioCopy. Pic+Sound. |
| Film F-4970/3 |
How the Myth was Made, 1978Wild Sounds//Fx of Ocean, waves, stors, etc. (see list) //D0000-D2124//Myth/ARAN. |
| Film F-4970/4 |
How the Myth was Made, 1978Cliffs and Land Shots, including Aerials. ST 1040. INSPECTED; Viewing Copy available. |
| Film F-4970/5 |
How the Myth was Made, 1978How the Myth Was Made ST1234 A; Reel description: Part 2, Reel A, A-1. |
| Film F-4970/6 |
How the Myth was Made, 1978How the Myth Was Made ST1234 B. Reel description: Part 2, Reel B, A-2. |
| Film F-4970/7 |
How the Myth was Made, 1978, pixMichael King: Blacksmithing, int. with Peter LL0009-LL; Reel description: G. Stoney Assoc. Michael King. Sync Pix. G. Stoney Assoc. Michael King. Sync Pix. |
| Film F-4970/390 |
How the Myth was Made, 1978, magMichael King: Blacksmithing, int. with Peter LL0009-LL; Reel description: G. Stoney Assoc. Michael King. Sync Pix. G. Stoney Assoc. Michael King. Sync Pix. |
| Film F-4970/8 |
How the Myth was Made, 1978B+W Recreation: CELLI On the Slip B1566-B. Reel description: G. Stoney Assoc. Myth/Aran// Celli on the Slip B+W//MOS//Head. |
| Film F-4970/9 |
How the Myth was Made, 1978, pixInterview: Arthur Calder- Marshal MM0007-MM0677 First Outs. |
| Film F-4970/391 |
How the Myth was Made, 1978, magInterview: Arthur Calder- Marshal MM0007-MM0677 First Outs. |
| Film F-4970/10 |
How the Myth was Made, 1978, pixPeter: (1) Song+ Translation, (2) Woman with Seaweed (1) WW1403-WW1877, (2) WW 1878- WW 1978. |
| Film F-4970/371 |
How the Myth was Made, 1978, magPeter: (1) Song+ Translation, (2) Woman with Seaweed (1) WW1403-WW1877, (2) WW 1878- WW 1978. |
| Film F-4970/11 |
How the Myth was Made, 1978, pixInterview: Sir Micahel Balcon SS0008-SS. |
| Film F-4970/392 |
How the Myth was Made, 1978, magInterview: Sir Micahel Balcon SS0008-SS. |
| Film F-4970/12 |
How the Myth was Made, 1978, pixColey Hernon GG0008-GG1058 (use #s in perfs on mag). |
| Film F-4970/393 |
How the Myth was Made, 1978, magColey Hernon GG0008-GG1058 (use #s in perfs on mag). |
| Film F-4970/13 |
How the Myth was Made, 1978, pixKATE: MAKING BREAD, FLAHERTY STORIES, GG1078-GG. Multiple reels; Reel description: Seaweed Donkey Hoofs, Horn calls Seagulls [?] Water capp Water lapping against boot Sea Sounds Sea ambianace. |
| Film F-4970/354 |
How the Myth was Made, 1978, magKATE: MAKING BREAD, FLAHERTY STORIES, GG1078-GG. Multiple reels; Reel description: Seaweed Donkey Hoofs, Horn calls Seagulls [?] Water capp Water lapping against boot Sea Sounds Sea ambianace. |
| Film F-4970/14 |
How the Myth was Made, 1978, pixKate+Peter: Home, Chickens, Worm HH0009-HH; Reel description: G. Stoney Assoc. How the Myth Was Made. Kate+Peter Sync Pix. |
| Film F-4970/394 |
How the Myth was Made, 1978, magKate+Peter: Home, Chickens, Worm HH0009-HH; Reel description: G. Stoney Assoc. How the Myth Was Made. Kate+Peter Sync Pix. |
| Film F-4970/15 |
How the Myth was Made, 1978, pixASH WEDNESDAY and FUNERAL, K:0000-Wild Sound (includes FR. MOHRN's Funeral Readin-) MOS- J:0000 / Ash Wednesday and Funeral MOS, Wild Sound, including Father Mohrn's reading. Reel description: Stoney Assoc.// Myth/ARAN//Church: Ash Wed. + Funeral//Code J:0000//Head G. Stoney Assoc//Code K:0000//Church: Ash Wednesday and Funeral // Wild Trk.//HD. |
| Film F-4970/395 |
How the Myth was Made, 1978, magASH WEDNESDAY and FUNERAL, K:0000-Wild Sound (includes FR. MOHRN's Funeral Readin-) MOS- J:0000 / Ash Wednesday and Funeral MOS, Wild Sound, including Father Mohrn's reading. Reel description: Stoney Assoc.// Myth/ARAN//Church: Ash Wed. + Funeral//Code J:0000//Head G. Stoney Assoc//Code K:0000//Church: Ash Wednesday and Funeral // Wild Trk.//HD. |
| Film F-4970/16 |
How the Myth was Made, 1978Materials From BIN- ARAN Project, Loading Ran. |
| Film F-4970/17 |
How the Myth was Made, 1978, pixB+W Recreation: Cattle Drive #2 C1333. |
| Film F-4970/355 |
How the Myth was Made, 1978, magB+W Recreation: Cattle Drive #2 C1333. |
| Film F-4970/18 |
How the Myth was Made, 1978Interview: John Monck (Goldman) BG- First Outs, Reel #3. |
| Film F-4970/19 |
How the Myth was Made, 1978, pixWalter Lassaly Interview Pix+Track. |
| Film F-4970/396 |
How the Myth was Made, 1978, magWalter Lassaly Interview Pix+Track. |
| Film F-4970/20 |
How the Myth was Made, 1978B+W Recreation: Seaweed Gathering, B0009- B0627, B+W Recreation: Stealing Sand, B0668- B1522. |
| Film F-4970/21 |
How the Myth was Made, 1978Assembly outs, Harry+Maggie- 'CC' Mary Gill Conneel X PIE, Harry+ George Argument 'DD' Sir Michael Balcon 'SS' PJ Mullen 'UU' MOS EG 22; Multiple reels. Reel description: UU PJ Mullen PIX HD, Assembly Outs UU PJ Mullen, 'AE' Mary Gill Connely, 'AE' Mary Gill Conneely TRK, Assembly Outs 'CC' Harry+Maggie TRK, Assembly outs, 'cc' Pix Harry+Maggie. |
| Film F-4970/22 |
How the Myth was Made, 1978N.O. Print - ARAN Project. Reel description: Bad Print. |
| Film F-4970/23 |
How the Myth was Made, 1978Stoney, Can #2, B+W Recreation Print. |
| Film F-4970/24 |
How the Myth was Made, 1978Roll #1 MOS E0000-E2415 CT 1 MOS+ Interview out ins, Roll #2 MOS F0000-F1907 CI IIMOS + DAY III Shots, MAN of ARAN; Reel description: MOS #2 Common Thread, Jamie Stoney A80FX. |
| Film F-4970/25 |
How the Myth was Made, 1978George Stoney Assoc. How the Myth Was Made w Pix; Multiple reels. Reel description: How the Myth was made reel 2 and reel without label. |
| Film F-4970/26 |
How the Myth was Made, 1978Man of Aran. Copy of Orig Mag Track. Reel description: Films Inc. Man of Aran. Part 2. Dub. 2.28.78. 341 24901 15 Films Inc. Man of Iran. Part 1. Dub. 2.28.78. 34124901 15. |
| Film F-4970/27 |
How the Myth was Made, 1978N.G. Print, ARAN Project, 5/23/77. Multiple reels. Reel description: Bad Print of Maggie D, Bad Print of Maggie D, Mary Gill #4 Bad Print, Bad Print of Maggie D #6. |
| Film F-4970/28 |
How the Myth was Made, 1978N.O. Print - ARAN Project. Reel description: Bad Print. |
| Film F-4970/29 |
How the Myth was Made, 1978, pixAmusement. |
| Film F-4970/372 |
How the Myth was Made, 1978, magAmusement. |
| Film F-4970/30 |
How the Myth was Made, 1978, pixIsland- Time 88 Film. |
| Film F-4970/373 |
How the Myth was Made, 1978, magIsland- Time 88 Film. |
| Film F-4970/31 |
How the Myth was Made, 1978, pixSharks. |
| Film F-4970/374 |
How the Myth was Made, 1978, magSharks. |
| Film F-4970/32 |
How the Myth was Made, 1978How the Myth Was Made. Reel I, Pix + Mixed Mag. |
| Film F-4970/33 |
How the Myth was Made, 1978, pixHarry with Mary Gill Connelly DD0011-DD0767 (use #'s in Perfs). |
| Film F-4970/356 |
How the Myth was Made, 1978, magHarry with Mary Gill Connelly DD0011-DD0767 (use #'s in Perfs). |
| Film F-4970/34 |
How the Myth was Made, 1978Interview: John Monck (Goldman) BE0011-BE, First Outs, Reel#1; Multiple reels. Reel description: G. Stoney Assoc/ Myth/ARAN//Reel#1: Interview wi. John Monek (Goldman)/Sync Pix//Head G, Stoney Assoc/Myth/ARAN//Reel#1: Interview wi. John Monek (Goldman)/Sync Trk.//Head. |
| Film F-4970/35 |
How the Myth was Made, 1978, pixVarious Inteviews (see list) Wild Sound- GA:0000 MOS A:0000; Reel description: George Stoney Assoc. /Myth/ARAN/ Various Interviews/Wild Sound//Head. |
| Film F-4970/375 |
How the Myth was Made, 1978, magVarious Inteviews (see list) Wild Sound- GA:0000 MOS A:0000; Reel description: George Stoney Assoc. /Myth/ARAN/ Various Interviews/Wild Sound//Head. |
| Film F-4970/36 |
How the Myth was Made, 1978, pixSing and Dnace at Kate + Peter's JJ0010-JJ; Reel description: G. Stoney Assoc. Sing+Dance at Kate+Peters/Sync+Pix/Head G. Stoney Assoc. Myth Aran/Sing+Dance/Kate+Peter's/Sync Trak/Head. |
| Film F-4970/357 |
How the Myth was Made, 1978, magSing and Dnace at Kate + Peter's JJ0010-JJ; Reel description: G. Stoney Assoc. Sing+Dance at Kate+Peters/Sync+Pix/Head G. Stoney Assoc. Myth Aran/Sing+Dance/Kate+Peter's/Sync Trak/Head. |
| Film F-4970/37 |
How the Myth was Made, 1978Mary Bree Droar. First Outs. TT0771-TT1683; Multiple reels. Reel description: Stoney. ARAN [?] Stoney. ARAN [?] |
| Film F-4970/38 |
How the Myth was Made, 1978Kate+Peter: Home, Chickens, Worm, + Sing+Dance, Wild Sound- S:000, MOS T:000, Song: 0000SA, MOS: 0000DB. Multiple reels. Reel description: Code S:0000 Myth/ARAN//Kate+Peter: Worm, chickens, home//wild track//head, Code T:000 Bread+Flaherty/Stu[?]/ Kate+Peter, Worm, Chicken, Home//MOS//Head, Myth/ARAN//Sing at Kate+Peter's/MOS/Head, G. Stoney Assoc. Code ST:0000/Sing at Kate+Peter's/Wild Track/Head. |
| Film F-4970/39 |
How the Myth was Made, 1978Trims- Man of Aran Fogiage/ How the Myth Was Made George Stoney Assoc. |
| Film F-4970/40 |
How the Myth was Made, 1978, pixKilronen: Harbor, Dock, Unloading Boats, MOS 0:0000 + Wild Sound P:0000; Multiple reels. Reel description: 929-4278//G. Stoney Assoc. //Myth/Aran//Kilronen Harbor, Dock, Unloading, Boats//MOS//Head, 929-4278/G. Stoney Assoc. Code P:0000/Kilronnen Harbor, Dock, Unleading, Boat //Wild trk//Head. |
| Film F-4970/376 |
How the Myth was Made, 1978, magKilronen: Harbor, Dock, Unloading Boats, MOS 0:0000 + Wild Sound P:0000; Multiple reels. Reel description: 929-4278//G. Stoney Assoc. //Myth/Aran//Kilronen Harbor, Dock, Unloading, Boats//MOS//Head, 929-4278/G. Stoney Assoc. Code P:0000/Kilronnen Harbor, Dock, Unleading, Boat //Wild trk//Head. |
| Film F-4970/41 |
How the Myth was Made, 1978, pixMarcus: Seaweed, Land, Potatoes, Wild Sound, CA:0000, MOS, Code:CB0000; Multiple reels. Reel description: George Stoney Assoc. Code CA:0000//Gather Seaweed/Land Potatoes//Wild Sound//Head, 929-4278 Code CB:0000//Seaweed/Land/Potatoes//MOS//Head. |
| Film F-4970/377 |
How the Myth was Made, 1978, magMarcus: Seaweed, Land, Potatoes, Wild Sound, CA:0000, MOS, Code:CB0000; Multiple reels. Reel description: George Stoney Assoc. Code CA:0000//Gather Seaweed/Land Potatoes//Wild Sound//Head, 929-4278 Code CB:0000//Seaweed/Land/Potatoes//MOS//Head. |
| Film F-4970/42 |
How the Myth was Made, 1978, pixShowing M.O. ARAN on T.V. and Discussion Wild Sound R-0000, MOS-Q:0000; Multiple reels. Reel description: Code:R:0000 Stoney//ARAN//Film+Discussion//WILD TRK//Head MYTH/ARAN// Showing M.O.A. on T.V. + Discuss ion After//MOS//Head. |
| Film F-4970/378 |
How the Myth was Made, 1978, magShowing M.O. ARAN on T.V. and Discussion Wild Sound R-0000, MOS-Q:0000; Multiple reels. Reel description: Code:R:0000 Stoney//ARAN//Film+Discussion//WILD TRK//Head MYTH/ARAN// Showing M.O.A. on T.V. + Discuss ion After//MOS//Head. |
| Film F-4970/43 |
How the Myth was Made, 1978, pixHarry Watt at Bungowla BB0010-BB0601; Multiple reels. Reel description: G. Stoney Assoc.// Myth/ARAN//Harry Watt at Bungowla/Sync Trk. //Head Myth/ARAN// Harry Watt at Bungowla//Sync Pix//Head. |
| Film F-4970/358 |
How the Myth was Made, 1978, magHarry Watt at Bungowla BB0010-BB0601; Multiple reels. Reel description: G. Stoney Assoc.// Myth/ARAN//Harry Watt at Bungowla/Sync Trk. //Head Myth/ARAN// Harry Watt at Bungowla//Sync Pix//Head. |
| Film F-4970/44 |
How the Myth was Made, 1978, pixInterview [?] Maggie [?]; Reel description: 929-4278/Myth/Aran//Maggie Dirrane Interview#1//Sync Pix. |
| Film F-4970/379 |
How the Myth was Made, 1978, magInterview [?] Maggie [?]; Reel description: 929-4278/Myth/Aran//Maggie Dirrane Interview#1//Sync Pix. |
| Film F-4970/45 |
How the Myth was Made, 1978Peter: Milk cow, Fort, Rye, Song, Seawed Story + Horse, Wild Sound, MOS; Reel description: 929 4278//G. Stoney Assoc.// Myth/ARAN//Peter: Milk, cow, Fort, cow, ryie, seaweed story+horse//wild sound//head 929-4278//G. Stoney Assoc/Myth/Aran//Peter: milkd cow, fort, sow, rye, song, with his horse, MOS Head. |
| Film F-4970/46 |
How the Myth was Made, 1978Marcus: Cattle Load in Kilronen, FF1671-FF2741 MOS+Wild SD. Marcus: Dragging Nets on Dock PP0987-PP1082; Reel description: 929-4278//G. Stoney Assoc. //Myth/ARAN//Marcus: Cattle Load at Kilronen+ Drag Nets//Sync Pix//Head Myth/ARAN//Marcus:Cattle Loading at Kilronen//Wild Trk.//Head Myth/ARAN//Cattle Loading at Kilronen //MOS//Head G. Stoney Assoc. /Myth/ARAN//Marcus: Cattle Load at Kilronen+drag nets//Sync Trak//Head. |
| Film F-4970/47 |
How the Myth was Made, 1978Various Sync Mini-Sequences QQ 0008-QQ1094 TT 2015-TT2191; Multiple reels. Reel description: 929-4278, G. Stoney Assoc. Myth/ARAN, Various Short Scenes, Sync Trk. Head 929-4278, G. Stoney Assoc. Myth/ARAN, Various Short Sync Ses. Sync Pix Head. |
| Film F-4970/48 |
How the Myth was Made, 1978Interview: John Monck (Goldman) BF- BF First outs, reel #2; Reel description: Stoney//ARAN//Reel #2- John Goldman (Monk) and no label. |
| Film F-4970/49 |
How the Myth was Made, 1978, pixInterview: Walter Lassally+SID NNOO11-NN1834 FIRST OUTS; Reel information: G. Stoney Assoc. //Myth/ARAN//Walter Lassaly+SID/ Sync Pix. |
| Film F-4970/380 |
How the Myth was Made, 1978, magInterview: Walter Lassally+SID NNOO11-NN1834 FIRST OUTS; Reel information: G. Stoney Assoc. //Myth/ARAN//Walter Lassaly+SID/ Sync Pix. |
| Film F-4970/50 |
How the Myth was Made, 1978, pixInterview: Maggie Dirrane First Outs, AC: Reel #2; Reel description: G. Stoney Assoc/ Myth/ARAN//Maggie Interview #2//Sync Trk.//Head G. Stoney Assoc. Myth/ARAN/ Maggie Interview #2/ Sync Pix. |
| Film F-4970/381 |
How the Myth was Made, 1978, magInterview: Maggie Dirrane First Outs, AC: Reel #2; Reel description: G. Stoney Assoc/ Myth/ARAN//Maggie Interview #2//Sync Trk.//Head G. Stoney Assoc. Myth/ARAN/ Maggie Interview #2/ Sync Pix. |
| Film F-4970/51 |
How the Myth was Made, 1978, pixInterview: Mary Gill Conneely, AE 0000-AE 1700, First Outs; Multiple reels. Reel description: G. Stoney Assoc.//Myth/ARAN/ Int. wi. Mary Gill Conneely/ Sync Track G. Stoney Assoc. Myth/ARAN Mary Gill Connelly Interview/ Sync Pix. |
| Film F-4970/382 |
How the Myth was Made, 1978, magInterview: Mary Gill Conneely, AE 0000-AE 1700, First Outs; Multiple reels. Reel description: G. Stoney Assoc.//Myth/ARAN/ Int. wi. Mary Gill Conneely/ Sync Track G. Stoney Assoc. Myth/ARAN Mary Gill Connelly Interview/ Sync Pix. |
| Film F-4970/52 |
How the Myth was Made, 1978, pixB+W Recreation: Cattle Drive # 1 C0007- C1332, Wild Sound: Driving Cattle C0008-C. |
| Film F-4970/359 |
How the Myth was Made, 1978, magB+W Recreation: Cattle Drive # 1 C0007- C1332, Wild Sound: Driving Cattle C0008-C. |
| Film F-4970/53 |
How the Myth was Made, 1978How the Myth Was Made 1 (Bottom: How the Myth Was Made 1 Re-Transfers Tails Out). |
| Film F-4970/54 |
How the Myth was Made, 1978, pixEditing; Multiple reels. Reel description: Editing Sync Pix Editing Sync Trak. |
| Film F-4970/383 |
How the Myth was Made, 1978, magEditing; Multiple reels. Reel description: Editing Sync Pix Editing Sync Trak. |
| Film F-4970/55 |
How the Myth was Made, 1978, pixEffect on the Island. |
| Film F-4970/360 |
How the Myth was Made, 1978, magEffect on the Island. |
| Film F-4970/56 |
How the Myth was Made, 1978Cameraman - Director; Reel description: Cameraman/Director Pix Cameraman/Director Track. |
| Film F-4970/57 |
How the Myth was Made, 1978Assembly Outs, 'AB + 'AC' -maggie, 'BG'+ 'BE' - Goldman, 'RR' Maggie+ Family, 'JJ' Kate+Peter's. |
| Film F-4970/58 |
How the Myth was Made, 1978Basic Theme. |
| Film F-4970/59 |
How the Myth was Made, 1978Seaweed+Land Pulls; Reel description: Seaweed + Land. |
| Film F-4970/60 |
How the Myth was Made, 1978, pixMrs. Flaherty; Reel description: Mrs. Flaherty Sync Track Head Mrs. Flaherty, Sync Pix. |
| Film F-4970/397 |
How the Myth was Made, 1978, magMrs. Flaherty; Reel description: Mrs. Flaherty Sync Track Head Mrs. Flaherty, Sync Pix. |
| Film F-4970/61 |
How the Myth was Made, 1978B+W Recreation: Girl Leaving for America A Wild SD: Teresa Millane Sings Shore of America; Multiple reels. Reel description: Myth/ARAN/Song:Teresa Millane: The shores of America/Wild Track//Head Leaving for America Music Track, Paul's HO G. Stoney Assoc. /Myth/Aran//Recreation: Cottage- Girl Leaves for America MOS//Head. |
| Film F-4970/62 |
How the Myth was Made, 1978Interview: Alf McLoughlin MM0708-MM; Multiple reels. Reel description: Naive Realist Rep Naive Realist+rep. |
| Film F-4970/63 |
How the Myth was Made, 1978Identifying People+Jobs; Multiple reels. Reel description: Identify -people+jobs, Sync Track Head Identify- People+Jobs, Sync Pix, Head. |
| Film F-4970/64 |
How the Myth was Made, 1978George Stoney, How Myth Was Made Outakes; Reel description: George Stoney- How the Myth Was Made outakes pix head. |
| Film F-4970/65 |
How the Myth was Made, 1978Interview: LIAM O'LEARY First Outs TT0006-TT0736; Multiple reels. Reel description: Liam O'Leary/Sync Pix/Head Liam O'Leary/Sync Trak//Head. |
| Film F-4970/66 |
How the Myth was Made, 1978, pixLos Angeles Desgregation Pix+Track; Multiple reels. Reel description: L.A. desgreation rolls 1-2-3- Sync PixHead FCM. |
| Film F-4970/384 |
How the Myth was Made, 1978, magLos Angeles Desgregation Pix+Track; Multiple reels. Reel description: L.A. desgreation rolls 1-2-3- Sync PixHead FCM. |
| Film F-4970/67 |
How the Myth was Made, 1978Mr.+Mrs. Hernon+ Daughters PP1465-PP2335. |
| Film F-4970/68 |
How the Myth was Made, 1978Michael King: Horse, Blacksmithing, Interview with Peter, MOS+Wild Sound, Michael King's Voice over. |
| Film F-4970/69 |
How the Myth was Made, 1978Flaherty Interview. |
| Film F-4970/70 |
How the Myth was Made, 1978Robert Flaherty. |
| Film F-4970/71 |
How the Myth was Made, 1978, pixMyth Cuts. |
| Film F-4970/367 |
How the Myth was Made, 1978, magMyth Cuts. |
| Film F-4970/72 |
How the Myth was Made, 1978Michale Gill: with George I Cemetary VV0010-VV1362. |
| Film F-4970/73 |
How the Myth was Made, 1978Harbormaster PP0894-PP0986, German Film Crew PP1105-PP1425. |
| Film F-4970/74 |
How the Myth was Made, 1978Pat Faddy Hernon: Calf, Land, Tourists, PP0012-PP0847, TT2222-TT2567, First Outs. |
| Film F-4970/75 |
How the Myth was Made, 1978Michael Gill with George, Cemetary+Cross, Wild Sound MOS. |
| Film F-4970/76 |
How the Myth was Made, 1978, pixMichal Gill with Georege at Kilronen Cross, VV1363-VV, First Outs. |
| Film F-4970/361 |
How the Myth was Made, 1978, magMichal Gill with Georege at Kilronen Cross, VV1363-VV, First Outs. |
| Film F-4970/77 |
How the Myth was Made, 1978How the Myth Was Made. EEF Loops. |
| Film F-4970/78 |
How the Myth was Made, 1978No Label. |
| Film F-4970/79 |
How the Myth was Made, 1978Flaherty Narration 1. |
| Film F-4970/80 |
How the Myth was Made, 1978Myth- Mix Mag Reel 1. |
| Film F-4970/81 |
How the Myth was Made, 1978How the Myth Was Made EFX Track R-1. |
| Film F-4970/82 |
How the Myth was Made, 1978How the Myth Was Made, EFX Tracks R-2. |
| Film F-4970/83 |
How the Myth was Made, 1978How the Myth Was Made. Reel II, Dial A+B. |
| Film F-4970/84 |
How the Myth was Made, 1978Man of ARAN, TRIMS, How the Myth Was Made- George Stoney Assoc. |
| Film F-4970/85 |
How the Myth was Made, 1978MIX-MYTH reel 2. |
| Film F-4970/86 |
How the Myth was Made, 1978Miscellaneous EFX. |
| Film F-4970/87 |
How the Myth was Made, 1978Dan Moving QQ 1137-2248. |
| Film F-4970/88 |
How the Myth was Made, 1978Pat Faddy Hernon: Calf, Land, Tourists, Wild Sound, MOS, JA:0000, KA:0000. |
| Film F-4970/89 |
How the Myth was Made, 1978CATTLE Loading on INISHMAN YY0007-YY1644. |
| Film F-4970/90 |
How the Myth was Made, 1978George Stoney Assoc. How the Myth Was Made, Man of Aran Tracks R-1, R-2; Multiple reels. Reel description: a) How The Myth Was Made -Man of Aran Track- Reel II, How The Myth Was Made , Man of Aran, Track Reel I. |
| Film F-4970/91 |
How the Myth was Made, 1978Narration Tracks A+B Reel I. |
| Film F-4970/92 |
How the Myth was Made, 1978How the Myth Was Made, Reel I, Dial A+B. |
| Film F-4970/93 |
How the Myth was Made, 1978Narration Tracks A+B Reel II, How the Myth Was Made. |
| Film F-4970/189 |
How the Myth Was Made, 1978, pixL.A. Desegregation Wild Sound+MOS. |
| Film F-4970/408 |
How the Myth Was Made, 1978, magL.A. Desegregation Wild Sound+MOS. |
| Film F-4970/190 |
How the Myth Was Made, 1978, pixL.A. Desegregation -Selected Takes. |
| Film F-4970/409 |
How the Myth Was Made, 1978, magL.A. Desegregation -Selected Takes. |
| Film F-4970/191 |
How the Myth Was Made, 1978Narration Track 1-24-78. |
| Film F-4970/192 |
How The Myth was Made, 1978Romanticism/ Reality. |
| Film F-4970/193 |
How the Myth Was Made, 1978, pixThe Land. |
| Film F-4970/410 |
How the Myth Was Made, 1978, magThe Land. |
| Film F-4970/194 |
How the Myth Was Made, 1978, pixThe Storm. |
| Film F-4970/411 |
How the Myth Was Made, 1978, magThe Storm. |
| Film F-4970/195 |
How The Myth was Made, 1978Single PERF 16mm Fill, Miscellaneous Rolls. |
| Film F-4970/196 |
How the Myth Was Made, 1978No Label; Multiple reels. Reel description: Seaweed Donkey Hoofs, Horn calls Seagulls [?] Water capp Water lapping against boot Sea Sounds Sea ambianace. |
| Film F-4970/284 |
How the Myth Was Made, 1978Miscellaneous Man of Aran #1. |
| Film F-4970/285 |
How the Myth Was Made, 1978Miscellaneous Man of Aran #2. |
| Audiotape T-4970/201 |
How the Myth was Made, 1978George Stoney. Assoc. How the Myth Was Made Narration 2/11/78. R-1; 1/4 audiotape reel to reel. |
| Audiotape T-4970/202 |
How the Myth was Made, 1978George Stoney Assoc. R-2. 2/11/78 Narration Track. 1/4 audiotape reel to reel. |
| Audiotape T-4970/203 |
How the Myth was Made, 1978George Stoney Associates. How the Myth Was Made Narration R-1 11/6/77 R-1; 1/4 audiotape reel to reel. |
| Audiotape T-4970/4 |
How the Myth was Made, 1978George Stoney Associates. How the Myth Was Made Narration. 11/6/77. R2; 1/4 audiotape reel to reel. |
| Audiotape T-4970/5 |
How the Myth was Made, 1978How the Myth Was Made. Narration Track 1/4/78. R1 George Stoney Associates; 1/4 audiotape reel to reel. |
| Audiotape T-4970/6 |
How the Myth was Made, 1978George Stoney Associates. How the Myth Was Made Narration Jan. 24 1978. R1; 1/4 audiotape reel to reel. |
| Audiotape T-4970/7 |
How the Myth was Made, 1978George Stoney Associates. How the Myth Was Made Narration Track Jan. 24, 1978. R2; 1/4 audiotape reel to reel. |
| Audiotape T-4970/8 |
How the Myth was Made, 1978How the Myth Was Made; 1/4 audiotape reel to reel. |
| Audiotape T-4970/9 |
How the Myth was Made, 1978How the Myth Was Made; 1/4 audiotape reel to reel. |
| Audiotape T-4970/10 |
How the Myth was Made, 1978How the Myth Was Made; 1/4 audiotape reel to reel. |
| Audiotape T-4970/11 |
How the Myth was Made, 1978How the Myth was Made; 1/4 audiotape reel to reel. |
| Audiotape T-4970/12 |
How the Myth was Made, 1978ARAN Tape #1; 1/4 audiotape reel to reel. |
| Audiotape T-4970/13 |
How the Myth was Made, 1978ARAN Tape #2; 1/4 audiotape reel to reel. |
| Audiotape T-4970/14 |
How the Myth was Made, 1978ARAN Tape #3; 1/4 audiotape reel to reel. |
| Audiotape T-4970/15 |
How the Myth was Made, 1978ARAN Tape #4; 1/4 audiotape reel to reel. |
| Audiotape T-4970/16 |
How the Myth was Made, 1978ARAN Tape #5; 1/4 audiotape reel to reel. |
| Audiotape T-4970/17 |
How the Myth was Made, 1978ARAN Tape #6; 1/4 audiotape reel to reel. |
| Audiotape T-4970/18 |
How the Myth was Made, 1978ARAN Tape #7; 1/4 audiotape reel to reel. |
| Audiotape T-4970/19 |
How the Myth was Made, 1978ARAN Tape #8; 1/4 audiotape reel to reel. |
| Audiotape T-4970/20 |
How the Myth was Made, 1978ARAN Tape #9; 1/4 audiotape reel to reel. |
| Audiotape T-4970/21 |
How the Myth was Made, 1978Aran Tape #10; 1/4 audiotape reel to reel. |
| Audiotape T-4970/22 |
How the Myth was Made, 1978ARAN Tape #11; 1/4 audiotape reel to reel. |
| Audiotape T-4970/23 |
How the Myth was Made, 1978ARAN Tape #12; 1/4 audiotape reel to reel. |
| Audiotape T-4970/24 |
How the Myth was Made, 1978ARAN Tape #13; 1/4 audiotape reel to reel. |
| Audiotape T-4970/25 |
How the Myth was Made, 1978ARAN Tape #14; 1/4 audiotape reel to reel. |
| Audiotape T-4970/26 |
How the Myth was Made, 1978ARAN Tape #15; 1/4 audiotape reel to reel. |
| Audiotape T-4970/27 |
How the Myth was Made, 1978ARAN Tape #16; 1/4 audiotape reel to reel. |
| Audiotape T-4970/28 |
How the Myth was Made, 1978ARAN Tape #17; 1/4 audiotape reel to reel. |
| Audiotape T-4970/29 |
How the Myth was Made, 1978ARAN Tape #18; 1/4 audiotape reel to reel. |
| Audiotape T-4970/30 |
How the Myth was Made, 1978ARAN Tape #19; 1/4 audiotape reel to reel. |
| Audiotape T-4970/31 |
How the Myth was Made, 1978ARAN Tape #20; 1/4 audiotape reel to reel. |
| Audiotape T-4970/32 |
How the Myth was Made, 1978ARAN Tape #21; 1/4 audiotape reel to reel. |
| Audiotape T-4970/33 |
How the Myth was Made, 1978ARAN Tape #22; 1/4 audiotape reel to reel. |
| Audiotape T-4970/34 |
How the Myth was Made, 1978ARAN Tape #23; 1/4 audiotape reel to reel. |
| Audiotape T-4970/35 |
How the Myth was Made, 1978ARAN Tape #24; 1/4 audiotape reel to reel. |
| Audiotape T-4970/36 |
How the Myth was Made, 1978ARAN Tape #25; 1/4 audiotape reel to reel. |
| Audiotape T-4970/37 |
How the Myth was Made, 1978ARAN Tape #26; 1/4 audiotape reel to reel. |
| Audiotape T-4970/38 |
How the Myth was Made, 1978ARAN Tape #27; 1/4 audiotape reel to reel. |
| Audiotape T-4970/39 |
How the Myth was Made, 1978ARAN Tape #28; 1/4 audiotape reel to reel. |
| Audiotape T-4970/40 |
How the Myth was Made, 1978ARAN Tape #29; 1/4 audiotape reel to reel. |
| Audiotape T-4970/41 |
How the Myth was Made, 1978ARAN Tape #30; 1/4 audiotape reel to reel. |
| Audiotape T-4970/42 |
How the Myth was Made, 1978ARAN Tape #31; 1/4 audiotape reel to reel. |
| Audiotape T-4970/43 |
How the Myth was Made, 1978ARAN Tape #33; 1/4 audiotape reel to reel. |
| Audiotape T-4970/44 |
How the Myth was Made, 1978ARAN Tape #34; 1/4 audiotape reel to reel. |
| Audiotape T-4970/45 |
How the Myth was Made, 1978ARAN Tape #35; 1/4 audiotape reel to reel. |
| Audiotape T-4970/46 |
How the Myth was Made, 1978ARAN Tape #40; 1/4 audiotape reel to reel. |
| Audiotape T-4970/47 |
How the Myth was Made, 1978Sound Effects for Myth Stoney Associates, P.V. by Trudy Bagdon, ARAN Tape #18; 1/4 audiotape reel to reel. |
| Audiotape T-4970/48 |
How the Myth was Made, 1978ReTransfer How the Myth Was Made Work Elements, 15 IPS Mono Full TRK, Tail Out; 1/4 audiotape reel to reel. |
| Audiotape T-4970/49 |
How the Myth was Made, 1978George Stoney. Assoc. How the Myth Was Made Narration 2/25/78; 1/4 audiotape reel to reel. |
| Audiotape T-4970/198 |
How the Myth was Made, 1978How the Myth Was Made; 1/4 audiotape reel to reel. |
| Videotape VT-4970/38 |
How the Myth was Made, 1978Peter and Kate Factory [?] No. 1 Aran; Half inch open reel. |
| Videotape VT-4970/39 |
How the Myth was Made, 1978Peter and Colin Tom, That thing[?] II, ARAN 9/16/76; Half inch open reel. |
| Videotape VT-4970/40 |
How the Myth was Made, 1978Myth. Peter. Practice. To get to talk[?] Shovel/ROCK get used to camera/ talk on working/should have seen him at work- then playback_ hear what he had to say/ Stoney/ARAN Islands: Peter Thresing and Thatching the Roof/ Side: STONEY/ARAN ISLANDS: Peter thresing and thatching the roof; Half inch open reel. |
| Videotape VT-4970/41 |
How the Myth was Made, 1978Stoney/ARAN Islands: Peter Fishing from Cliffs; Half inch open reel. |
| Videotape VT-4970/42 |
How the Myth was Made, 1978Peter sets Gill mets with Betty 8/24/76; Half inch open reel. |
| Videotape VT-4970/43 |
How the Myth was Made, 1978Man of ARAN. Man of Aran R. two of three; Half inch open reel. |
| Videotape VT-4970/44 |
How the Myth was Made, 1978Man of ARAN, Reel #1. Man of Aran, Reel one of three; Half inch open reel. |
| Videotape VT-4970/45 |
How the Myth was Made, 1978ARAN Outakes Michael…[?]+fish+village. ARAN OUTTAKE R1-2-3 Original Order. Man of Arran, Reel Three of three. Half inch open reel. |
| Videotape VT-4970/46 |
How the Myth was Made, 1978ARAN Outakes Fishing and Shark [?] details.ARAN OUTS R7; Half inch open reel. |
| Videotape VT-4970/47 |
How the Myth was Made, 1978Kate and Peter #5 Myth/ Front: Kate and Peter Butter [?] 6/11/75 and camera and Mike test 2/8/77; Half inch open reel. |
| Videotape VT-4970/48 |
How the Myth was Made, 1978Man of ARAN, Reel # Three of Three; Half inch open reel. |
| Videotape VT-4970/167 |
How the Myth was Made, 1978Stoney, George, Documenatry; U-matic. |
| Videotape VT-4970/168 |
How the Myth Was Made, 1978187. dupe. Note the myth was made. How the Myth Was Made; U-matic. |
| Videotape VT-4970/169 |
How the Myth Was Made, 1978187. Duplicate. How the Myth Was Made; U-matic. |
| Audiocassette C-4970/17 |
How the Myth was Made, 1978Maggie+Bobby Gill, singing at screeninging. |
| Audiocassette C-4970/18 |
How the Myth was Made, 1978Michael Gill, Killranran[?] Aran Islands, 6/10/75. |
| Audiocassette C-4970/19 |
How the Myth was Made, 1978An evening with Kate+Peter Flaherty Aran 9/1/76. |
| Audiocassette C-4970/20 |
How the Myth was Made, 1978Maggie and Dirrane III A1. |
| Audiocassette C-4970/21 |
How the Myth was Made, 1978Mary Diranne Flaherty, Med to R.F. in 32 33 9/3/76 [?] 2. Tim and Robinson, English [?] on Aran 9/3/76. |
| Audiocassette C-4970/22 |
How the Myth was Made, 1978Monck or March [?] No. 1. |
| Audiocassette C-4970/23 |
How the Myth was Made, 1978Monck or March [?] No. 2. |
| Audiocassette C-4970/24 |
How the Myth was Made, 1978Monck or March [?] No. 3. |
| Audiocassette C-4970/25 |
How the Myth was Made, 1978Monck or March [?] No. 4. |
| Audiocassette C-4970/26 |
How the Myth was Made, 1978J. Taylor #1. |
| Audiocassette C-4970/27 |
How the Myth was Made, 1978J. Taylor No. 2. |
| Audiocassette C-4970/28 |
How the Myth was Made, 1978J. Taylor No. 3, reply to Maggie. |
| Audiocassette C-4970/29 |
How the Myth was Made, 1978Jill's talk with Basil Wright. |
| Audiocassette C-4970/30 |
How the Myth was Made, 1978Flaherty [?] at Bettys House. |
| Audiocassette C-4970/31 |
How the Myth was Made, 1978Greetings Diranne 1975. |
| Audiocassette C-4970/32 |
How the Myth was Made, 1978K. F. after sermon at Neuman 8/25/76, Maggie, 8/25/76-both side. |
| Audiocassette C-4970/33 |
How the Myth was Made, 1978Michael Gill 1 A1. |
| Audiocassette C-4970/34 |
How the Myth was Made, 1978Dub Maggie to Wilde. |
| Audiocassette C-4970/35 |
How the Myth was Made, 19781. The Wilde to Maggie 9/11/76 [?] 2. Michael [?] 9/25/76. |
| Audiocassette C-4970/36 |
How the Myth was Made, 1978Jills tape with John Monck side 1. |
| Audiocassette C-4970/37 |
How the Myth was Made, 1978Jill's tape with John Monck [?] side 2. |
| Audiocassette C-4970/38 |
How the Myth was Made, 1978Jill's tape John Monck side 3 [?] interview. |
| Audiocassette C-4970/39 |
How the Myth was Made, 1978Jill's tape with John Monck side 4. |
| Audiocassette C-4970/40 |
How the Myth was Made, 1978Jills talk with J. Monck [?] time side 5. |
| Audiocassette C-4970/41 |
How the Myth was Made, 1978K+P Flaherty after seeing MOA. ARAN 8/24/76 side 1 of 2. |
| Audiocassette C-4970/42 |
How the Myth was Made, 1978Michale Gillan Flaherty on G. Stoney. |
| Audiocassette C-4970/43 |
How the Myth was Made, 1978Peter+Kate II, A-I. |
| Audiocassette C-4970/44 |
How the Myth was Made, 1978Michael Gill sees MOA. |
| Audiocassette C-4970/45 |
How the Myth was Made, 1978A. Calder Marshall on ARAN B. Hausa village. |
| Audiocassette C-4970/46 |
How the Myth was Made, 1978Christmas party 12/27/76. |
| Audiocassette C-4970/47 |
How the Myth was Made, 1978Greetings to Betty for the ARAN Islands Christmas 76. |
| Audiocassette C-4970/48 |
How the Myth was Made, 1978Greetings to Betty for the ARAN Islands Christmas 76. Mary Connelly- Flaherty's Cook with [?] Robinson 2/14/77, reel 1. |
| Audiocassette C-4970/49 |
How the Myth was Made, 1978Mary Connellly- Flaherty cook with [?] Robinson 2/14/77 Reel 2. |
| Audiocassette C-4970/50 |
How the Myth was Made, 1978Evening w Tom Connelly [?] 5/30/76. P+K talk of old days 9/1/76. |
| Audiocassette C-4970/51 |
How the Myth was Made, 19781. Steven Can [?] Stoney Flaherty 2. Maggie talk to [?] A-I. |
| Audiocassette C-4970/52 |
How the Myth was Made, 1978FHF on Films II 41-45. |
| Audiocassette C-4970/53 |
How the Myth was Made, 1978Animation Demo (cassette label, insert info: Aran 1 Kate and Peter Flaherty. |
Expand/collapse
Subseries 5.2. Shepherd of the Night Flock, 1975.
Arrangement: by format.
Materials include films, 1/4th inch reel to reel audiotapes, videotapes, and cassettes all pertaining to Shepherd of the Night Flock.
| Film F-4970/94 |
Shepherd of the Night Flock, 1975Shepherd of the Night Flock ST1083 R. 1 of 2, Box 7; Viewing Copy available. |
| Film F-4970/95 |
Shepherd of the Night Flock, 1975Shepherd of the Night Flock ST1084 Reel 2/2 Box 7. |
| Film F-4970/96 |
Shepherd of the Night Flock, 1975George Stoney. The Shephard (Jazz at St. Peters) Cut Work Print. Reel 1; Reel description: Geo. Stoney Assoc. The Shepherd. Reel 1. Pix. Head. |
| Film F-4970/97 |
Shepherd of the Night Flock, 1975George Stoney. The Shephard( Jazz at St. Peters) Cut Workprint Reel 2; Reel description: Geo. Stoney Assoc. The Shepherd. Reel 2. Pix. Head. |
| Film F-4970/98 |
Shepherd of the Night Flock, 197548817 Tri Films St. Peter's Jazz. R1-2, 3-4. 16 Pix Neg. 815 ft. George Stoney; Multiple reels. Reel description: Storyville cuts Billy Taylor 2+4 and several without labels. |
| Film F-4970/99 |
Shepherd of the Night Flock, 197545058 Tri Films St. Peter's R1-2 16PIX NEG 813 FT; Reel description: Stoney Assoc. Barabara's. St. Peter's Jazz. Radio 71KE. SYNC TRK 2. Head. |
| Film F-4970/100 |
Shepherd of the Night Flock, 1975Masters from 1st Jazz Vespers Service. Pix outs+Trims. Pix w/no Trans Sound. Bad Sound Rolls. George Stoney; Multiple reels. Reel description: Sync Tube Put On Sync Reel, End out Jazz Communion Solo HO, HO UnSyn Jazz Vesper Interviews, TR Pix+TRK Gensel's SOW [?] Move, Alter slug. Jazz Vespers HO, Eddie B. ISF Jazz Vespers, outs+trims, St. Peter's Pastor-Gensel Sound for Eddie Bonnevere Jazz Vespers, HO. |
| Film F-4970/101 |
Shepherd of the Night Flock, 1975Masters from 1st Jazz Vespers Service Pix Outs+Trims PIX w/No Trans Sound. Bad Sound Rolls. George Stoney; Mulitple reels. Reel description: Advent Vespers Comm HO UNSYNC Vesper Interview The Gensel PIX+TRKAudience Shots+Communion Replace cut from vespers advent song. This Reel is a duplicate of Jazz Vespers Materials. |
| Film F-4970/102 |
Shepherd of the Night Flock, 1975George Stoney. St. Peters. Ellington's Funeral. Mag Track; Reel description: Cuts in Heaven. |
| Film F-4970/103 |
Shepherd of the Night Flock, 1975George Stoney. St. Peter's Ellington's Funeral; Reel description: Wellington Funeral. Interior During Funeral. |
| Film F-4970/104 |
Shepherd of the Night Flock, 1975George Stoney. St. Peter's. Christmas Eve 1972. Duke Ellington SR2 + Some Funeral; Reel description: Ellington and Singer, Ellington Funeral outs and trims, Ellington voice over outs and trims, and several reels without labels. |
| Film F-4970/105 |
Shepherd of the Night Flock, 1975George Stoney. St. Peter's. Christmas Eve 1972. Duke Ellington SR2 + Some Funeral; Multiple reels. Reel description: Ellington Applause Old St. Peter's Xmas eve [?] Tail of TGTT-Duke Ellington + outs and trims Fran Hoffman reading from Gospel Duke Ellington HOS Wild Trk Entering Church and onward christian/Ellington Funeral, HO, Ellington's Good Shepherd Ellington Cutaway to Bass. |
| Film F-4970/106 |
Shepherd of the Night Flock, 1975George Stoney. St. Peter's. Christmas Eve 1972. Duke Ellington SR2 + Some Funeral; Reel description: Ellington+Black Male Singer, Outs on eulogy, Sync Pix, Genesis Eulogy, Ellington funeral, HO. |
| Film F-4970/107 |
Shepherd of the Night Flock, 1975George Stoney. St. Peter's. Jazz Vespers/March 4+Jim Hall Concert 3/4/1973; Reel description: Gensel+Hall Wild Sound Tail Cut Jim Hall's Music and a reel without no label. |
| Film F-4970/108 |
Shepherd of the Night Flock, 1975George Stoney. St. Peter's . Jazz Vespers/March 4+ Jim Hall Concert 3/4/73; Multiple reels. Reel information: Jim Hall/Gen. Int. Pix. HO Jim Hall/Gen. Int. TRAK HO Jim Hall Part 1 Jim Hall outs and trims A Old Transfer of Jim Hall Bowne+Gensel T+Marchh Int Cut in Hall's music and a reel without label. |
| Film F-4970/109 |
Shepherd of the Night Flock, 1975St. Peter's. G. Stoney Assoc. Jazz Vespers. Frank Foster. Feb 4. 1 of 3; Multiple reels. Reel description: Magnetic full coat TAKS WILL[?] FRANK FOSTER FRANK FOSTER OUTS+TRIMS, cut aways Frank Foster Outs and Trims Film St. Peter's, Pastor Gensel, IW SYNC, Frank Foster VESPERS, Head Out St. Peter's Pastor Gensel, IN SYNC, Frank Foster Jazz Vespers, PIX, Head out. |
| Film F-4970/110 |
Shepherd of the Night Flock, 1975, pixGeorge Stoney. BB007-BB3405. Storyville. Gensel w/ Frank, Wein, Hammond, Zoot Simms, Billy Taylor, Joe Neuman; Reel description: George Stoney. BB007-BB3405. 'Storyville.' Gensel w/ Frank, Wein, Hammond, Zoot Simms, Billy Taylor, Joe Neuman. |
| Film F-4970/389 |
Shepherd of the Night Flock, 1975, magGeorge Stoney. BB007-BB3405. Storyville. Gensel w/ Frank, Wein, Hammond, Zoot Simms, Billy Taylor, Joe Neuman; Reel description: George Stoney. BB007-BB3405. 'Storyville.' Gensel w/ Frank, Wein, Hammond, Zoot Simms, Billy Taylor, Joe Neuman. |
| Film F-4970/111 |
Shepherd of the Night Flock, 1975George Stoney. DD0010-DD2808.Gensel and Peterson at Site and Gensel Counseling; Reel description: 9294278 Geo. Stoney Assoc.Jazz @ St. Peters. Gensel+Petersen+Counseling. Sync Pix. Head. |
| Film F-4970/112 |
Shepherd of the Night Flock, 1975George Stoney. DD0010-DD2808 Gensel and Petersen at Site and Gensel Counseling; Multiple reels. Reel description: Johns+Peterson Sync In+Outs Gensel+Peterson outs and trims, Int+Construct. Gensel+Petersen, Construction Scene outs Gensel+Petersen Audrey Phone cut Keep me on/Peterson's wife, Ralph + [?]. |
| Film F-4970/113 |
Shepherd of the Night Flock, 1975George Stoney. AA0004-AA1512 Sweet Basil Stereo Synch Rolls, Knopf on Piano, Gensel + Frank at Table; Reel description: Gensel's Knopf V.O. HO voice completion of blues on a [?] bring on cowns sync and reel without label. |
| Film F-4970/114 |
Shepherd of the Night Flock, 1975George Stoney. AA0004-AA1512 Sweet Basil Stereo Sync Rolls. Knopf on Piano, Gensel+Frank at Table; Reel description: Sweet Basil -music track. |
| Film F-4970/115 |
Shepherd of the Night Flock, 1975George Stoney. AA0004-AA1512 Sweet Basil Stereo Synch Rolls, Knopf on Piano, Gensel + Frank at Table; Reel description: Gensel's Knopf V.O. HO voice completion of blues on a [?] bring on cowns sync and reel without label Reel description: Paul Knopf VO ABM Sweet Basil HEAD. |
| Film F-4970/116 |
Shepherd of the Night Flock, 1975George Stoney. Scene at Barbara's Jazz at St. Peter's Stereo Synch Tracks; Multiple reels. Reel description: Tail out. Sync Pix. Storyville Scene. St. Peter's Jazz. Geo. Stoney. 929-4278. Storyville. RadioCity. V.O. [?] Storyville line[?] Billy Taylor 2++,1+3. |
| Film F-4970/117 |
Shepherd of the Night Flock, 1975George Stoney. Scene at Barbara's Jazz at St. Peter's Stereo Synch Tracks; Multiple reels. Reel description: Story outs+trims, Radio City V.O., Storyville montage, Storyville outs and trims, Tail Out. Radio Mike-Sync TRK. Storyville. 'St. Peter's Jazz'. George Stoney Assoc. 929-4278. |
| Film F-4970/118 |
Shepherd of the Night Flock, 1975George Stoney. St. Peter's Establishing Material; Multiple reels. Reel description: Establishing Material, esp. taking out windows, outs and trims Bach cantata, St. Peter's Move. Outs of Orig+Mixed Traks. |
| Film F-4970/119 |
Shepherd of the Night Flock, 1975Lid label: Southern Folklife Collection, 202 Dailies 42422 Tri Film Christmas Eve 1972, Black and White Negative Outs, 1 J215 Side of can label: 2-2 DAILIES 42422 Tri Film Christmas Eve. 1972. Reels 3,4,5 16MM PIX Neg 1173 Ft./George Stoney 650 ft. Out takes[?] Reel description: 36670-36685, J215 36687-36841, J255 56316-56687, J255 57964-58090, J255 58535-58639, J255 58535-58639, J255 58640-58758, J226 95547-95729, J262 33050-33159, J262 32940-33049 |
| Film F-4970/120 |
Shepherd of the Night Flock, 1975Storyville, St. Peter's jazz, MOS+Wild Sound. |
| Film F-4970/121 |
Shepherd of the Night Flock, 1975, pixJazz Vespers. March 4, 1973. Eddie Bonnemere, Band Leader, Pastor John Gensel + Pastor Ralph Peterson. Sync Rolls+ (2) 1/4 tapes. |
| Film F-4970/385 |
Shepherd of the Night Flock, 1975, magJazz Vespers. March 4, 1973. Eddie Bonnemere, Band Leader, Pastor John Gensel + Pastor Ralph Peterson. Sync Rolls+ (2) 1/4 tapes. |
| Film F-4970/122 |
Shepherd of the Night Flock, 1975, pixAB0009-AB0794 Sweet Basil Discussion between Knopf, Frank, Gensel, + Blakey Sync Rolls. |
| Film F-4970/398 |
Shepherd of the Night Flock, 1975, magAB0009-AB0794 Sweet Basil Discussion between Knopf, Frank, Gensel, + Blakey Sync Rolls. |
| Film F-4970/123 |
Shepherd of the Night Flock, 1975, pixGensel wi/ Peterson, at site, + Counseling, MOS Wild Sould and G+P V.O. A.B. New Church. |
| Film F-4970/399 |
Shepherd of the Night Flock, 1975, magGensel wi/ Peterson, at site, + Counseling, MOS Wild Sould and G+P V.O. A.B. New Church. |
| Film F-4970/124 |
Shepherd of the Night Flock, 1975Stoney Assoc. Jazz Interviews. St Peter's. Flood. G. Stoney Associates. Work Print. Hudson Shad. 7242- 400 ft, Roll 16, Process and Print only, City Processer Normal. |
| Film F-4970/125 |
Shepherd of the Night Flock, 1975, pixVarious Outs and Trims- The Shepherd Stills, Wagner, Voiceovers.; Multiple reels. Reel description: Outs of final stills, Outs of the stills, Various John Genzel voice over outs, Story about Billie Holiday, Wagner-Howard NEG, Old Wagner College Scene. |
| Film F-4970/368 |
Shepherd of the Night Flock, 1975, magVarious Outs and Trims- The Shepherd Stills, Wagner, Voiceovers.; Multiple reels. Reel description: Outs of final stills, Outs of the stills, Various John Genzel voice over outs, Story about Billie Holiday, Wagner-Howard NEG, Old Wagner College Scene. |
| Film F-4970/126 |
Shepherd of the Night Flock, 1975, pixMaterials for New March Scene-Jazz film; Multiple reels. Reel description: Full coat magnetic ORG. TKS+MIXED, VARIOUS MUSIC- OUTS MARCH, Outs + Trims, New March, Full coat magnetic 'SAINTS' lifted from Trk 4, March Interview, sound and images, FCM SAINTS from trk 2, FCM, New March[?] Outs, FCM, Old Mixed TRAK, Start Ruth Pix, Outs and Trims of SELLING[?] the Church, Some[?] March, Stoney, Gensel, March, Head, [?]. |
| Film F-4970/386 |
Shepherd of the Night Flock, 1975, magMaterials for New March Scene-Jazz film; Multiple reels. Reel description: Full coat magnetic ORG. TKS+MIXED, VARIOUS MUSIC- OUTS MARCH, Outs + Trims, New March, Full coat magnetic 'SAINTS' lifted from Trk 4, March Interview, sound and images, FCM SAINTS from trk 2, FCM, New March[?] Outs, FCM, Old Mixed TRAK, Start Ruth Pix, Outs and Trims of SELLING[?] the Church, Some[?] March, Stoney, Gensel, March, Head, [?]. |
| Film F-4970/127 |
Shepherd of the Night Flock, 1975Various Outs+Trims- St. Peter's a Church on the Move; Multiple reels. Reel description: Various material, Frank Foster Cuts, sound/image, FMC, FMC, Gensel's Prophecy+Jazz Price at[?], Frank Foster MOS Congreg. + Band,. |
| Film F-4970/128 |
Shepherd of the Night Flock, 1975, pixSt. Peters. Stoney Assoc. Christmas Eve Dinner. No Jazz Material; Reel descriptions: Xmas dinner and Mrs. Hoffman's song. |
| Film F-4970/362 |
Shepherd of the Night Flock, 1975, magSt. Peters. Stoney Assoc. Christmas Eve Dinner. No Jazz Material; Reel descriptions: Xmas dinner and Mrs. Hoffman's song. |
| Film F-4970/129 |
Shepherd of the Night Flock, 1975Can descripton: St. Peters. G. Stoney Assoc. New Year's Eve. Cecil Taylor. Pix and Sound Roll 1+2. Sync Pix to SRI Where marked Reel description: Roll #1-This roll consists of one lone Cecil Taylor N.Y. Eve piece. Only one slate on it. Covers all of camera roll 1 and [?] Of 2 stop, applause, piano, 2. piano sound[?]. |
| Film F-4970/130 |
Shepherd of the Night Flock, 1975, pixSt. Peter's. Geo. Stoney Assoc. Various Outs and Trims. Sound+Pix from March Assemblage Screening; Multiple reels. Reel description: G. Stoney Assoc. St. Peter's. Jazz Vesp. Int. The March 3/4 HO Track Pause Craw [?] Old March scene. Cut Work Print and Mixed Trk, To Interview of Dee + German Woman on 3/4/73 The March, Bells All Wild Wacking. Some Trumpets. 1st outs. HD, G. Stoney Associates. Jazz@ St. Peter's. Demo Reel. HO, start organ/singing trumpets, NG outs of Saints 1st out roll George Stoney Assoc. The March 3/4 Jazz Vespers Int. HO Pix, G. Stoney Associates. Jazz @ St. Peters. Demo Reel HO, St. Service @ Center (?) Peter. Sync. Bishop Sync Blessing +Organ Intro to song. |
| Film F-4970/387 |
Shepherd of the Night Flock, 1975, magSt. Peter's. Geo. Stoney Assoc. Various Outs and Trims. Sound+Pix from March Assemblage Screening; Multiple reels. Reel description: G. Stoney Assoc. St. Peter's. Jazz Vesp. Int. The March 3/4 HO Track Pause Craw [?] Old March scene. Cut Work Print and Mixed Trk, To Interview of Dee + German Woman on 3/4/73 The March, Bells All Wild Wacking. Some Trumpets. 1st outs. HD, G. Stoney Associates. Jazz@ St. Peter's. Demo Reel. HO, start organ/singing trumpets, NG outs of Saints 1st out roll George Stoney Assoc. The March 3/4 Jazz Vespers Int. HO Pix, G. Stoney Associates. Jazz @ St. Peters. Demo Reel HO, St. Service @ Center (?) Peter. Sync. Bishop Sync Blessing +Organ Intro to song. |
| Film F-4970/131 |
Shepherd of the Night Flock, 1975, pixGeo. Stoney Assoc. Gensel+Paul Knopf. Wild Track+MOS Reel description: Tail of Bevec[?] Take 2 + CLM, Paul's Intro. Tail of Blues 1. HO Bring on Clowns voice track, sweet(?) basic music outs, Geo. Stoney assoc. Jazz at St. Peters Gensel. Knopf. Sweet Basic. MOS HEAD, Wild SD, Knopf applause, Tail of Wet Thursday Take [?] Tail of Clowns Jazz-2, Sweet Basic Discussion outs, Wild Sound of Knopf Discussion HO, Old intro to Knopf, XA. |
| Film F-4970/388 |
Shepherd of the Night Flock, 1975, magGeo. Stoney Assoc. Gensel+Paul Knopf. Wild Track+MOS Reel description: Tail of Bevec[?] Take 2 + CLM, Paul's Intro. Tail of Blues 1. HO Bring on Clowns voice track, sweet(?) basic music outs, Geo. Stoney assoc. Jazz at St. Peters Gensel. Knopf. Sweet Basic. MOS HEAD, Wild SD, Knopf applause, Tail of Wet Thursday Take [?] Tail of Clowns Jazz-2, Sweet Basic Discussion outs, Wild Sound of Knopf Discussion HO, Old intro to Knopf, XA. |
| Film F-4970/132 |
Shepherd of the Night Flock, 1975, pixGeorge Stoney. BB007-BB3405. Storyville. Gensel w/ Frank, Wein, Hammond, Zoot Simms, Billy Taylor, Joe Neuman; Reel description: Stoney Assoc. St. Pete's Jazz. Barbara's. Schoers. Sync Trx 1. Head Stoney Assoc. St Pete's Jazz. Barbara's Sync Pix. Head. |
| Film F-4970/369 |
Shepherd of the Night Flock, 1975, magGeorge Stoney. BB007-BB3405. Storyville. Gensel w/ Frank, Wein, Hammond, Zoot Simms, Billy Taylor, Joe Neuman; Reel description: Stoney Assoc. St. Pete's Jazz. Barbara's. Schoers. Sync Trx 1. Head Stoney Assoc. St Pete's Jazz. Barbara's Sync Pix. Head. |
| Film F-4970/133 |
Shepherd of the Night Flock, 1975George Stoney. 44576 Tri Films. St. Peters. R CR. 8 16 Pix Neg 411 ft; Reel description: J226 01875-02082, J192 17236-17516, J192 16721-16975, J260 36289-36431, J226 02083-02498. |
| Film F-4970/134 |
Shepherd of the Night Flock, 197548817 Tri Films St. Peter's Jazz. R1-2, 3-4. 16 Pix Neg. 815 ft. George Stoney; Multiple reels. Reel description: Storyville cuts, Billy Taylor 2+4, and reels without labels. |
| Film F-4970/135 |
Shepherd of the Night Flock, 1975George Stoney. D71926 St. Peter's Jazz. 1-4 Pix. Neg; Multiple reels. Reel description: J260 38762-39466, J256 88523-88916, J264 64902-65119. |
| Film F-4970/136 |
Shepherd of the Night Flock, 1975George Stoney. D71926 St. Peter's Jazz. 1-4 Pix. Neg; Multiple reels. Reel description: J250 88917-89317 J264 65125-65337 J220 52071-52285, J188 34621-34914, J263 35678-36053, J263 35257-35677, J188 34579-34620. |
| Film F-4970/137 |
Shepherd of the Night Flock, 1975St. Peter's. G. Stoney Assoc. Jazz Vespers. Frank Foster. Feb 4. 3 of 3. Reel description: FMC Repeat of Procession with Shortened Intro, To [?] Of INTRO Jazz [?] Music, Head Frank Foster outs and trims with some magnetic audio. |
| Film F-4970/138 |
Shepherd of the Night Flock, 1975St. Peter's. G. Stoney Assoc. Jazz Vespers. Frank Foster. Feb 4. 2 of 3; Reel description: [?] At Movies with label Jazz Vespa, Frank Foster, Foster outs and Trims. |
| Film F-4970/139 |
Shepherd of the Night Flock, 1975DAILIES. I-Can 2129 Tri-Film. G. Stoney. Rolls 1,2,3,4,5. 16mm. B/W. Orig Pix Neg. St. Peter's Jazz. 1622 ft. 2 of 2; Multiple reels. Reel description: J218 29075-29551, J217 73260-73408, J218 28913-28994, J253 53699-53721, J218 28753-28779, J218 2800-912, J217 73409-73531, J253 29352-29612, J217 73051-73148, J218 28995-29074, J253 54382-54499, J253 54261-54381, J253 28811-28897, J229 74005-74220, J188 34231-34552. |
| Film F-4970/140 |
Shepherd of the Night Flock, 1975George Stoney. 4482. Tri Films. St. Peter's March R CR 5,6,7, 16 Pix NEG 1216 ft Can #4; Multiple reels. Reel description: J255 40560-40703, J215 20740-20791, J192 38019-38136, J192 38842038942, J192 36830-36921, J192 38630-38722, J215 20917-21043, J192 36922-37025, J192 37026-37141, J192 37335-37558, J192 38723-38841, J192 38453-38629, J215 21316-21431, J255 40934-41047, J192 38145-38281, J192 38282-38452, J192 36733-36829. |
| Film F-4970/141 |
Shepherd of the Night Flock, 1975George Stoney. St. Peters. R CR. 1,2,3. 16 Pix Neg. 1216 ft; Multiple reels. Reel description: J197 28435-28681, J192 16976-17120, J197 28831-28953, J192 17121-17255, J260 36158-36288, J197 28682-28830, J197 28155-28304, J260 36554-36659, J260 36660-36955, J226 01850-01874, J226 02499-02648, J260 36432-36553, J197 28305-28434. |
| Film F-4970/142 |
Shepherd of the Night Flock, 1975G. Stoney. DAILIES. I-Can 2129 Tri Film. Rolls 1,2,3,4,5 16mm b/w Orig Pix Neg. St. Peter's Jazz. 1622 ft 1 of 2; Multiple reels. Reel description: J253 53953-54260, J253 53722-53952, J229 75336-75549, J224 54999-55319, J229 75115-75330, J188 34185-34230, J217 73626-73839, J217 73532-73625, J229 75576-75775, J253 28898-29343. |
| Film F-4970/143 |
Shepherd of the Night Flock, 1975George Stoney. St. Peters. Demolition (Ball on Parish House Only) Sound + Pix. Dee's Interview Outside. Greenwich + Moldenke Material; Multiple reels. Reel description: Demolition/Wild S.D., Greenwich cutaways PIX HD, Greenwich cutaways TRK HD. |
| Film F-4970/144 |
Shepherd of the Night Flock, 1975George Stoney. DD0010-DD2808.Gensel and Peterson at Site and Gensel Counseling; Reel description: 9294278 Geo. Stoney Assoc.Jazz @ St. Peters. Gensel+Peterson+Counseling. Sync Pix. Head. |
| Film F-4970/145 |
Shepherd of the Night Flock, 1975Masters From 1st Jazz Vespers Service. Pix Outs +Trims. Pix w/No Trans Sound. Bad Sound Rolls; Reel description: Entirely Interviews. |
| Film F-4970/146 |
Shepherd of the Night Flock, 1975George Stoney. St. Peters. Establishing Material; Reel description: Establishing Material. |
| Film F-4970/147 |
Shepherd of the Night Flock, 1975George Stoney. St. Peter's Ellington's Funeral; Multiple reels. Reel description: Choir, Retransfer Ellington Music TGTT, Arriving at Riverside. Ellington Funeral. HO, ORGAN PROCESSIONAL. |
| Film F-4970/148 |
Shepherd of the Night Flock, 1975George Stoney. St. Peter's Ellington's Funeral. Reel description: Ellington Funeral/Leaving Church and After HO, Music- onward, Ella, Lord's Prayer, choir. |
| Film F-4970/149 |
Shepherd of the Night Flock, 1975George Stoney. 44482 Tri Films. St. Peters. March. R CR 5,6,7 16 Pix Neg. 1216 ft. Can # 4; Multiple reels. Reel description: J255 41254-41355, J192 37142-37326, J255 40705-40815, J255 41048-41253, J192 37886-28018, J215 21432-21535, J215 20792-20916, J192 36630-36732, J255 40816-40933, 13, J192 37559-37885, J215 2104-21314. |
| Film F-4970/150 |
Shepherd of the Night Flock, 1975George Stoney. St. Peter's Demolition (Ball On Parish House Only) Sound+Pix. Dee's Interview Outside. Greenwich+Moldenke Materials Also; Multiple reels. Reel description: Dee's Bennett's Interview, Debates, old woman, heartache[?], Demolition W.O.R.[?], moldenke room H.O. St. Pete's Jazz. Pix, St. Pete's Jazz TRK. [?], Jim's Demolition Footage. |
| Film F-4970/151 |
Shepherd of the Night Flock, 1975Tri Films St Peters-Stoney 16 Pix Neg 615 Ft. /43358 TRI FILM STONEY- St Peter's 16 PIX NEG 921 Ft. can #13. top: [7224 400' NOT IN AA BAG! ST. Peter's Jazz + Vespers, Stoney Assoc. ASA 400' 2/4/73] [7224 4x NEG ASA 400' Jazz St. Peter's Stoney Assoc.] [100' 7224 4xNEG ASA 400] [St. Peter's Stoney Assoc. Process NORM+ PRINT] [J215 36283-36661, J255 58923-59564, J265 18457-19242, J215 36187 36271, J215 36187-36271, J215 35872-36167, J215 35872-36167, J249 58180-59978]; Multiple reels. Reel description: J276 08852-08978, J215 36310-36419, J276 09305-09432, J276 09096-09201, J249 59323-59420, J249 59625-59765, J215 36283-36309, J249 59421-59518, J249 59519-59624 J265 19122-19242, J255 59425-59564, J255 59305-59424, J215 36187-36271, J276 09203-09304, J192 36526-36629, J249 59766-59872, J265 18878-18996, J265 18609-18720, J215 36420-36543, J249 59180-59322, J249 59873-59978, J265 18457-18608, J215 36544-36661, J255 59144-59304, J255 59038-59143, J265 18997-19121, J255 58923-59037, J265 18721-18877, J215 35872-36167. |
| Film F-4970/152 |
Shepherd of the Night Flock, 197543083 Tri Film Stoney/St. Peter's 16PIX Can#2/ 42800 Tri Film Service ? St. Peter's/R CR? Orig. PIX Neg 16mm 345 ft./ 42659 TRI Film Service St. Peter's Church 16PIX NEG 1138 ft; Top of can: [St. Peter's Church, Geo. C. Stoney Assoc. Dev. Normal 400] [J225 95100-95441, J249 81860-82532 (film broken about 4 frames), J249 60047-60712, J255 56276-56293, J249 60250-60457, J255 55498-56275, J257-44995-45774]; Reel description: J249 82213-82315, J225 95815-95327, J249 82106 82212, J249 60122-60249, J249 82318-82428, J255 56035-56159, J257 45657-45774, J249 81955-82104, J257 45298-45417, J257 44995-45081, J249 60293-60417, J257 45082-45181, J255 55683-55795, J225 95100-95184, J225 95328-95441, J255 56276-56293, J257 45547-45656, J257 45418-45546, J249 6025060292, J249 60478-60585, J249 60586-60712, J249 82429-82532, J255 55796-55924, J255 55498-55682, J257 45182-45297, J255 55915-56034, J255 5616-56275, J249 60047-60121, J249 81860-81954. |
| Film F-4970/153 |
Shepherd of the Night Flock, 197544409 Tri Film St. Peters March R CR3 CR4 16PIX NEG 625 Ft. /44409 TRI FILM St. Peter's March R CR2 16PIX NEG 814 ft. two different labels around can. Can top: [CR1 St Peter's Stoney Assoc. March CMRA: Brown MOS at St Peters+March.] [Plus x Neg 7231 Develop Normal 400' 4 March, CR2 -St Peter's- Stoney Assoc. March Camera 600984-SYNC Peterson St. P + March MED(?)] [Plus X-Neg-7231 Develop Normal 400' 4 March 73] [J215-21545-22346, J193-94208-94635, J210 97426-98225, J233 51724-52520]. Reel description: J215 22236-22346, J215 21839-22001, J253 51724-51924, J233 52067-52537, J233 52397-52520, J253 51925-52066, J210 97829-97956, J233 52238-52396, J210 97882-97931, J215 21561-21694, J210 98030-98043, J210 97426-97482, J210 97596-97689, J210 97967-977993, J215 21695-21838, J210 98096-98225, J193 94497-94635, J210 97690-97828, J215 22002- 22118, J215 21545-21560, J210 97957-98095, J210 97940-97945, J193 94375-94496, J210 97483-97595, J193 94208-94374. |
| Film F-4970/154 |
Shepherd of the Night Flock, 1975Camera Original 1. 2564. Tri Film. Jazz at St. Peters. B/W. 1-2-3-4-5. 1590ft; Lid notes: J258 14647-15445, J257 18533-19266, J253 28000-28799, J217 67761-68060 [?]. |
| Film F-4970/155 |
Shepherd of the Night Flock, 1975DAILIES 1-Can 1408. Tri-Film Jazz at St. Peter's Rolls 1-2-3. 16mm orig. b/w pix neg, 1220 ft; Lid notes: George Stoney Assoc. 929-4278 Roll. 7222 Black+White DoubleXNeg400ft Process+Print Jazz At St. Peter's. NORMAL. J218 29570-30357 J218 30370-31167 J253 55320-56115. |
| Film F-4970/156 |
Shepherd of the Night Flock, 1975, pixCan #4. St. Peter's George Stoney Assoc. O'Clock Service+Spanish Class Feb 4; Multiple reels. Reel description: Traditional Service-Head, Traditional Communion, Spanish Class H.O., Spanish Class, Head Communion Traditional Service, trad, sound, Spanish class. |
| Film F-4970/400 |
Shepherd of the Night Flock, 1975, magCan #4. St. Peter's George Stoney Assoc. O'Clock Service+Spanish Class Feb 4; Multiple reels. Reel description: Traditional Service-Head, Traditional Communion, Spanish Class H.O., Spanish Class, Head Communion Traditional Service, trad, sound, Spanish class. |
| Film F-4970/157 |
Shepherd of the Night Flock, 1975, pixStoney. St. Peters. Christmas Eve 1972. Jazz Vespers. SRI Howard McGhee; Lid notes: Christmas Eve Vespers; Reel description: Xmas Eve, Jazz outs and Trims, Xmas Eve-Howard McGee, Pix/Trak HO, XMAS Jazz Vespers. Trak 2. HO, Xmas Eve Jazz outs+trims, xmas eve WILD mus MOS. |
| Film F-4970/364 |
Shepherd of the Night Flock, 1975, magStoney. St. Peters. Christmas Eve 1972. Jazz Vespers. SRI Howard McGhee; Lid notes: Christmas Eve Vespers; Reel description: Xmas Eve, Jazz outs and Trims, Xmas Eve-Howard McGee, Pix/Trak HO, XMAS Jazz Vespers. Trak 2. HO, Xmas Eve Jazz outs+trims, xmas eve WILD mus MOS. |
| Film F-4970/158 |
Shepherd of the Night Flock, 1975DA 1665 A71792 Geo Stoney. Jazz St. Peter. 1. 1-2-3. B/W Orig. Can#15; Lid notes: 263 34473-35246, 263 36064-36863, 210 82103-82855; Multiple reels. Reel description: 210 82533-82693, 210 82241-822403, 263 36564-36863, 210 82404-82532, 263 34473-34734, 263 36064-36563, 210 82694-82955, 210 82103-82240, 263 34900-35246, 263 34740-34899. |
| Film F-4970/159 |
Shepherd of the Night Flock, 1975, pixStoney. St. Peters. Christmas Eve Service. Before the Duke [SR1] Wild Track, Additional music roll; Multiple reels. Reel description: Stoney. St Peters. Christmas Eve Service before the Duke [SR1]HO, Mostly before the Duke but some Ellington stuff- maybe end of good shepherd, Xmas Readings and Duke. Heads Sync Pix Xmas Before Duke Outs, TL5 xmas eve/ duke sync pix outs, old [?] music roll 1. |
| Film F-4970/363 |
Shepherd of the Night Flock, 1975, magStoney. St. Peters. Christmas Eve Service. Before the Duke [SR1] Wild Track, Additional music roll; Multiple reels. Reel description: Stoney. St Peters. Christmas Eve Service before the Duke [SR1]HO, Mostly before the Duke but some Ellington stuff- maybe end of good shepherd, Xmas Readings and Duke. Heads Sync Pix Xmas Before Duke Outs, TL5 xmas eve/ duke sync pix outs, old [?] music roll 1. |
| Film F-4970/160 |
Shepherd of the Night Flock, 1975, pixSt. Peter's. All Nite Soul. Only[?] Rolls. Various Sound and Picture; Multiple reels; Reel description: People entering+leaving+in church. All Night Soul (night), Eddies applause, 6th floor video cut, Wild Sound People entering, All Nite Soul Music Head Eddie Bownemere, Trak General Sync with Bomnemere +on street ?/ HO, Cut in Joe Newman Head All Notes, Piano cut all Nites, All Nite Sync. 6th Video (play ?) HO, 6th floor video playback outs, out and trims good [?] Hots All Night [?], Wild sound intro Joe Neuman. |
| Film F-4970/370 |
Shepherd of the Night Flock, 1975, magSt. Peter's. All Nite Soul. Only[?] Rolls. Various Sound and Picture; Multiple reels; Reel description: People entering+leaving+in church. All Night Soul (night), Eddies applause, 6th floor video cut, Wild Sound People entering, All Nite Soul Music Head Eddie Bownemere, Trak General Sync with Bomnemere +on street ?/ HO, Cut in Joe Newman Head All Notes, Piano cut all Nites, All Nite Sync. 6th Video (play ?) HO, 6th floor video playback outs, out and trims good [?] Hots All Night [?], Wild sound intro Joe Neuman. |
| Film F-4970/161 |
Shepherd of the Night Flock, 1975, pixSt. Peter's. Geo. Stoney Assoc. Various Est Pix [?]; Multiple reels. Reel description: To Re[?], To Middle [?], slop test draft HO, people looking [?], Remember of Moldenke R. Sound H.O., Women in Moldenke St. Peters Geo Stoney Head 1st print. |
| Film F-4970/401 |
Shepherd of the Night Flock, 1975, magSt. Peter's. Geo. Stoney Assoc. Various Est Pix [?]; Multiple reels. Reel description: To Re[?], To Middle [?], slop test draft HO, people looking [?], Remember of Moldenke R. Sound H.O., Women in Moldenke St. Peters Geo Stoney Head 1st print. |
| Film F-4970/162 |
Shepherd of the Night Flock, 197542023 Tri Films Stoney Assoc. R-CR 4,5,6 16 PIX Neg 1180 ft. Multiple reels. Reel description: J255-85608-85812, J255 87660-87780, J266 30705-30857, J249 82687-82929, J249 83181-83350, J257 85226-85376, J257 85835-85927, J226 30109-30318, J257 85189-85225, J249 82930-83038, J255 87899-88102, J247 85526-85631, J255 84566-84701, J257 85377-85525, J249 83039-83180, J226 30319-30452, J255 84206-84411, J255 84702-84907, J255 87781-87898, J226 30453-30704, J255 87493-87659, J255 84412-84565, J249 83351-83463, J255 88103-88243, J257 85632-85834, J255 85015-85607. |
| Film F-4970/163 |
Shepherd of the Night Flock, 1975, pixSt. Peters. G. Stoney Assoc. New Year's Eve. Cecil Taylor. Pix and Sound Roll; Multiple reels. Reel description: HO Cecial Taylor. New Year's Eve, FCM Cecil Taylor Gensel End. |
| Film F-4970/402 |
Shepherd of the Night Flock, 1975, magSt. Peters. G. Stoney Assoc. New Year's Eve. Cecil Taylor. Pix and Sound Roll; Multiple reels. Reel description: HO Cecial Taylor. New Year's Eve, FCM Cecil Taylor Gensel End. |
| Film F-4970/164 |
Shepherd of the Night Flock, 1975George Stoney. Jazz at St. Peter's. DAILY. NEG. from Fine Grain Masters and Neg. of Final Stills for The Shepherd (Jazz at St. Peter's) George Stoney Assoc. 929 4278; Reel description: Tail. G. Stoney. The Shepherd. New. 7A. 170, 93 Neg, 35441 G. Stoney The Shepard Old. 7A 785. |
| Film F-4970/165 |
Shepherd of the Night Flock, 1975Lid: PIC HELL 3A. Can: St. Peter's. All the Night Soul. Pix and Trak; Reel description: 2, Pix. Genzel Sync. On Bowe and on street.HO, 1, Neuman MOS, Eddie Bonnmere All Night Soul, Eddie Bonnmere. All Night Soul HO, Cuts in for Newman. All Night Soul, Genzel's intro. To Neuman, A.N.S. Re-Transfer of Piano, MOS- people leaving church. morning. All Night Soul. |
| Film F-4970/166 |
Shepherd of the Night Flock, 1975, pixSt. Peter's. G. Stoney Assoc. Gift to the City (Scene from Luther) Ruth Brisbane, Amazing Grace; Reel description: Outs+Trims -Ruth, Turn, Turn, Turn, Pix+Track, Shot of Jazz musician's, Not Ruth's, 'Luther' Play, head Pix, Retrieval [?] Scene of 'Luther' HO, Cutaways of Church+ Congregation, 'Luther' Head, Track, Cutaways of actors of 'Luther,' Ruth-Good-End, Reading on Jazz, Does Not Conform to Sync (Luther). |
| Film F-4970/403 |
Shepherd of the Night Flock, 1975, magSt. Peter's. G. Stoney Assoc. Gift to the City (Scene from Luther) Ruth Brisbane, Amazing Grace; Reel description: Outs+Trims -Ruth, Turn, Turn, Turn, Pix+Track, Shot of Jazz musician's, Not Ruth's, 'Luther' Play, head Pix, Retrieval [?] Scene of 'Luther' HO, Cutaways of Church+ Congregation, 'Luther' Head, Track, Cutaways of actors of 'Luther,' Ruth-Good-End, Reading on Jazz, Does Not Conform to Sync (Luther). |
| Film F-4970/167 |
Shepherd of the Night Flock, 1975Stoney Assoc. STDE? RS. VARIOUS ASSORTED MATERIALS; Multiple reels. Reel description: St. Peter's Pastor Genzel. Eddied Bonnemere. Jazz Vespers. Head out, Various St. Peter's Outs and Trims, Advent Communion [?]ED BOM[?], outs+trims various, St. Peter, Emma March INF, St. Peter's Track 1, part 1, HO sound out takes, Mixed Bach Intro, Pix/St. Peter's Jazz/Advent, Head Out, Stoney. St Peter Church from head, St. Peter's Jazz/Audience shots/[?]/Head, Ralph's Sermon last service, title negative St. Peter. |
| Film F-4970/168 |
Shepherd of the Night Flock, 1975Voice Over Roll D John Gensel, Geo. Stoney Assoc. 929-4278, Jazz @ St. Peter's, Voice Over Roll D. Code Single letter D; Multiple reels. Reel description: Genzel-short history Re-Transfer, Tall Knopf, VO About Genzel/ Geo. Stoney Assoc. St. Peter's Jazz, John Genzel Voice Over D Head |
| Film F-4970/169 |
Shepherd of the Night Flock, 1975EE0010-EE2067 Genzel in Maine Interview - Inside Cabin, Sync Rolls; Reel description: Jazz at St Peters |
| Film F-4970/170 |
Shepherd of the Night Flock, 1975FF0010-FF1657, Genzel in Maine, Outdoors- Trees, cooking, wrestling, Sync rolls; Reel description: Jazz at St Peters |
| Film F-4970/171 |
Shepherd of the Night Flock, 1975Genzel in Maine- Outdoors + Interview, Wild Sound and MOS. |
| Film F-4970/173 |
Shepherd of the Night Flock, 1975St. Peters Jazz 1, Geo. Stoney Assoc. 929-4278, Jazz at St. Peter's, Voice Over Roll C code single letter C. |
| Film F-4970/174 |
Shepherd of the Night Flock, 1975Jazz at St. Peters 2. Barbara's Wild Sound and MOS. |
| Film F-4970/175 |
Shepherd of the Night Flock, 1975St. Peters Jazz 4; Reel description: Education VO cuts NG, Trk 1 Beep + Audience Wagner. Geo Stoney Assoc., Jazz at St. Peters/Wagner College Henry, Wild Track/ Head out. |
| Film F-4970/177 |
Shepherd of the Night Flock, 1975, pixGeo. C. Stoney Associates, Christmas Eve- 1972- Pastor John Genzel Sync Rolls, Howard McGee/Ruth Brisbane. |
| Film F-4970/404 |
Shepherd of the Night Flock, 1975, magGeo. C. Stoney Associates, Christmas Eve- 1972- Pastor John Genzel Sync Rolls, Howard McGee/Ruth Brisbane. |
| Film F-4970/178 |
Shepherd of the Night Flock, 1975St. Peters Jazz 3. |
| Film F-4970/179 |
Shepherd of the Night Flock, 1975Voice Over Roll A- John Genzel and Ellington Recording- The Shepherd who watches - Jazz Audio. |
| Film F-4970/180 |
Shepherd of the Night Flock, 1975Storeyville 2, Geo. Stoney Assoc. 929-4278, Jazz @ St. Peter's. Voice over roll B Code sync letter B; Reel description: Musicians VO, [?], opening montage, Geo Stoney Assoc, St. Peter's Jazz, John Genzel, Voice Over, Roll B. |
| Film F-4970/181 |
Shepherd of the Night Flock, 1975Help Me Jesus 2. |
| Film F-4970/182 |
Shepherd of the Night Flock, 1975Jazz at St Peters, Help Me Jesus Stereo Sync Rolls, Geo Stoney Assoc. 929-4278, Code HH, HH0008-HH1358, Help Me, Jesus, Eddie Bonnemere, Stereo Sync Rolls. |
| Film F-4970/183 |
Shepherd of the Night Flock, 1975VOICE OVER- John Genzel, Session [?]. |
| Film F-4970/185 |
Shepherd of the Night Flock, 1975CC0006-2148 Wagner College Part I, (Staten Island Ferry at Head) Sync Rolls. |
| Film F-4970/186 |
Shepherd of the Night Flock, 1975, pixCC3010-CC5151 Wagner College Part III, Sync Rolls. |
| Film F-4970/405 |
Shepherd of the Night Flock, 1975, magCC3010-CC5151 Wagner College Part III, Sync Rolls. |
| Film F-4970/187 |
Shepherd of the Night Flock, 1975, pixJazz at St. Peters. Help me, Jesus Sync Rolls- Mono, Geo. Stoney Assoc. 9294278- Code JJ, JJ0006-JJ2109, Help me Jesus, Eddie Bonnemere, Mono Sync Rolls. |
| Film F-4970/406 |
Shepherd of the Night Flock, 1975, magJazz at St. Peters. Help me, Jesus Sync Rolls- Mono, Geo. Stoney Assoc. 9294278- Code JJ, JJ0006-JJ2109, Help me Jesus, Eddie Bonnemere, Mono Sync Rolls. |
| Film F-4970/188 |
Shepherd of the Night Flock, 1975, pixJudge's Scene Sync+MOS+TRIMS. |
| Film F-4970/407 |
Shepherd of the Night Flock, 1975, magJudge's Scene Sync+MOS+TRIMS. |
| Audiotape T-4970/62 |
Shepherd of the Night Flock, 19751/4 Safety The Shepherd Reel #2; 1/4 audiotape reel to reel. |
| Audiotape T-4970/63 |
Shepherd of the Night Flock, 1975St. Peters End of Sync Take of Jazz Vespers Feb 4, 1973 plus interviews afterwards, no sync; 1/4 audiotape reel to reel. |
| Audiotape T-4970/64 |
Shepherd of the Night Flock, 1975Sound Roll # II, St. Peter's Sat. Night 12/2/72 Rehearsal, Wild Track with slate- 2 thur 5, camera roll #2, takes 6-11, sync; 1/4 audiotape reel to reel. |
| Audiotape T-4970/65 |
Shepherd of the Night Flock, 1975George Stoney Assoc. St. Peter's March, back: Roll X Jazz Vespers Eddied Bonnemere; 1/4 audiotape reel to reel. |
| Audiotape T-4970/66 |
Shepherd of the Night Flock, 1975SR2 Genzel in Maine, Jazz at St. Peter's (Head Out, 7 1/2), various sync takes with Genzel talking about background, family, Puerto Rico, etc. George Stoney associates, 929-4278; 1/4 audiotape reel to reel. |
| Audiotape T-4970/67 |
Shepherd of the Night Flock, 1975Roll I- March on March 4: I- wild sound before procession, II- sync of closing of door, III- wild sound of march; 1/4 audiotape reel to reel. |
| Audiotape T-4970/68 |
Shepherd of the Night Flock, 1975SR3 Genzel's Jazz class; 1/4 audiotape reel to reel. |
| Audiotape T-4970/69 |
Shepherd of the Night Flock, 1975SR1 Genzel with: Family in Maine, Jazz at St. Peter's (HO 7 1/2) Head out, various sync takes of Genzel with Family- gathering baby, trees, cooking, etc., George Stoney Associates. 929-4278; 1/4 audiotape reel to reel. |
| Audiotape T-4970/70 |
Shepherd of the Night Flock, 1975Tape -B to be transferred, Rev. John Genzel voice over, St. Peter's Jazz, Geo. Stoney Associates; 1/4 audiotape reel to reel. |
| Audiotape T-4970/71 |
Shepherd of the Night Flock, 1975SR3 Genzel Voice Over/Session 2; 1/4 audiotape reel to reel. |
| Audiotape T-4970/72 |
Shepherd of the Night Flock, 1975Front: April 8, 1969 Back: (CRS) SR8 Stoney Assoc. St Peters, Jazz Vespers, Christmas Eve 1972, Head Out; 1/4 audiotape reel to reel. |
| Audiotape T-4970/73 |
Shepherd of the Night Flock, 1975SR4 Genzel V.O.; 1/4 audiotape reel to reel. |
| Audiotape T-4970/74 |
Shepherd of the Night Flock, 1975SR3 Jazz @ St. Peter's, Sweet Basil 3, end of song, beginning +whole discussion with Gene Frank, Paul Knopf, + Genzel, voices- chan 1, music, chan 2; 1/4 audiotape reel to reel. |
| Audiotape T-4970/75 |
Shepherd of the Night Flock, 1975SR2 Genzel Voice Over/ Session 2; 1/4 audiotape reel to reel. |
| Audiotape T-4970/76 |
Shepherd of the Night Flock, 1975Voice Over Session #3- John Genzel, Head 7 1/2, Jazz at St. Peters Geo Stoney Associates; 1/4 audiotape reel to reel. |
| Audiotape T-4970/77 |
Shepherd of the Night Flock, 1975Voice Over Session 4 with Rev. John Genzel, Jazz @ St. Peter's, Geo. Stoney Associates, heat out 7 1/2; 1/4 audiotape reel to reel. |
| Audiotape T-4970/78 |
Shepherd of the Night Flock, 19751.Jazz at end of March-When Saints Come Marching In 2. Music at Central Presbyterian Branch March 4, 3. Wild Sound at Brunch (HO) cuts made in 1+2; 1/4 audiotape reel to reel. |
| Audiotape T-4970/79 |
Shepherd of the Night Flock, 1975SR1 Barbara's with Art Blakely's group and Evelyn Blakely with Rev. John Genzel, John entrance +discussion with Evelyn, Heads 7 ½; 1/4 audiotape reel to reel. |
| Audiotape T-4970/80 |
Shepherd of the Night Flock, 1975St. Peter's George Stoney Assoc. 1. Narration 2. Jazz Vespers I (sync) 3/4/73 3.Singing Congregation to be transferred; 1/4 audiotape reel to reel. |
| Audiotape T-4970/81 |
Shepherd of the Night Flock, 1975St. Peters Roll 6, Feb. 4, 1973 Jazz Vespers II. Heads Tone TAILS OUT; 1/4 audiotape reel to reel. |
| Audiotape T-4970/82 |
Shepherd of the Night Flock, 1975Orig. Tapes All Night Soul. Orig. Tapes St. Peter's All Night Soul. Back: George Stoney Associates, St. Peter's All Night Vesper 1, recorded 7 1/2 ips pilotone sync A; 1/4 audiotape reel to reel. |
| Audiotape T-4970/83 |
Shepherd of the Night Flock, 1975Voice Over John Genzel Sessions 5, Reel 2. (Head 7 1/2) St. Peter's Jazz Geo. Stoney associates; 1/4 audiotape reel to reel. |
| Audiotape T-4970/84 |
Shepherd of the Night Flock, 1975SR 1 Genzel V.O.; 1/4 audiotape reel to reel. |
| Audiotape T-4970/85 |
Shepherd of the Night Flock, 1975John Genzel Lost V.O.; 1/4 audiotape reel to reel. |
| Audiotape T-4970/86 |
Shepherd of the Night Flock, 1975Roll VIII beginning of Jazz Vespers I, 3/4 roll used first few fakes sync, last take is sync all the rest wild, Eddie Bownemere; 1/4 audiotape reel to reel. |
| Audiotape T-4970/87 |
Shepherd of the Night Flock, 1975SR3 Eddied Bownmere Help me Jesus Jazz at: St. Peter's, last sync takes around piano, re-cap of Help me Jesus, Eddied playing, HO 7 1/2 2/3s roll left; 1/4 audiotape reel to reel. |
| Audiotape T-4970/88 |
Shepherd of the Night Flock, 1975St. Peter's March 7, Gift to the City Ecclesiastes III, Ruth Brisbang, Amazing Grace It's a Jazz spot, Jesus [?] horn [?] Scenes from Luther [?]; 1/4 audiotape reel to reel. |
| Audiotape T-4970/89 |
Shepherd of the Night Flock, 1975SR2 Genzel's Jazz class; 1/4 audiotape reel to reel. |
| Audiotape T-4970/90 |
Shepherd of the Night Flock, 1975V.O. John Genzel Session 5 (Heads 7 1/2) Reel 1, St Peter's Jazz. Geo Stoney Associates; 1/4 audiotape reel to reel. |
| Audiotape T-4970/91 |
Shepherd of the Night Flock, 1975R2 Jazz at St. Peter's, Genzel, Gene Frank, Paul Knopf at Sweet Basil- stereo 7 1/2, Take 2 of Blues on a Wet Thursday, -various brief takes of music sync, - some sync, some sound only on Bring on the Clowns voices- chan 1, music- chan 2; 1/4 audiotape reel to reel. |
| Audiotape T-4970/92 |
Shepherd of the Night Flock, 1975Reel II Cecil Taylor, CMR II; 1/4 audiotape reel to reel. |
| Audiotape T-4970/93 |
Shepherd of the Night Flock, 1975St. Peter's All Night Jazz, Vesper 2, recorded 7 1/2 PS Pilotone sync, George Stoney associates B; 1/4 audiotape reel to reel. |
| Audiotape T-4970/94 |
Shepherd of the Night Flock, 1975SR2 Barbara's with Art Blakely group and Evelyn Blakely with Rev. John Genzel. -John [?] Thru crowd, -Evelyn's Bright Moments -Evelyn sings to John, -wild sound of music, club, joke; 1/4 audiotape reel to reel. |
| Audiotape T-4970/95 |
Shepherd of the Night Flock, 1975Roll XI, Jazz Vespers IV, Interviews, Tail out; 1/4 audiotape reel to reel. |
| Audiotape T-4970/96 |
Shepherd of the Night Flock, 1975Roll II, March, March 4, I-wild sound of March, II- opening of door, III- service in central church, IV- wild sound of Luncheon; 1/4 audiotape reel to reel. |
| Audiotape T-4970/97 |
Shepherd of the Night Flock, 1975SR3 Genzel in Maine, Jazz at St. Peter's (Head out 7 1/2) -continatin(?) of sync takes of Genzel talk in camera, -several sync takes of wrestling with sons outdoors. -George Stoney associates, 929-4278; 1/4 audiotape reel to reel. |
| Audiotape T-4970/98 |
Shepherd of the Night Flock, 1975SR5 Stoney assoc- St. Peters (CR3) Christmas Eve 1972; 1/4 audiotape reel to reel. |
| Audiotape T-4970/99 |
Shepherd of the Night Flock, 1975Various Sound Effects for Jazz at St. Peter's George Stoney Associates, (Traffic, handclaps, applause, chiseling, sorts, putting down speaker, footsteps, room tone, camera click results); 1/4 audiotape reel to reel. |
| Audiotape T-4970/100 |
Shepherd of the Night Flock, 1975Box XII, end interviews after Jazz Vespers music playing head out only about 1/8 of tape used; 1/4 audiotape reel to reel. |
| Audiotape T-4970/101 |
Shepherd of the Night Flock, 1975St. Peter's March, March 4, Interviews After Jazz Vespers (Sync) George Stoney Assoc. SR4; 1/4 audiotape reel to reel. |
| Audiotape T-4970/102 |
Shepherd of the Night Flock, 1975SR1 Genzel + Petersen HO 7 1/2, sync session with Rev. Genzel+Rev Ralph Petersen, sync +wild at the construction site of new church in Genzel +P; 1/4 audiotape reel to reel. |
| Audiotape T-4970/103 |
Shepherd of the Night Flock, 1975Tape D To be Transferred, Rev. John Genzel Voice over, St. Peter's Jazz, Geo. Stoney Associates; 1/4 audiotape reel to reel. |
| Audiotape T-4970/104 |
Shepherd of the Night Flock, 1975SR5 General V.O.; 1/4 audiotape reel to reel. |
| Audiotape T-4970/105 |
Shepherd of the Night Flock, 1975SR-Voice Over Inter. 1 7 1/2, HO, 1. Interview/Statement by Ruth Ellington, More than 2/3's left on the roll. Jazz at St. Peter's George Stoney Associates; 1/4 audiotape reel to reel. |
| Audiotape T-4970/106 |
Shepherd of the Night Flock, 1975W.N.D.T. Channel 13 304w. 58th P6-0-28 Transfer to 16mm mag. St. Peters Roll II, Interview after Jazz Vespers VII, Feb. 4, 1973. Takes 2, Roll of 100cps Boost 6 db at 3.5kc; 1/4 audiotape reel to reel. |
| Audiotape T-4970/107 |
Shepherd of the Night Flock, 1975Jim Hall Concert II, St. Peters March V, HO 7 1/2, Hall+Genzel Int., Reel Warped; 1/4 audiotape reel to reel. |
| Audiotape T-4970/108 |
Shepherd of the Night Flock, 1975SR4 Stoney Assoc. St. Peters Christmas Eve 1972, Duke Ellington CR2; 1/4 audiotape reel to reel. |
| Audiotape T-4970/109 |
Shepherd of the Night Flock, 1975Jazz Vespers II March 4th out; 1/4 audiotape reel to reel. |
| Audiotape T-4970/110 |
Shepherd of the Night Flock, 1975SR3 Genzel V.O. Jazz at St. Peters, George C. Stoney Associates; 1/4 audiotape reel to reel. |
| Audiotape T-4970/111 |
Shepherd of the Night Flock, 1975Jazz Vespers II, Some Sync, March 4th, Jim Hall Concert I March 4, to be transferred, SR3, G. Stoney Associates, St. Peter's March 3/4/73; 1/4 audiotape reel to reel. |
| Audiotape T-4970/112 |
Shepherd of the Night Flock, 1975SR1 Genzel Voice over Session 2; 1/4 audiotape reel to reel. |
| Audiotape T-4970/113 |
Shepherd of the Night Flock, 1975Tape C to be transferred, Rev. John Genzel- voice over, St. Peter's Jazz, Geo. Stoney Associates; 1/4 audiotape reel to reel. |
| Audiotape T-4970/114 |
Shepherd of the Night Flock, 1975St. Peter's Roll 5, Feb. 4 1973, Jazz Vespers I, Camera Rolls 2 and 3; 1/4 audiotape reel to reel. |
| Audiotape T-4970/115 |
Shepherd of the Night Flock, 1975SRT Stoney Assoc. Vespers Christmas Eve, 1972 [?] Out CR4, Ruth- Song of Mary On a clear Day; 1/4 audiotape reel to reel. |
| Audiotape T-4970/116 |
Shepherd of the Night Flock, 1975Voice Over Tape A John Garcia Genzel, Jazz at St. Peter's, George Stoney Assoc.; 1/4 audiotape reel to reel. |
| Audiotape T-4970/117 |
Shepherd of the Night Flock, 1975Genzel Film Storyville Seg S.R.3; 1/4 audiotape reel to reel. |
| Audiotape T-4970/118 |
Shepherd of the Night Flock, 1975Tails out. 7 1/2 stereo, SR2 Eddie Bownemere, Help me, Jesus Jazz at St. Peters, end of Help me Jesus sync, wild sound of service break-up, sync Genzel in Student groups about how jazz vespers +live minority starter, sync. Students singing around piano, (channel 1); 1/4 audiotape reel to reel. |
| Audiotape T-4970/119 |
Shepherd of the Night Flock, 1975SR1 Genzel's Jazz Class, sync in Ferry, Genzel's intros, drummer, + John Sarrocca; 1/4 audiotape reel to reel. |
| Audiotape T-4970/120 |
Shepherd of the Night Flock, 1975SR1 Storyville Shoot, sync Genzel+Joe Neuman; 1/4 audiotape reel to reel. |
| Audiotape T-4970/121 |
Shepherd of the Night Flock, 1975SR1 Jazz At St. Peter's Genzel, Gene Frank, Paul Knopf, at sweet basil-stereo 7 1/2, Take 1- blue on a wet Thursday (camera conked out in middle) Take 2 Rag Piece-sound only, voices chan 1, music- chan 2; 1/4 audiotape reel to reel. |
| Audiotape T-4970/122 |
Shepherd of the Night Flock, 1975Cecil Taylor Roll II, CMR II HEADS OUT; 1/4 audiotape reel to reel. |
| Audiotape T-4970/123 |
Shepherd of the Night Flock, 1975Jazz Vespers I, March 4, out; 1/4 audiotape reel to reel. |
| Audiotape T-4970/124 |
Shepherd of the Night Flock, 1975Genzel Film, Storyland Seg S.R.2; 1/4 audiotape reel to reel. |
| Audiotape T-4970/125 |
Shepherd of the Night Flock, 1975SR2 Genzel V.O.; 1/4 audiotape reel to reel. |
| Audiotape T-4970/126 |
Shepherd of the Night Flock, 1975Used Tape (Splice Free) 600ft. 1.5 mils. Roll III, Cecil Taylor, CMR II, SYNC; 1/4 audiotape reel to reel. |
| Audiotape T-4970/127 |
Shepherd of the Night Flock, 1975All Night Soul, 1/4 Reel, 7 1/2 ps sync St. Peter's, George Stoney Associates, First 1/4 of reel only; 1/4 audiotape reel to reel. |
| Audiotape T-4970/128 |
Shepherd of the Night Flock, 1975SR.1 Eddie Bonnemere Help me, Jesus Jazz @ St. Peter's To 7 1/2 stereo, Eddie coming into Church sync milling with Genzel +musicians, musicians jamming in back, wild recording of Offering music, help me Jesus, intros + then song thru instrument solos, Channel 2, Radio+music, Chann 1 Audience voice PA; 1/4 audiotape reel to reel. |
| Audiotape T-4970/129 |
Shepherd of the Night Flock, 1975SR2- Genzel+Peterson+Counseling Session, HO 7 1/2, voice over w. Rev. G.+P. about new church, sync on telephone counseling call+talk on camera about counseling, sync session counseling with R.D. Fraser various takes; 1/4 audiotape reel to reel. |
| Audiotape T-4970/130 |
Shepherd of the Night Flock, 1975Church Jazz (lots of writing on back of box); 1/4 audiotape reel to reel. |
| Audiotape T-4970/131 |
Shepherd of the Night Flock, 1975St. Peters # 2, (writing on back of box); 1/4 audiotape reel to reel. |
| Audiotape T-4970/132 |
Shepherd of the Night Flock, 1975George Stoney. St. Peter's Demolition; 1/4 audiotape reel to reel. |
| Audiotape T-4970/133 |
Shepherd of the Night Flock, 1975Reel 8. Narration for St. Peters. Ralph Peterson; 1/4 audiotape reel to reel. |
| Audiotape T-4970/196 |
Shepherd of the Night Flock, 1975Bottom: 151PS R? Tone-Mix 1. Remember IM Me 1st Mix 2.10 of us [?]; 1/4 audiotape reel to reel. |
| Audiotape T-4970/195 |
Shepherd of the Night Flock, 1975St. Peter's 1/4 Safety of Mix; 1/4 audiotape reel to reel. |
| Videotape VT-4970/49 |
Shepherd of the Night Flock,1975St. Peter's The March: March 4, 1973. Video copy of film. |
| Videotape VT-4970/50 |
Shepherd of the Night Flock,1975All Night Soul at St. Peter's, 10/12/75 Steve Allen and group (concluded) Vera Auer quartet (continued), R11. |
| Videotape VT-4970/51 |
Shepherd of the Night Flock,1975K.D. Fraser, Jazz at St. Jazz. |
| Videotape VT-4970/52 |
Shepherd of the Night Flock,1975Jazz Vespers, w a Central [?] 3/4/73, Eddie Bonnemere's Mass for all Seasons. St. Peter's. |
| Videotape VT-4970/53 |
Shepherd of the Night Flock,1975All night soul at St. Peter's, 10/12/75 R.10 Bill McDaniel, singer, Ruth Brisbane, singer, Steve Allen(continued). |
| Videotape VT-4970/54 |
Shepherd of the Night Flock,1975St. Peter's No 11c, All Night Soul at St. Peter's 10/12/75, R. 6, L.D. Fraizer quartet concludes. Coposetics tap dances. |
| Videotape VT-4970/55 |
Shepherd of the Night Flock,1975All Night Soult at St. Peter's 10/12/75 R. 7, Billy Taylor and group, Eddie Bonnemere and chorus(continued). |
Expand/collapse
Subseries 5.3. Family Life in Japan, 1969.
Arrangement: by format.
Materials include films, 1/4th inch reel to reel audiotapes, videotapes, and cassettes all pertaining to Family Life in Japan.
| Audiotape T-4970/137 |
Family Life in Japan, 1969#1 Japan Family; 1/4 audiotape reel to reel. |
| Audiotape T-4970/138 |
Family Life in Japan, 1969#2 Family-Japan; 1/4 audiotape reel to reel. |
| Audiotape T-4970/139 |
Family Life in Japan, 1969#4 Family-Japan; 1/4 audiotape reel to reel. |
| Audiotape T-4970/140 |
Family Life in Japan, 1969#5 Family Japan; 1/4 audiotape reel to reel. |
Expand/collapse
Subseries 5.4. In China, Family Planning is NO Private Matter, 1977.
Arrangement: by format.
Materials include films, 1/4th inch reel to reel audiotapes, videotapes, and cassettes all pertaining to In China, Family Planning is NO Private Matter.
| Audiocassette C-4970/90 |
In China, Family Planning is No Private Matter, 1977Night Moves: An Interview with Bruce Surtees. |
| Videotape VT-4970/1 |
In China, Family Planning is NO Private Matter, 197711th Party Cong. Parade, Peking, 8/21, #1; Half inch open reel. |
| Videotape VT-4970/2 |
In China, Family Planning is NO Private Matter, 197711th Party Cong. Parade-sidelines, Peking 8/21[?] #2; Half inch open reel. |
| Videotape VT-4970/3 |
In China, Family Planning is NO Private Matter, 1977Peking Kindergarten roll 1, 8/23, #4; Half inch open reel. |
| Videotape VT-4970/4 |
In China, Family Planning is NO Private Matter, 1977Peking Kindergarten roll 2, 8/23, #5; Half inch open reel. |
| Videotape VT-4970/5 |
In China, Family Planning is NO Private Matter, 1977Peking Kindergarten, roll 3, 8/23, #6; Half inch open reel. |
| Videotape VT-4970/6 |
In China, Family Planning is NO Private Matter, 1977Peking OBGYN 8/25 hospital tape 1, #7; Half inch open reel. |
| Videotape VT-4970/7 |
In China, Family Planning is NO Private Matter, 1977Peking OBGYN 8/25, hospital tape 2, subway, #8; Half inch open reel. |
| Videotape VT-4970/8 |
In China, Family Planning is NO Private Matter, 1977Peking Children's hospital tape 8/26, #9; Half inch open reel. |
| Videotape VT-4970/9 |
In China, Family Planning is NO Private Matter, 1977Peking Children's hospital tape 2, 8/26, Nanking play tape 1, #10; Half inch open reel. |
| Videotape VT-4970/10 |
In China, Family Planning is NO Private Matter, 1977Nanking play tape 2 8/27; Laquor factory 8/28, #11; Half inch open reel. |
| Videotape VT-4970/11 |
In China, Family Planning is NO Private Matter, 1977"Circus at Kiongshu 8/28, #12; Half inch open reel. |
| Videotape VT-4970/12 |
In China, Family Planning is NO Private Matter, 1977Wa'a Commune roll 1, fields, workshops, playback 8/29, #13; Half inch open reel. |
| Videotape VT-4970/13 |
In China, Family Planning is NO Private Matter, 1977Wa'a Commune roll 2, Nanking park, streets, 8/29, #14; Half inch open reel. |
| Videotape VT-4970/14 |
In China, Family Planning is NO Private Matter, 1977Wa'a Commune clapping game roll 3, 8/29 (short), #15; Half inch open reel. |
| Videotape VT-4970/15 |
In China, Family Planning is NO Private Matter, 1977Nanking street scene, train to soochow, 8/30, #16; Half inch open reel. |
| Videotape VT-4970/16 |
In China, Family Planning is NO Private Matter, 1977Chang Ching Commane, Saddlewood factory, tape 1, 8/31, #17; Half inch open reel. |
| Videotape VT-4970/17 |
In China, Family Planning is NO Private Matter, 1977Sandlewood factory tape 2, Soochow 8/31 garden, silk, pl. [?] #18; Half inch open reel. |
| Videotape VT-4970/18 |
In China, Family Planning is NO Private Matter, 1977Silk pt. 2, Soochow, 8/31, hotel, embroidry factory, 9/1, #19; Half inch open reel. |
| Videotape VT-4970/19 |
In China, Family Planning is NO Private Matter, 1977Embroidery roll 8, institute, clinic and Soochow 9/1, #20; Half inch open reel. |
| Videotape VT-4970/20 |
In China, Family Planning is NO Private Matter, 1977Embroidery Inst. 3 Garden, Buddhist temple, 9/3 and Shanghai Peace hospital, Caesarian section 9/2, #21; Half inch open reel. |
| Videotape VT-4970/21 |
In China, Family Planning is NO Private Matter, 1977Shanghai Peace Hospital. Roll 2, 9/2, Primary School#1, #22; Half inch open reel. |
| Videotape VT-4970/22 |
In China, Family Planning is NO Private Matter, 1977Shanghai Primary Set, roll 2, 9/22 [?] #23; Half inch open reel. |
| Videotape VT-4970/23 |
In China, Family Planning is NO Private Matter, 1977Shanghai Primary School. #3, 9/3, Shanghai Worker's Housing#1, 9/3, #24; Half inch open reel. |
| Videotape VT-4970/24 |
In China, Family Planning is NO Private Matter, 1977Shanghai Workers Housing #2 9/3. #25; Half inch open reel. |
| Videotape VT-4970/25 |
In China, Family Planning is NO Private Matter, 1977Shanghai worker's housing #3 9/3 and Materia Medica 9/3, AM exercises 9/4, #26; Half inch open reel. |
| Videotape VT-4970/26 |
In China, Family Planning is NO Private Matter, 1977Amer expatriot in Shanghai, 9/4, #27; Half inch open reel. |
| Videotape VT-4970/27 |
In China, Family Planning is NO Private Matter, 1977Shanghai harbor, B.P. officials, 9/4 and Canton area, 9/5 silk factory pottery #1, #28; Half inch open reel. |
| Videotape VT-4970/28 |
In China, Family Planning is NO Private Matter, 1977Canton area 9/5, pottery #2, Int. bridge H.K. press conf. 9/6 tv, H.K. street scenes F. Plann mt. 9/8, #29; Half inch open reel. |
| Videotape VT-4970/29 |
In China, Family Planning is NO Private Matter, 1977How Kong scenes #2, ferry/streets, 9/8, #30; Half inch open reel. |
| Videotape VT-4970/30 |
In China, Family Planning is NO Private Matter, 1977Birth Control is No Private Matter, "China Trip" Aug+Sep 77; Half inch open reel. |
| Videotape VT-4970/31 |
In China, Family Planning is NO Private Matter, 1977Family Planning II (copy); Half inch open reel. |
| Videotape VT-4970/32 |
In China, Family Planning is NO Private Matter, 1977"Family Planning TVID(?) edit." Half inch open reel. |
| Videotape VT-4970/33 |
In China, Family Planning is NO Private Matter, 1977Children's clapping games, the Brooks dance group; Half inch open reel. |
| Videotape VT-4970/34 |
In China, Family Planning is NO Private Matter, 1977Marie Brooks Dance Group, 790 Riverside Dr., NYC July 30 1977[?]; Half inch open reel. Note on box: for China 77; Label on box: Marie Brooks black dance gp. 790 Riv'sd. Dr., NYC Jul.30/77 In rehearsal Brooks apt. Dances inspired by countries children have visited: West Indies, W. Africa, S. America, U.S. south. W. African dance 2-34, W. Indian Dance 35-195, U.S. South, revival 196-260. Mrs. Brooke talks to troop: introduces group 260-282, explains aims 282-313, question about China 3130323, problems of company end 330. |
| Videotape VT-4970/35 |
In China, Family Planning is NO Private Matter, 1977Marie [?] ILLEGIBLE; Note on box "for China 77[?] African Dance Group [?] shot stuff here to show them/didn't watch much [?]." |
| Videotape VT-4970/36 |
In China, Family Planning is NO Private Matter, 1977Acupuncture III, dub from copy; Half inch open reel. |
| Videotape VT-4970/37 |
In China, Family Planning is No Private Matter, 1977Pill Factory. Peking 8/22. 3. (also extra parade), #3; Half inch open reel. |
| Audiocassette C-4970/91 |
In China, Family Planning is No Private Matter, 1977Pill factory, Peking 8/22, Arts+Crafts kindergarten 8/23, No. 2; SIDE A: Pill factory contd. 8/22, crafts factory, Peking; SIDE B: craft factory 8/22 Peking Kindergarten 8/23. |
| Audiocassette C-4970/92 |
In China, Family Planning is No Private Matter, 1977Peking Kindergarten contd. 8/23, No. 3; SIDE A: "Kindergarten [?], Peking 8/23 No. 3A; SIDE B: Peking Kindergarten 8/23 #3B. |
| Audiocassette C-4970/3 |
In China, Family Planning is No Private Matter, 1977#1 8/25/77 Peking Org Hospital No. 4. |
| Audiocassette C-4970/4 |
In China, Family Planning is No Private Matter, 1977Peking OBGYN hospital 8/25, Children's 8/26 No. 5; SIDE A: No. 5A Peking OBGYN hospital, 8.25. Little which ex-patriot; SIDE B: Peking Children's hospital #5B 8/26. |
| Audiocassette C-4970/5 |
In China, Family Planning is No Private Matter, 1977Peking Children's hospital 8/26, Debriefing at Nanking 8/27 No. 6; SIDE A: Peking Children's hops. 8/26 6A; SIDE B: Debriefing Nanking 8/27, after visit with next birth planning authority 6B. |
| Audiocassette C-4970/6 |
In China, Family Planning is No Private Matter, 1977Nanking Debrieding 8/27, No. 7, Laquor factory Yong Chow 8/27. SIDE 1: Nanking Debriefing 8/27, Laquor factory No. 7A; SIDE 2: Lacquor Factory 8/27, Yong Chow No. 7B. |
| Audiocassette C-4970/7 |
In China, Family Planning is No Private Matter, 1977SIDE A: Laquor Factory, Yong Chow concluded 8/27, Embroidery factory, Kinong Su 8/29, Commune Wa'a 8/29, 8A; SIDE B: Commune Wa'a slow speed 8/29, 8B. |
| Audiocassette C-4970/8 |
In China, Family Planning is No Private Matter, 1977Laquor factory 8/27, Embroidery 8/28, Commune Wa'a 8/29 and Commune Wa'a outside Yong Chow, No. 8. SIDE A: H.K. FP. 9/7 about city, 1/2 used, #19. |
| Audiocassette C-4970/9 |
In China, Family Planning is No Private Matter, 1977Women's Federation in Nanking # 3+4, 8/30, No. 10. |
| Audiocassette C-4970/10 |
In China, Family Planning is No Private Matter, 1977Women's Federation, Nanking #4 8/30. Commune at Chang Ching No. 11. |
| Audiocassette C-4970/11 |
In China, Family Planning is No Private Matter, 1977Commune of Chang Ching, Sadlewood factory of Soochow 8/31, 12A, Sadlewood factory, Silk factory, 8/31, No. 12; SIDE A: Commune Chang Ching Cont'd. 8/31, sandlewood facotyr of Soochow 12A and Sandlewood factory, Silk Factory 8/31 NO. 12, SIDE B: Sadlewood factory, silk plant Soochow 8/31 B. |
| Audiocassette C-4970/12 |
In China, Family Planning is No Private Matter1977Silk Factory 8/31. Embroidery [?] Peace [?] Shanghai 9/2 MB. No. 13. |
| Audiocassette C-4970/13 |
In China, Family Planning is No Private Matter, 1977Peace Maternity Hook Confusion 9/2 No. 14. |
| Audiocassette C-4970/14 |
In China, Family Planning is No Private Matter, 1977Nanking Birds 9/3, Shanhiat Materia Medica 15A+B, No. 15; SIDE A: Birds in Nanking 8/29, Materia medica Shanghai 9/3 15A, Materia Medica Shanghai 15B. |
| Audiocassette C-4970/15 |
In China, Family Planning is No Private Matter, 1977Final Birth [?] 16A. |
| Audiocassette C-4970/16 |
In China, Family Planning is No Private Matter, 1977F.D.A. of Hong Kong #1 9/7, No. 18 A+B; SIDE A: F.D.A of Hong Kong #1 GG, 9/7 No. 18 SIDE B: 9/7th H.H. |
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Subseries 5.5. A Message from Brazil, 1984.
Arrangement: by format.
Materials include films, 1/4-inch reel-to-reel audiotapes, videotapes, and cassettes all pertaining to A Message from Brazil.
| Videotape VT-4970/170 |
A Message from Brazil, 1984KRAHO Tape #1 Part 1; U-Matic SP. |
| Videotape VT-4970/171 |
A Message from Brazil, 1984KRAHO Tape 1, Part 2; U-Matic SP. |
| Videotape VT-4970/172 |
A Message from Brazil, 1984KRAHO Tape 2, Part 1; U-Matic SP. |
| Videotape VT-4970/173 |
A Message from Brazil, 1984KRAHO Tape 2, Pt. 2; U-Matic SP. |
| Videotape VT-4970/174 |
A Message from Brazil, 1984KRAHO Tape 3 Part 1; U-Matic SP. |
| Videotape VT-4970/175 |
A Message from Brazil, 1984KRAHO Tape 3, Pt. 2; U-Matic SP. |
| Videotape VT-4970/176 |
A Message from Brazil, 1984KRAHO Revisisted edit 1; U-Matic. |
| Videotape VT-4970/177 |
A Message from Brazil, 1984Kraho Revisted, a video-letter from Indians of Brazil to the people of N. America; U-Matic SP. |
| Videotape VT-4970/183 |
A Message from Brazil, 1984KRAHO III. 10/7/94. 2; VHS. |
| Videotape VT-4970/184 |
A Message from Brazil, 1984KRAHO new village, 3; VHS. |
| Videotape VT-4970/185 |
A Message from Brazil, 1984KRAHO 4; VHS. |
| Videotape VT-4970/186 |
A Message from Brazil, 1984Brazilian Election 10/3/94 # 1; VHS. |
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Subseries 5.6. Music Therapy, 1986.
Arrangement: by format.
Materials consist of videotapes from the production, Music Therapy.
| Videotape VT-4970/140 |
Music Therapy, 1986Music Therapy 10/24/86 Goldwater Hospital T#1, Herman+Ward; Betamax. |
| Videotape VT-4970/141 |
Music Therapy, 1986Music Therapy T#2, Goldwater Hospital 10/24/86; Betamax. |
| Videotape VT-4970/142 |
Music Therapy, 1986Music Therapy 10/24/86, Goldwater Hospital T#3; Betamax. |
| Videotape VT-4970/143 |
Music Therapy, 1986Music Therapy 10/24/86, Goldwater Hospital T#4; Betamax. |
| Videotape VT-4970/144 |
Music Therapy, 1986Music Therapy T#5, Goldwater Hospital 10/24/86; Betamax. |
| Videotape VT-4970/145 |
Music Therapy, 1986Music Therapy T#6, Goldwater Hospital 10/24/86; Betamax. |
| Videotape VT-4970/146 |
Music Therapy, 1986Music Therapy 10/24/86 Goldwater Hospital T#7; Betamax. |
| Videotape VT-4970/147 |
Music Therapy, 1986Music Therapy T#8 Goldwater Hospital 10/24/86; Betamax. |
| Videotape VT-4970/148 |
Music Therapy, 1986Music Therapy T#9, 11/7/86; Betamax |
| Videotape VT-4970/149 |
Music Therapy, 1986Music Therapy T#10 11/7/86; Betamax. |
| Videotape VT-4970/150 |
Music Therapy, 1986Music Therapy T-#11 11/7/86; Betamax. |
| Videotape VT-4970/151 |
Music Therapy, 1986Music Therapy T#12, 11/7/86; Betamax. |
| Videotape VT-4970/152 |
Music Therapy, 1986Music Therapy #13 11/7/86; Betamax |
| Videotape VT-4970/153 |
Music Therapy, 1986Music Therapy #14, 11/7/86; Betamax. |
| Videotape VT-4970/154 |
Music Therapy, 1986Music Therapy T#15, 11/7/86; Betamax. |
| Videotape VT-4970/155 |
Music Therapy, 1986Music Therapy T#16, 11/7/86; Betamax. |
| Videotape VT-4970/156 |
Music Therapy, 1986Music Therapy T#17, 11/7/86; Betamax. |
| Videotape VT-4970/157 |
Music Therapy, 1986Music TherapyTape #19, 11/7/86; Betamax. |
| Videotape VT-4970/158 |
Music Therapy, 1986Assembly of Scenes; Betamax. |
| Videotape VT-4970/159 |
Music Therapy, 1986Sight and Sound Video Studio Samples, portable projects, return to Jim Brown, sample reel; Betamax. |
| Videotape VT-4970/160 |
Music Therapy, 1986V.O.; Betamax. |
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Subseries 5.7. Painting from Nature, 1972.
Arrangement: by format.
Materials include films and 1/4-inch reel-to-reel audiotapes from the production, Painting from Nature.
| Film F-4970/248 |
Painting from Nature, 19725-7-74 23352 Geo Stoney. Painting from Nature. Reel 1 of 3. 1146 ft; Multiple reels. Reel description: J257 54386-54799, J257 56954-57258, J233 18109-18271, J257 54104-54385, J233 18272-18615, J233 18616-18903, J238 86730, Bloop Slate Example, G. Stoney. Painting from Nature, J257 56461-56453. |
| Film F-4970/249 |
Painting from Nature, 1972Painting from Nature;. Multiple reels. Reel description: Bird film pix Trims+Outs No edge #s, Sync Outs Painting, studio sketches out, bird film outs and trims pix with edge #s. |
| Film F-4970/250 |
Painting from Nature, 1972Painting from Nature. Various Trak+Pix Elements; Multiple reels. Reel description: Painting from Nature. Wild Sound. Head out, Birds, SRD[?] MOS Bird Paintings/ Painting from Nature. HEADs/MOS Painting Pix+Outs. Painting from Nature, Head Int. Painting and EXT-kids in field/ Painting from Nature. |
| Film F-4970/251 |
Painting from Nature, 1972TVC Dailies. 5-7-74. 23352. Geo Stoney. Painting from Nature. [?] Ft. 802; Multiple reels. Reel description: J28217-28307, J178 14989-15324, J257 54838-55266, J178 14654-14988, J218 63557-63962, J178 14525-14653, J218 63963-64358, J257 55267-55638. |
| Film F-4970/252 |
Painting from Nature, 1972Painting from Nature. Various Trak+Pix Elements; Multiple reels. Reel description: [?]AD Sync Pix/Sync Outs/ from Nature. George C. Stoney Assoc. 989-55[?] George C. Stoney Assoc. 99[?] Head/Sync Track/Sync Outs from Nature, Price Bros. Trak 1. HO. Bird Film Outs+Trims Track with Edge #s, MOS PIX, Painting from Nature , 1st weekend, Head/Opening Trims/ Painting from Nature , Head/ Painting from Nature, MOS PIX/Exterior outs/FIrst Weekend. |
| Film F-4970/253 |
Painting from Nature, 1972Painting from Nature-D. Pulseton. Various Trk+PIX; Multiple reels. Reel description: Painting from Nature. MOS Extreme Outs. HO., Corin + Sally [?], Jim's Bird [?] And Steve's Wildcat, 1/4 inch open reel, HEAD/Pix Trims From Painting/ Painting from Nature, HEAD/MOS Bird Pix Painting from Nature, Head/MOS PIX/ Painting from Nature/Collecting B.G.'s Outs, Head/ Painting from Nature/George Stoney Associates/Cut PIx, Painting from Nature, Head/Pix MOS Birds, Outs, Painting from Nature/OUTS. |
| Audiotape T-4970/50 |
Painting from Nature, 1972SR 3 Dennis Puelieston. Painting from NatureVarious bird sounds, songs (near home with Rooster chorus, on way to march, on march, reel-wing blackbird, bob white; 1/4 audiotape reel to reel. |
| Audiotape T-4970/51 |
Painting from Nature, 1972Painting from Nature. VO # III; 1/4 audiotape reel to reel. |
| Audiotape T-4970/52 |
Painting from Nature, 1972SR1 - Corinnet Shelly; 1/4 audiotape reel to reel. |
| Audiotape T-4970/53 |
Painting from Nature, 1972Dennis V.O. II; 1/4 audiotape reel to reel. |
| Audiotape T-4970/54 |
Painting from Nature, 1972Dennis V.O.; 1/4 audiotape reel to reel. |
| Audiotape T-4970/55 |
Painting from Nature, 1972SR1 - Dennis Puleston Painting from Nature George Stoney Assoc; 1/4 audiotape reel to reel. |
| Audiotape T-4970/56 |
Painting from Nature, 1972Dennis V.O. I; 1/4 audiotape reel to reel. |
| Audiotape T-4970/57 |
Painting from Nature, 1972Painting from Nature [?]; 1/4 audiotape reel to reel. |
| Audiotape T-4970/58 |
Painting from Nature, 1972SR 2 Dennis Puleston Painting from Nature. George Stoney assoc; 1/4 audiotape reel to reel. |
| Audiotape T-4970/59 |
Painting from Nature, 1972Charlie Milone narration and some Painting from Naturemusic; 1/4 audiotape reel to reel. |
| Audiotape T-4970/60 |
Painting from Nature, 1972Tail out 7 1/2 FX reeds in wind, bushes in wind some birds mixed in. VO Dennis about working with Kids, wild [?]; 1/4 audiotape reel to reel. |
| Audiotape T-4970/61 |
Painting from Nature, 1972Music for Painting from Nature; 1/4 audiotape reel to reel. |
| Audiotape T-4970/199 |
Painting from Nature, 1972(From the film can, F4970/253) Painting from Nature-D. Pulseton. Various Trk+PIX; 1/4 audiotape reel to reel. |
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Subseries 5.8. Paolo Freire Sampler, 1989.
Arrangement: by format.
Materials consist of videotapes from the Paolo Freire Sampler production.
| Videotape VT-4970/178 |
Paolo Freire Sampler, 1989Alexai Po-Hi Paulo Cesar Tape 1. 11/3/89; U-matic S. |
| Videotape VT-4970/179 |
Paolo Freire Sampler, 1989Alexai Po-Hi Paulo Cesar Tape 2. 11/3/89; U-matic S. |
| Videotape VT-4970/180 |
Paolo Freire Sampler, 1989Alexai Po-Hi Paulo Cesar Tape 3. 11/3/89; U-matic S. |
| Videotape VT-4970/181 |
Paolo Freire Sampler, 1989Alexai Po-Hi Paulo Cesar Tape 4. 11/3/89; Umatic-S. |
| Videotape VT-4970/182 |
Paolo Freire Sampler, 1989Alexai Po-Hi Paulo Cesar Tape 5. 11/3/89; U-matic S. |
| Videotape VT-4970/187 |
Paolo Freire Sampler, 1996People tlak about Po Hi being in Sao Paulo recorded Oct. /96 Andrea Tonacci, Paulo, Caseser, etc; VHS. |
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Subseries 5.9. The Weavers: Wasn't That a Time, 1980-1982.
Arrangement: by format.
Materials consist of films, videotapes, and cassettes from the production, The Weavers: Wasn't That a Time.
| Film F-4970/246 |
The Weavers: Wasn't That a Time, 1982ST1061; Reel description: Part 1, Box 5 Viewing Copy available. |
| Film F-4970/247 |
The Weavers: Wasn't That a Time, 1982ST1062; Reel description: Part 2, Box 5. |
| Videotape VT-4970/56 |
The Weavers: Wasn't That a Time, 1982Lee Hays # 1; Half inch open reel. |
| Videotape VT-4970/57 |
The Weavers: Wasn't That a Time, 1982Weavers, Lee Hays # 2; Half inch open reel. |
| Videotape VT-4970/58 |
The Weavers: Wasn't That a Time, 1982Lee Hays # 4; Half inch open reel. |
| Videotape VT-4970/222 |
The Weavers: Wasn't That a Time, 1980Lee Hays Video letter to Fran Delarco 3/16/80; Umatic. |
| Audiocassette C-4970/54 |
The Weavers: Wasn't That a Time, 1981Weavers Day: 12/5/81, WBAI--Aircheck, Side 1 of 5. |
| Audiocassette C-4970/55 |
The Weavers: Wasn't That a Time, 1981Weavers Day: 12/5/81 WBAI- Aircheck with Pete Seger Side 3 of 5. |
| Audiocassette C-4970/56 |
The Weavers: Wasn't That a Time, 1981Weavers Day: 12/5/81, WBAI--Aircheck with Jim Brown Side 5 of 5. |
| Audiocassette C-4970/57 |
The Weavers: Wasn't That a Time, 1980L. Hays on Strips 8/25/80 tape 1 of 2. |
| Audiocassette C-4970/58 |
The Weavers: Wasn't That a Time, 1980Lee Hays on Strips 8/25/80 tape 2 of 2. |
| Audiocassette C-4970/59 |
The Weavers: Wasn't That a Time, 1982Laura Hayes, Dust Bowl[?]. |
| Audiocassette C-4970/60 |
The Weavers: Wasn't That a Time, 1981A Lee Hays Tribute 8-31-81 (WBAI Larry Josephson). |
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Subseries 5.10. Miscellaneous and Untitled Productions, 1950s-1990s.
Arrangement: by format.
Materials include films, 1/4th inch reel to reel audiotapes, videotapes, cassettes, and digital media. There are multiple productions and multiple productions with unknown titles.
| Film F-4970/197 |
Production Title Unknown, Year UnknownOld Victrola Tunes: includes: Sousa March, How you gonna keep em down on the farm, Irish Aire, Chant Du Spheres, Old Kentucky home, Old folks at home, Old Vict Tunes, 78 records. |
| Film F-4970/198 |
Production Title Unknown, Year UnknownNo description. |
| Film F-4970/199 |
Production Title Unknown, Year UnknownNo description. |
| Film F-4970/200 |
Production Title Unknown, Year Unknown48104 Tri-Film Wildwood R1-2-4, 16 PIC NEG. 857ft. George Stoney. |
| Film F-4970/201 |
Production Title Unknown, Year UnknownTri Film Service 'Stoney.' |
| Film F-4970/202 |
A Concept of Maternal and Neonatal Care, 1950A Concept of Maternal and Neonatal Care . ST1197; Can notes: please inspect before projecting; Viewing Copy available. |
| Film F-4970/203 |
All My Babies, 1953All My Babies. ST1208 Can notes: Complete Print. |
| Film F-4970/204 |
American Road, 1953American Road . ST1210; Can notes: Box 15, lid: [Ford Motor Co. Film Library]. Viewing Copy available. |
| Film F-4970/205 |
Autumn Flight, 1967Autumn Flight . |
| Film F-4970/206 |
Back on the Job, 1962Back on the Job . ST1127; Can Notes: Print 126, No.233; Viewing Copy available. |
| Film F-4970/207 |
Booked for Safekeeping, 1960Booked for Safekeeping . ST1237; Viewing Copy available. |
| Film F-4970/208 |
Challenge for Change, circa. 1968-1970Challenge for Change . ST1131; Can notes: Box 9, [For Brian Winston] [Prof. George Stoney]; Viewing Copy available. |
| Film F-4970/209 |
The Clergy and Cancer, 1977The Clergy and Cancer . ST1066; Can notes: Box 6; Viewing Copy available. |
| Film F-4970/210 |
Planning for Floods, 1974Geo. Stoney Assoc. Plus X Neg. 7231 Flood Film Process and Print. 7231 Plus X Neg, push 1/2 stop, End Test for Graphics; Reel description: J200 64211-64327, J200 64110-64210, Want little work print. Demolition footage. b/w dupe neg-St. Peters demolition geo. Stoney assoc. |
| Film F-4970/211 |
Common Thread, 1978200ft. 7242 EFB MagStripe. James B. Stoney/ Common Thread. 9/19/78. |
| Film F-4970/212 |
Common Thread, 1978100ft. 7242 EF Mag Stripe 9/10/78 James B. Stoney- Common Thread . Early Film Box 2. |
| Film F-4970/213 |
A Concept of Maternal and Neonatal Care, 1950A Concept of Maternal and Neonatal Care (Workprint?) No. 55 Concept Clips TWS #49 [on edge] [600' can] ST1092; Viewing Copy available. |
| Film F-4970/214 |
The Critical Decades, 1965The Critical Decades. ST1198; Can notes: Box 15; Reel description: Box 14; Viewing Copy available. |
| Film F-4970/215 |
Family Planning: More Than a Method16mm |
| Film F-4970/216 |
The Furlined Foxhole, 1962The Furlined Foxhole. ST1071; Viewing Copy available. |
| Film F-4970/217 |
French Children, Year UnknownFrench Children. No. 54 France/ECS [on edge] [Footage for unfinished Stoney film?] [400' can] ST1097; Viewing Copy available. |
| Film F-4970/218 |
Something for the Girls, 1961Girl Scouts. ST1200; Viewing Copy available. |
| Film F-4970/219 |
Help for Young Hearts, 1962The Help for Young Hearts. ST1143 |
| Film F-4970/220 |
Holty Circus, Year UnknownHolty Circus No. 72 [on edge] Print 49 [on lid] [400' can]. ST1137; Viewing Copy available. |
| Film F-4970/221 |
The Circus, Year UnknownThe Circus. workprint. [on edge] Southern Educational Film Production Service, Inc. Athens, Georgia; Print No. ST1140 |
| Film F-4970/222 |
Holty 'Circus,' circa 1949-1959Holty 'Circus' Original [on edge] Holty 'Circus' Original 1949-1959 Athens, GA [on lid] [600' can] [vinegar] Note: This print appears to be identical to ST1140, however ST1139 is in better condition. ST1139; 35mm Film. Viewing Copy available. |
| Film F-4970/223 |
How to Live in a City, circa 1962-1963How to Live in a City. ST1081; Viewing Copy available. |
| Film F-4970/224 |
The Invader, 1954The Invader. ST1202; Reel description: Compos Print, Reel 2; Viewing Copy available. |
| Film F-4970/225 |
The Invader, 1954The Invader; Reel description: Print 1, Box 14. 35mm. |
| Film F-4970/226 |
The Invader, 1954The Invader. Good Spiro. Negative. ST1232; Reel description: The Invader. Good Spiro. Negative. Potomac 4/27 T4800; Viewing Copy available. |
| Film F-4970/227 |
Science Through Discovery, 1957-1960Learning Through Discovery/Science Through Discovery. ST1008; Can notes: Stoney Box 1, INSPECTED; Viewing Copy available. |
| Film F-4970/228 |
Man in the Middle, 1966Man in the Middle. ST1239; Reel description: First Trial Print; Viewing Copy available. |
| Film F-4970/229 |
Moses Circus, Year UnknownMoses Circus No. 66 [on edge] [400' can]. ST1109 |
| Film F-4970/230 |
The Newcomers, 1962The Newcomers. ST1056 Can notes: Box 5; Viewing Copy available. |
| Film F-4970/231 |
Palmour Street, A Study of Family Life, 1949Palmour Street. ST1003; Can notes: Stoney Box 1. Palmour Street ST1003, ST1082. [Can: Palmour St. 761] [Reel:] 761 Palmour St. |
| Film F-4970/232 |
People with Colostomies, 1977People with Colostomies. [American Cancer Society]. ST029; Can notes: color, #4535; Viewing Copy available. |
| Film F-4970/233 |
Planning for Floods, 1974 Planning for FloodsST1244; Can notes:The Critical Decades. Copy #2. better copy: use this one. Viewing Copy available. |
| Film F-4970/234 |
Films for the American Heart Association under Potomac Films and George C. Stoney Associates, circa 1962 1966Early Film Box 1. Stock Shots Neg (35) Sporochetes. Potomac Spirocete Neg. 35mm. |
| Film F-4970/235 |
The Probing Mind, circa 1957-1960The Probing Mind. ST1005; Can notes: Stoney Box 1, INSPECTED, lid of can: [George C. Stoney Associates, Inc. The Probing Mind] [Clean] Print; Viewing Copy available. |
| Film F-4970/236 |
Proud Years, Year UnknownProud Years. ST1006; Can notes: Stoney Box 1, INSPECTED, lid of can: [George C. Stoney Assoc. Inc]; Viewing Copy available. |
| Film F-4970/237 |
Second Chance, 1956Second Chance. ST1009; Can notes: INSPECTED, Stoney Box 1; Viewing Copy available. |
| Film F-4970/238 |
The Secrets of the Heart, 1955The Secrets of the Heart. ST1010; Can notes: Box 1, INSPECTED; Viewing Copy available. |
| Film F-4970/239 |
Still Going Places, Year UnknownStill Going Places. ST1215; Can notes: Box 15; Viewing Copy available. |
| Film F-4970/240 |
They Call it Wildcat, circa 1974-1977They Call it Wildcat. ST1019; Viewing Copy available. |
| Film F-4970/241 |
To Speak with Friends, circa 1957-1960To Speak with Friends#1. ST1011; Can notes: Stoney Box 1, INSPECTED, lid of can: [National Educational Television and Radio Center 2320 Washtenaw Avenues Ann Arbor, Michigan 4-1-25, Services: To Speak with Friends Program: Special Copy 25 1014' 28:10]; Viewing Copy available. |
| Film F-4970/242 |
Two Worlds to Remember, circa 1968-1970Two Worlds; Can notes: Early Film 3. Geo. Stoney. Two Worlds to Remember 16mm. Sound Reels 1 of 2 |
| Film F-4970/243 |
Under Pressure, 1964Under Pressure. ST1233; Can notes: Print #2 [No. 27 Under Pressure]; Viewing Copy available. |
| Film F-4970/244 |
Vera and The Law: toward a more effective system of justice, circa 1974-1977Vera and the Law.ST1216; Can notes: Box 15, 2655 lid: (New York University Film Library); Viewing Copy available. This documentary film looks at The Vera Institute for Justice, an independent nonprofit national research and policy organization based primarily in New York City whose mission is "to end the overcriminalization and mass incarceration of people of color, immigrants, and people experiencing poverty." The film combines narrations, interviews with participants, and scenes from actual program operations, including footage of police, drug detoxification, and prisons. |
| Film F-4970/245 |
VTR St Jacques, circa 1968-1970VTR St Jacques. ST1026; Viewing Copy available. |
| Film F-4970/254 |
Production Title Unknown, Year UnknownSync roll#2 CT II Sync Material from Gact[?] After 4th CC0000- CC1090; Reel description: Village Dock Water shots, Boats, etc. B'Portlane Rain+Ferces, MOS Parade Bell Port. |
| Film F-4970/255 |
Production Title Unknown, Year UnknownCity College Films #13 Pix Neg #19016; Mixed gauges: 35mm, 16mm, 8mm, 70mm. |
| Film F-4970/256 |
Two Worlds to Remember, circa 1968-1970George Stoney. Two Worlds to Remember. 16mm Neg A+B rolls. |
| Film F-4970/257 |
Two Worlds to Remember, circa 1968-1970George Stoney. Two Worlds to Remember Color Neg. Neg A+B rolls Reel 1. |
| Film F-4970/258 |
Common Thread, Year UnknownRoll [?] Sync. BB0000- BB0810; Reel description: C0000-CC1090 Parade Sat Common Thread Sync Roll#3 Jamie Stoney, Bill Bonyan Golden Thread Son, and a roll of 16mm adhesive tape. |
| Film F-4970/259 |
The Hudson Shad, 1974Trak. Hudson River Special. Transitions 1+2; Reel description: George Stoney Assoc. The Shepherd. Reel 1. Trk 4. Head. |
| Film F-4970/260 |
The Hudson Shad, 1974, pixG. Stoney. Assoc. Hudson River Comp. Reel Cases Reel description: Jim brown. 51st state. Film pieces for Hudson River special/ pix ho, Saw Mill Trk.+Amer Cyan. 51st State. J Brown/G. Stoney. Film Pieces for Hudson R. Special Trak HO, mixed track J. Brown. Hudson R. Special HO. |
| Film F-4970/365 |
The Hudson Shad, 1974, magG. Stoney. Assoc. Hudson River Comp. Reel Cases Reel description: Jim brown. 51st state. Film pieces for Hudson River special/ pix ho, Saw Mill Trk.+Amer Cyan. 51st State. J Brown/G. Stoney. Film Pieces for Hudson R. Special Trak HO, mixed track J. Brown. Hudson R. Special HO. |
| Film F-4970/261 |
Production Title Unknown, Year Unknown42023 Tri Films. Stoney Assoc R-CR 7-8-9 16 Pix Neg 1214ft Can#11; Can notes: J210 48786-49342, J255 88301-89099, J212 33475-34273, J249 83480-84278, J257 47611-48409, J243 11120-11912 |
| Film F-4970/262 |
Production Title Unknown, Year Unknown42023 Tri Films Stoney Assoc. R CR 10-11-12 16Pix Neg 1195 ft Can notes: top: CR10 7224, Stoney Assoc. St. Peter's [?] (J257 48432-49126, J255 70773-71573, J262 48682-49480, J255 86685-87480, J257 86804-87563, J225 81634-82431, J257 86957-87099, J255 71306-71427, J262 48779-49029, J255 86761-86967, J257 48432048739, J255 82127-82267, J255 87353-87480, J262 49030-49263, J257 86832-86956, J225 81634-81761, J255 70773-70791, J255 70920-71129, J255 87249-87352, J255 86685-86760, J255 87132-87248, J255 71428-71573, J225 82007-82126, J255 70792-70919, J255 71130-71305, J225 81762-82006, J257 87100-87563, J255 86968-87131, J257 86804-86831, J225 82268-82431, J262 49264-49480, J262 48682-48778, J257 48740-48853, J257 48854-49126. |
| Film F-4970/263 |
The Hudson Shad, 1969Hudson Reel Material. Returned by Danny; Can notes: Kingston '69, launch rum party. |
| Film F-4970/264 |
Production Title Unknown, Year Unknown52808 Tri Films G. Stoney 16 Pix Neg. 975 FT/52897 TRI FILM G. Stoney 16PIX NEG 405 Ft. Can #14 Can notes: (4x Neg. Exposed Normal Process+Print Geo Stoney Assoc) (4x NEG Exposed Normal Process + Print Geo Stoney Assoc) (256 86205-86826, 256 76318-77098, 187 15159-15659, 256 84604-85383); 158 92896, 187 15526-15659, 156 84604-84731, 156 84732-84843, 256 85114-85277, 256 76318-76462, 256 86654-86826, 256 86344-86428, 187 15159-15233, 256 85278-85383, 256 84844-84974, J256 76463-76546, 256 76767-76934, 256 86424-86653, 187 15273-15525, 256 76935-77098, 187 15234-15377, 256 84975-85113, 256 86205-86343, 256 76547-76766, 158 93112. |
| Film F-4970/265 |
Production Title Unknown, Year UnknownJames B Stoney. Type: 7242 Roll No.s 1B and 2B FTG: 581 |
| Film F-4970/266 |
Production Title Unknown, Year Unknown, pixWild Wood CM Roll 1-2,3/Sound Roll 1/Plus Orig[?]; Reel description: Wild Wood Tape 1, 7 1/2 Sync+ NonSync, 1/4 inch magnetic tape, CR 1-2-3 Wild Wood, Head out, FCM Wild Wood SR1. |
| Film F-4970/366 |
Production Title Unknown, Year Unknown, magWild Wood CM Roll 1-2,3/Sound Roll 1/Plus Orig[?]; Reel description: Wild Wood Tape 1, 7 1/2 Sync+ NonSync, 1/4 inch magnetic tape, CR 1-2-3 Wild Wood, Head out, FCM Wild Wood SR1. |
| Film F-4970/267 |
Production Title Unknown, Year UnknownVarious Sound Effects. Stoney Assoc; Reel description: Box with Magnetic Tape, 1/4 inch tail out, various sound effects, Tail, Morn Dove Crow Song Sparrow. |
| Film F-4970/268 |
Production Title Unknown, 19779-22-77. George Stoney. L.A. DESEG. R. 2 of 2. Footage 811, R 4, 5. |
| Film F-4970/269 |
Production Title Unknown, Year Unknown3. NYU James B, Stoney. Jamie Stoney. 7242. A4+A5/ Ft. 439; Can notes: 1200 ft 4A 2001 7245 [?]. |
| Film F-4970/270 |
They Call it Wildcat, circa 1974-1977Wildcat; Can notes: lid: [ They Call it Wildcat Original A+B Answer Print]. George Stoney Associates. Ford Foundation (Boggs)] [Please Return this print to: Geo. C. Stoney 207 W.[?] Apt.[?] [Call above number if any questions on enclosed material]. |
| Film F-4970/271 |
Production Title Unknown, Year Unknown9-22-77. 73754. G Stoney. L.A. Select. Reel# 1 of 2. ft. 1207. R. 1-2-3. |
| Film F-4970/272 |
Production Title Unknown, Year UnknownGeorge Stoney R1, 2 Orig. Pix |
| Film F-4970/273 |
Production Title Unknown, Year UnknownGeorge Stoney R 3,4 Orig Pix. |
| Film F-4970/274 |
Production Title Unknown, Year UnknownGeorge Stoney. 42285. Tri-Films R 4, 5, 6. 16 PIX Neg. 810 ft.; Reel description: J241 48763-48908, J265 19253-19353, J262 45041-45158, J265 19558-19802, J265 19803-19965, J265 19454-19557, J265 19354-19453, J241 57768-57894, J262 44731-44782. |
| Film F-4970/275 |
Production Title Unknown, Year Unknown3 Cans 72-L 42205 Tri-Film Service. George Stoney DAILIES. R 4, 5, 6, 16mm. Orig Pix. Neg. 807 ft; Reel description: J226 79168-79627, J255 71584-72020, J255 70431-70764, J255 70255-79430. |
| Film F-4970/276 |
Production Title Unknown, Year UnknownGeorge Stoney. 72-L 42205 TH-Film Dailies. R 1,2,3 16mm, original pix neg; Reel description: J246 89550-89671, J243 69320-69449, J231 36529-26649, J231 26351-26528, J231 26097-26180, J241 46733-46843, J243 69450-69627, J226 77299-77423, J231 26650-26764, J243 69628-69743, J226 77425-77687, J226 77689-78008, J246 89811-90044. |
| Film F-4970/277 |
Production Title Unknown, Year UnknownGeorge Stoney. 72-L. 42205 Tri Films. DAILIES. R 1, 2, 3 16mm Original Pix Neg; Reel description: J243 69208-69319, J243 69744-70002, J231 26181-26350, J246 89672-89810, J241 46611-46732, J241 46471-46610, J226 77217-77298, J231 26765-26895, J246 89313-89413, J241 47041-47159. |
| Film F-4970/278 |
Production Title Unknown, Year Unknown3 cans 72-L, 42205, Tri Film Service. George Stoney. Dailies. R 7, 8, 9. 16mm. Orig Pic Neg. 1213 ft; Reel description: J243-09825-09940, J243 09501-09628, J243 10122-10302, J243 09942-10121, J255 72027-72383, J226 78479-78817, J226 78240-78478, J243 09629-09816, J226 78018-78239, J226 78828-7917, J255 69968-70254. |
| Film F-4970/279 |
Production Title Unknown, Year UnknownGeorge Stoney. Roll #s 1C, 2C, 3C, 4C, 1D, 2D. |
| Film F-4970/280 |
Production Title Unknown, 19922-1 Dailies. 42422 Tri Film. Christmas Eve 1992 Rolls 1-2. 16mm. Pix Neg. 788. George Stoney; Reel description: J262 32767-32939, J262 32370-32626, J215 37101-37204, J255 56864-56966, J255 58099-58233, J255 56688-56863, J255 56967-57092, J266 94936-95206, J215 37205-37426, J262 32627-32766, J262 95354-95546, J262 95207-95353, J215 36842-37100. |
| Film F-4970/281 |
Production Title Unknown, UnknownGeorge Stoney. 42285. Tri-Films R 1, 2, 3. 16 PIX NEG 1169 ft; Reel description: J241 57895-58013, J246 76751-76695, J241 48497-48598, J241 57220-57388, J246 76696-76943, J241 48599-48762, J246 76462-76570, J241 57636-57767, J262 44783-45640, J241 48112-48495, J262 45159-45522, J241 57389-57635, J246 76148-76461. |
| Film F-4970/282 |
Production Title Unknown, 1949Can No. 4 Jan 3, 1949, Footage: 100' Stoney. |
| Film F-4970/283 |
Production Title Unknown, 1949Can No. 3 Jan 3, 1949, Footage: 100' Stoney. |
| Film F-4970/286 |
The Runaway -or- Youth Will Have It's Fling, Year UnknownCollection # 4970. Reg. 8mm. Mary Louise and George Stoney; Reel description: Tail, The Center for International Education The Runaway 1 Roll Original Color Reversal B Wind Silent Reg. 8mm Tail. |
| Film F-4970/287 |
The Hudson Shad, 1974NOTE: The Hudson Shad film can contained: 16mm Composite print, color and 1 16mm full-coat mag track (deemed unusable). Both currently at Colorlab for preservation through a NFPF grant. Shipped March 4, 2010 to Colorlab.***Original + Mixed Track for Broadcast. |
| Audiotape T-4970/134 |
Production Title Unknown, Year UnknownTDK TAPE 100; 1/4 audiotape reel to reel. |
| Audiotape T-4970/135 |
Production Title Unknown, Year UnknownBAHDI USA Willimete Nov 2 68; 1/4 audiotape reel to reel. |
| Audiotape T-4970/136 |
Production Title Unknown, Year UnknownErase+ Use; 1/4 audiotape reel to reel. |
| Audiotape T-4970/141 |
Planning for Floods, 1974Flood Film -Hugh Downs' Narration.Org; 1/4 audiotape reel to reel. |
| Audiotape T-4970/142 |
Production Title Unknown, Year UnknownCBC Radio- Canada. Ideas.Hands Selye; 1/4 audiotape reel to reel. |
| Audiotape T-4970/143 |
Production Title Unknown, Year UnknownMC Film [?]; 1/4 audiotape reel to reel. |
| Audiotape T-4970/144 |
Production Title Unknown, Year UnknownMr. Naylor Penny's + Picture; 1/4 audiotape reel to reel. |
| Audiotape T-4970/145 |
Police Series, circa 1960-1966Police Series. Sound Roll FF; 1/4 audiotape reel to reel. |
| Audiotape T-4970/146 |
Police Series, circa 1960-1966Police. NYP 61 Oct. 8 F; 1/4 audiotape reel to reel. |
| Audiotape T-4970/147 |
Production Title Unknown, Year UnknownStan[?] Group Singing; 1/4 audiotape reel to reel. |
| Audiotape T-4970/148 |
The Hudson Shad, 1974Hudson Shad 1/4 Safety of Final Mix; 1/4 audiotape reel to reel. |
| Audiotape T-4970/149 |
Planning for Floods, 1974Flood Film. 1/4 inch safety of Mixed Track; 1/4 audiotape reel to reel. |
| Audiotape T-4970/150 |
Police Series, circa 1960-1966Police Series. Cleveland, voice over. Sound Roll II; 1/4 audiotape reel to reel. |
| Audiotape T-4970/151 |
Production Title Unknown, Year UnknownDocuments. Kerensky at Stanford; 1/4 audiotape reel to reel. |
| Audiotape T-4970/152 |
Production Title Unknown, Year UnknownJim Brown. 3/20/73. Mix 1 Take 1 ok [?]; 1/4 audiotape reel to reel. |
| Audiotape T-4970/153 |
Production Title Unknown, Year UnknownKline for Indian fish rolls 1; 1/4 audiotape reel to reel. |
| Audiotape T-4970/154 |
Production Title Unknown, Year Unknown[?]+Use; 1/4 audiotape reel to reel. |
| Audiotape T-4970/155 |
Family Life in Japan, circa 1967-1968Family- Japan- Dupe for Translation. Circus Music 3.75; 1/4 audiotape reel to reel. |
| Audiotape T-4970/156 |
Production Title Unknown, Year UnknownMr. Naylor Interview Wild; 1/4 audiotape reel to reel. |
| Audiotape T-4970/157 |
Production Title Unknown, Year UnknownWe are prepared to show Cincinnati lushes if you want to; 1/4 audiotape reel to reel. |
| Audiotape T-4970/158 |
Family Life in India, circa 1967-1968Tape #5 Family-India. McGraw Hill; 1/4 audiotape reel to reel. |
| Audiotape T-4970/159 |
Production Title Unknown, Year UnknownGeo. 2/71 Tape 7 1/2; 1/4 audiotape reel to reel. |
| Audiotape T-4970/160 |
Production Title Unknown, Year UnknownMr. Naylor Interview Wild; 1/4 audiotape reel to reel. |
| Audiotape T-4970/161 |
Production Title Unknown, Year UnknownTape Two. Indian Family. McGraw Hill [?]; 1/4 audiotape reel to reel. |
| Audiotape T-4970/162 |
The Furlined Foxhole, 1962What[?] Foxhole there[?]; 1/4 audiotape reel to reel. |
| Audiotape T-4970/163 |
Production Title Unknown, Year UnknownStoney Stans Off; 1/4 audiotape reel to reel. |
| Audiotape T-4970/164 |
Production Title Unknown, Year UnknownWiped. Irish Jigs. 3 3/4. For Square Dancing; 1/4 audiotape reel to reel. |
| Audiotape T-4970/165 |
Production Title Unknown, Year UnknownStoney. Raskin Interview Camera Roll # 214. Original. How to look at a City. N.E.T.; 1/4 audiotape reel to reel. |
| Audiotape T-4970/166 |
Production Title Unknown, Year UnknownTape 3- Family Village; 1/4 audiotape reel to reel. |
| Audiotape T-4970/167 |
Production Title Unknown, Year UnknownRoll#7. Village Family-India; 1/4 audiotape reel to reel. |
| Audiotape T-4970/168 |
Production Title Unknown, Year UnknownRoll#6 Village Family; 1/4 audiotape reel to reel. |
| Audiotape T-4970/169 |
Production Title Unknown, Year UnknownJapanese family interview [?]; 1/4 audiotape reel to reel. |
| Audiotape T-4970/170 |
Production Title Unknown, Year UnknownCBC Program. Something to Say with Buffy St. Marie; 1/4 audiotape reel to reel. |
| Audiotape T-4970/171 |
Production Title Unknown, Year UnknownSoundings 19 AOUT 70. St. Regis Indiana [?]; 1/4 audiotape reel to reel. |
| Audiotape T-4970/172 |
Production Title Unknown, Year UnknownIndian Education - English (sound, slide set 81 FRS); 1/4 audiotape reel to reel. |
| Audiotape T-4970/173 |
Production Title Unknown, 1970Iroquois social dance songs on Mohawk Island looking for sound track. Sum 1970; 1/4 audiotape reel to reel. |
| Audiotape T-4970/174 |
Production Title Unknown, Year UnknownA- Geo. Stoney Assoc. 1111 Greenwood Palo Alto. Tape 58; 1/4 audiotape reel to reel. |
| Audiotape T-4970/175 |
Production Title Unknown, Year UnknownC- Geo. Stoney Assoc. 1111 Greenwood Palo Alto. Tape 59, Tape 56; 1/4 audiotape reel to reel. |
| Audiotape T-4970/176 |
Production Title Unknown, Year UnknownD- Geo. Stoney Assoc. 1111 Greenwood Palo Alto. Tape 56; 1/4 audiotape reel to reel. |
| Audiotape T-4970/177 |
Production Title Unknown, Year UnknownE- Geo. Stoney Assoc. 1111 Greenwood Palo Alto. Tape 52, Tape 33; 1/4 audiotape reel to reel. |
| Audiotape T-4970/178 |
Production Title Unknown, Year UnknownG- Geo. Stoney Assoc. 1111 Greenwood Palo Alto. Tape 36, Tape 4; 1/4 audiotape reel to reel. |
| Audiotape T-4970/179 |
Production Title Unknown, Year UnknownF- Geo. Stoney Assoc. 1111 Greenwood Palo Alto. Tape 47, Tape 48, Tape 19, Tape 36; 1/4 audiotape reel to reel. |
| Audiotape T-4970/180 |
Production Title Unknown, Year UnknownB- Geo. Stoney Assoc. 1111 Greenwood.Palo Alto. Tape 58, Tape 59; 1/4 audiotape reel to reel. |
| Audiotape T-4970/181 |
Production Title Unknown, Year UnknownRunform Race; 1/4 audiotape reel to reel. |
| Audiotape T-4970/182 |
Production Title Unknown, Year UnknownSchwang. Ann. Stats Tunel; 1/4 audiotape reel to reel. |
| Audiotape T-4970/183 |
Production Title Unknown, 1962The Scaffs. Tom Rush at the Unicorn and Marthas Vineyard. Chilmark Folk Concert Sept 2, 1962; 1/4 audiotape reel to reel. |
| Audiotape T-4970/184 |
Production Title Unknown, 1963Geo. Stoney. Transcribed. 12/12/63. 7.5 IPS 24 fPS. 60[?] Ranger; 1/4 audiotape reel to reel. |
| Audiotape T-4970/185 |
Autumn Flight, 1967Virg. Reel Tpale[?]. E Scruggs. The Autumn Flight; 1/4 audiotape reel to reel. |
| Audiotape T-4970/186 |
Production Title Unknown, Year UnknownNaylor. Interviews; 1/4 audiotape reel to reel. |
| Audiotape T-4970/187 |
Production Title Unknown, 1964Naylor Interview Nov. 1964; 1/4 audiotape reel to reel. |
| Audiotape T-4970/188 |
Production Title Unknown, Year UnknownDiscussion of Under Pressure by class at NYU under Prof. Malamud, an adult education group made up for the most part of working people in their late 20s and early 30s; 1/4 audiotape reel to reel. |
| Audiotape T-4970/189 |
Production Title Unknown, 196610/24/66. 7 1/2 copy. No sync signal. George Stoney. Music. Selected Takes Only; 1/4 audiotape reel to reel. |
| Audiotape T-4970/190 |
Production Title Unknown, Year UnknownPuleston Sing. Charely the Blind leader reverse; 1/4 audiotape reel to reel. |
| Audiotape T-4970/191 |
Production Title Unknown, Year UnknownBoston Pops Gershwin; 1/4 audiotape reel to reel. |
| Audiotape T-4970/192 |
Production Title Unknown, Year UnknownIndia move. John Kline roll 2; 1/4 audiotape reel to reel. |
| Audiotape T-4970/193 |
Production Title Unknown, Year UnknownNo description; 1/4 audiotape reel to reel. |
| Audiotape T-4970/194 |
Production Title Unknown, Year UnknownNo description. 1/4 audiotape reel to reel. |
| Audiotape T-4970/197 |
Production Title Unknown, Year Unknown(From F4970/267) Various Sound Effect, Various Sound Effects. Stoney Assoc.; 1/4 audiotape reel to reel. |
| Audiotape T-4970/200 |
Production Title Unknown, Year Unknown(From F4970/266) Wild Wood CM Roll 1-2,3/Sound Roll 1/Plus Orig[?]; 1/4 audiotape reel to reel. |
| Videotape VT-4970/59 |
Production Title Unknown, 1973YESHIVA EDIT. Auctioneers Club, Summer Bowling, 20 min. 6/13/73; Half inch open reel. |
| Videotape VT-4970/60 |
Acupuncture and Herbal Therapy, 1977Dubtion 3/4 Acupuncture and Herbal Therapy, People's Republic of China, Aug-Sept; Half inch open reel. |
| Videotape VT-4970/61 |
Production Title Unknown, Year UnknownA day on the edge cable. University of Wisconsin; Half inch open reel. |
| Videotape VT-4970/62 |
Production Title Unknown, Year UnknownAMC: ACCESS PROGRAMMING IN 12 US CITIES; Half inch open reel. |
| Videotape VT-4970/63 |
Production Title Unknown, 1973AMNESTY First Tuesday NBC: 3/73. United Church, Arlington, Cal; Half inch open reel. |
| Videotape VT-4970/64 |
The Boston Media Project, circa 1974-1978Boston Media Project Overview. A Jim Brown; Half inch open reel. |
| Videotape VT-4970/65 |
The Boston Media Project, circa 1974-1979Boston Media Project Overview. b Jim Brown Copu [?]; Half inch open reel. |
| Videotape VT-4970/66 |
Production Title Unknown, Year UnknownCan be good [?]; Half inch open reel. |
| Videotape VT-4970/67 |
Production Title Unknown, Year UnknownCashel's Print Shop July/80, AHRC Workshop; Half inch open reel. |
| Videotape VT-4970/68 |
Production Title Unknown, Year UnknownCentral Park; Half inch open reel. |
| Videotape VT-4970/69 |
Production Title Unknown, 1974Depression 74 Teach in on the economy DEKAL B; Half inch open reel. |
| Videotape VT-4970/70 |
Production Title Unknown, circa 1970sFord Foundation: housing Composite Part 1; Half inch open reel. |
| Videotape VT-4970/71 |
Production Title Unknown, circa 1970sFORD FOUNDATION: Housing Composite Part 2; Half inch open reel. |
| Videotape VT-4970/72 |
Production Title Unknown, Year UnknownJOHNSON #1; Half inch open reel. |
| Videotape VT-4970/73 |
Production Title Unknown, Year UnknownLabel on box: Margaret Sanger Institute, 2nd Ave at 22nd, NYC, beings at 6, view of hallway 7 library silhouette of statute 11 statue 13-16, view of classes 15-20, vasectomy briefing 20-36, briefing for birth control 36-135, statue Rob Dickinson to library 135-139, library rack publications 139 to full library 148, publications on China 148-167, Midwife class in session 171-244 (shows use of model) 244-254 People magazine Margaret Sanger Institute; Half inch open reel. |
| Videotape VT-4970/74 |
Production Title Unknown, Year UnknownMr. Greer, Manhattan Cable #1; Half inch open reel. |
| Videotape VT-4970/75 |
Production Title Unknown, Year UnknownMr. Greer, Manhattan Cable #2; Half inch open reel. |
| Videotape VT-4970/76 |
Production Title Unknown, Year UnknownMexico, Chapultepec C Park + New York Street Theater, On end: Merketa's Troop performs, Roll #2; Half inch open reel. |
| Videotape VT-4970/77 |
Production Title Unknown, Year UnknownSteve Hottard, U of T, On the Bus Off the Bus # 456; Half inch open reel. |
| Videotape VT-4970/78 |
Production Title Unknown, Year UnknownPeter Chow (there is a bad wrinkle in the beginning); Half inch open reel. |
| Videotape VT-4970/79 |
Production Title Unknown, Year UnknownPolice Woman Pt. 1, chernicas; Half inch open reel. |
| Videotape VT-4970/80 |
Production Title Unknown, Year UnknownPolice Woman pt. II, Fri-Sept 20, 1974. 10-11. 2 Police Woman chernicha; Half inch open reel. |
| Videotape VT-4970/81 |
Production Title Unknown, Year UnknownRED; Half inch open reel. |
| Videotape VT-4970/82 |
Production Title Unknown, Year UnknownRED II; Half inch open reel. |
| Videotape VT-4970/83 |
Production Title Unknown, 1972CORDIE LEACH. Southern Midwife #1: 2/72. Edited; Half inch open reel. |
| Videotape VT-4970/84 |
Production Title Unknown, 1972CORDIE LEACH. Southern Midwife #2: 2/72. Edited; Half inch open reel. |
| Videotape VT-4970/85 |
Production Title Unknown, Year UnknownVT 962, Sterling Channel C, Music Around Cape May. Bob Steele; Half inch open reel. |
| Videotape VT-4970/86 |
Production Title Unknown, Year UnknownThe Unheard, Unseen: The Spirits of incarceration and Officer Willie Hill; Half inch open reel. |
| Videotape VT-4970/87 |
Production Title Unknown, Year UnknownWashington Heights Mental Health Council. Winter PANL CHAMBER OF COMMERCE; Half inch open reel. |
| Videotape VT-4970/88 |
Production Title Unknown, Year UnknownA Woman's Place, first show; Half inch open reel. |
| Videotape VT-4970/89 |
Production Title Unknown, Year UnknownYoung Blood; Half inch open reel. |
| Videotape VT-4970/90 |
Production Title Unknown, 19763/2/76 Your Money and You (part 2 of 2); Half inch open reel. |
| Videotape VT-4970/91 |
Production Title Unknown, 19763/2/76 Your Money and You (Rat Debate) #027, part 1 of 2; Half inch open reel. |
| Videotape VT-4970/92 |
Production Title Unknown, Year Unknown16A; Half inch open reel. |
| Videotape VT-4970/93 |
Production Title Unknown, Year Unknown#37; Half inch open reel. |
| Videotape VT-4970/94 |
Production Title Unknown, Year Unknown#46; Half inch open reel. |
| Videotape VT-4970/95 |
Production Title Unknown, Year Unknown#882; Half inch open reel. |
| Videotape VT-4970/96 |
Production Title Unknown, Year UnknownNo description; Half inch open reel. |
| Videotape VT-4970/97 |
Production Title Unknown, Year UnknownNo description; Half inch open reel. |
| Videotape VT-4970/98 |
Production Title Unknown, Year UnknownNo description; Half inch open reel. |
| Videotape VT-4970/99 |
Production Title Unknown, Year Unknown7 Brides 7 Brothers 2 Beatles; Half inch open reel. |
| Videotape VT-4970/100 |
The 51st State, 1972Fifty First State. Hudson Pollution. Video copy of Nov. 23, 1972 broadcast. Sloop pumpkin sale at South St. pier. Live with John Burns; Half inch open reel. |
| Videotape VT-4970/101 |
The 51st State, 1972Fifty First State. Patrillo Show. Video copy of Nov. 10, 1972 broadcast; Half inch open reel. |
| Videotape VT-4970/102 |
The 51st State, 1972Patrick Watson 51 state Last P.W.; Half inch open reel. |
| Videotape VT-4970/103 |
The 51st State, 197251st State of plea bargaining copy off air; Half inch open reel. |
| Videotape VT-4970/104 |
Production Title Unknown, Year UnknownAM Center[?] or personal; Half inch open reel. |
| Videotape VT-4970/105 |
Production Title Unknown, Year UnknownBread+Puppet these[?] Jon Miller; Half inch open reel. |
| Videotape VT-4970/106 |
Production Title Unknown, Year UnknownBrooks Jones[?]; Half inch open reel. |
| Videotape VT-4970/107 |
Production Title Unknown, 1970Buy This and You'll Be Happy -8:30 A.M. Saturday, Nov. 10, 1970. Original. Four channel switch. Played at Conf; Half inch open reel. |
| Videotape VT-4970/108 |
Production Title Unknown, 1970Buy This and You'll Be Happy - Master AV edit made for the White House Conference on Children, 1970. Recordings of programs on Saturday morning 8:00-8:30. Four channel switch; Half inch open reel. |
| Videotape VT-4970/109 |
Production Title Unknown, Year UnknownCancer film transfers. Rev. Printzenhoff with Roger [?]; Half inch open reel. |
| Videotape VT-4970/110 |
Challenge for Change, circa 1968-1970Challenge for Change, Drumhiller experiment Alberta; Half inch open reel. |
| Videotape VT-4970/111 |
Production Title Unknown, Year UnknownComposite: Boston Media Project Charlestown; Hyde Park Kids; S. Boston Info. Ctr.; Half inch open reel. |
| Videotape VT-4970/112 |
Production Title Unknown, Year UnknownCounselor T'rng series. Counseling During Abortion Procedure (Preternal); Half inch open reel. |
| Videotape VT-4970/113 |
Production Title Unknown, 1975Downtown Community Video on WNET. 1975. China town video. Titles and intro. To 15. Origins bad work to 31. Programs: Newyears. etc. VTR Downtown Community. TV Center; Half inch open reel. |
| Videotape VT-4970/114 |
Production Title Unknown, Year UnknownDownsville, NY, 13755 Box AK April Video Corp What is an Indian II, She Hendrickson, early access; Half inch open reel. |
| Videotape VT-4970/115 |
Production Title Unknown, Year UnknownEarly Access, Downsville, NY What is an Indian I; Half inch open reel. |
| Videotape VT-4970/116 |
Production Title Unknown, Year UnknownEarly Access, Davao Penal Colony. A discussion among major gang members inside the maximum security compound of the Colon, Mindanao, Phillppines. They are discussing gang structure, the reasons for joining, and the cause of major gang killings that had just swept the prisons of the Philippines. Recorded by Brook Jones; Half inch open reel. |
| Videotape VT-4970/117 |
Production Title Unknown, Year UnknownEarly community, Alternative uses of video, Favorite bits /uses of video, G. Stoney; Half inch open reel. |
| Videotape VT-4970/118 |
Production Title Unknown, Year UnknownJustine- Actors, #3; Half inch open reel. |
| Videotape VT-4970/119 |
Production Title Unknown, 1977India/personal interview. The Olyai's + Gwalior, India Jan 12/77; Half inch open reel. |
| Videotape VT-4970/120 |
Production Title Unknown, Year UnknownMaster Piano Teacher, Duke; Half inch open reel. |
| Videotape VT-4970/121 |
Production Title Unknown, 1980Mrs. Martha Sapp, Vol. No 1 8/18/80 Albany, CA; Half inch open reel. |
| Videotape VT-4970/122 |
The Newcomers, 1962The Newcomers 61 Follow Up, Schaff, miner; Half inch open reel. |
| Videotape VT-4970/123 |
Production Title Unknown, Year UnknownDocument, OMNI nursing instruction Procedures of the Pelvic Examination 2-212 transfer from film; Half inch open reel. |
| Videotape VT-4970/124 |
Production Title Unknown, Year UnknownPolitics of Abortion, R1, On the Road; Half inch open reel. |
| Videotape VT-4970/125 |
Production Title Unknown, 1978The Politics of Abortion r.2, Part 1, 4/22/78; Half inch open reel. |
| Videotape VT-4970/126 |
Production Title Unknown, 1978Master. Quotes from video Memos, made for the Bureau of Occupational Planning, US Office of Ed, 1978 Ted Conant + GS, US Bureau of Occupational Planning for US Office of Education, Video Memos to Show Attitudes; Half inch open reel. |
| Videotape VT-4970/127 |
Production Title Unknown, Year UnknownSERA- Winston VARSAS, ED GRANA, Drug Documentary, #519; Half inch open reel. |
| Videotape VT-4970/128 |
Production Title Unknown, Year UnknownSuffolk Birth Control Clinic; Half inch open reel. |
| Videotape VT-4970/129 |
Production Title Unknown, Year UnknownUse video instructional to give voice not gs, gs used/ Geo. The Interviews- Margaret Lysight, Norma and Joe, Should provoke good response as well as illustrating short segment use of Interviews; Half inch open reel. |
| Videotape VT-4970/130 |
Production Title Unknown, 1978Vocational Training and Employment- Who and What Should Determine the Goals, 1978, Video Memo from Detroit (dub from master) 1978; Half inch open reel. |
| Videotape VT-4970/131 |
Production Title Unknown, 1970White House Conf. on Children, Dec. 1970, Conference Feedback, Tape 2 of 2, A.M.C. 27 mins; Half inch open reel. |
| Videotape VT-4970/132 |
Production Title Unknown, Year UnknownTitles; Half inch open reel. |
| Videotape VT-4970/133 |
Production Title Unknown, Year UnknownNo description; Half inch open reel. |
| Videotape VT-4970/134 |
Production Title Unknown, Year Unknown251; Half inch open reel. |
| Videotape VT-4970/135 |
Production Title Unknown, Year UnknownDon't Know; Half inch open reel. |
| Videotape VT-4970/136 |
Production Title Unknown, Year UnknownAMC [look up the rest]; Half inch open reel. |
| Videotape VT-4970/137 |
The 51st State, circa 1971-1973Fifty-First State, Hudson River Special River pollution. See Supplementary reel 1 also; Half inch open reel. |
| Videotape VT-4970/188 |
Production Title Unknown, Year Unknown#4 08:00; Umatic SP. |
| Videotape VT-4970/189 |
Production Title Unknown, 197612 Examples of Access. 280 Dup 1974-5 AMC Intern's work exerpted for '76 hearing of House Committee on Communication; Umatic. |
| Videotape VT-4970/190 |
Production Title Unknown, Year UnknownAccess around the country: 12 examples in 14 prepared for the House (US) subcomittee hearing [?]; VHS. |
| Videotape VT-4970/191 |
Production Title Unknown, Year UnknownWilliams, Jason: the Clinton inauguration: An American Reunion; VHS. |
| Videotape VT-4970/192 |
The American Road, 1953The American Road, Rod Co's 50th anniversary film, 1953. Historical reconstructions by G. Stoney. Narration by Raymond Massy; VHS. |
| Videotape VT-4970/193 |
Production Title Unknown, Year UnknownAre you listening. The Life Struggle of Aleya; VHS. |
| Videotape VT-4970/194 |
Production Title Unknown, Year UnknownBedside to Bargaining Table; VHS. |
| Videotape VT-4970/195 |
Production Title Unknown, Year UnknownBoris Grebenshikon Long Way Home Copy 2; VHS. |
| Videotape VT-4970/196 |
Production Title Unknown, 1996CBS Reports. Who's getting rich and why aren't you? 8/8/96; VHS. |
| Videotape VT-4970/197 |
Production Title Unknown, 1992Environmental Defense Fund, Environmental Vision fundraiser 1992; VHS |
| Videotape VT-4970/198 |
Production Title Unknown, Year UnknownHampL. Henry Kamiel; Umatic S. |
| Videotape VT-4970/199 |
Production Title Unknown, Year UnknownDuplicate. KTCA Patricia Hampl. Producer Deanna Kamiel; Umatic. |
| Videotape VT-4970/200 |
Production Title Unknown, Year UnknownIncident at Oglala,S. Roctock; VHS. |
| Videotape VT-4970/201 |
Production Title Unknown, 1987Justice is a Constant Struggle, 31 min. The National Lawyers' Guild 1987 by NYU student Philip Halperp; VHS. |
| Videotape VT-4970/202 |
Production Title Unknown, Year UnknownKOLAPS D; VHS. |
| Videotape VT-4970/203 |
Production Title Unknown, 1991Labor Institute of Public Affiars. 1991 AFL-CIO Convention Organizing in the 90s; VHS. |
| Videotape VT-4970/204 |
Production Title Unknown, Year UnknownExtra. 122a. Mickey's Diner. By Deanna Kamiel; Umatic-S. |
| Videotape VT-4970/205 |
Production Title Unknown, Year UnknownMilgrom's Film Obsession, Deanna Kamiel; Umatic. |
| Videotape VT-4970/206 |
Production Title Unknown, Year UnknownMy Cyprus; VHS. |
| Videotape VT-4970/207 |
Production Title Unknown, Year Unknown258. Extra. New York Connections. NYC Dub; Umatic. |
| Videotape VT-4970/208 |
Production Title Unknown, Year Unknown112. Duplicate. Nuclear Outpost. Deanna Kamiel; Umatic. |
| Videotape VT-4970/209 |
Production Title Unknown, Year UnknownPaper Tiger. Video Dial Tone. (special for Deep Dis); VHS. |
| Videotape VT-4970/210 |
Production Title Unknown, Year UnknownPsychic Fields, 9/10/96. Tape that promoted the resignation of 2 MNN board members; VHS. |
| Videotape VT-4970/211 |
Production Title Unknown, Year UnknownRed Shoes. Red Shoes- A sculpture by Ann Slavit; Umatic. |
| Videotape VT-4970/212 |
Production Title Unknown, Year Unknown287. Extra. Shanty Town; Umatic. |
| Videotape VT-4970/213 |
Production Title Unknown, Year Unknown59. Extra. Six O'Clock and All's Well. Robert Spencer; Umatic. |
| Videotape VT-4970/214 |
Production Title Unknown, Year Unknown175. Copy 2. Southern Voices, A Composer's Exploration, with Doris Hays; Umatic. |
| Videotape VT-4970/215 |
Production Title Unknown, Year Unknown175. Copy 3. NY Foundation for the Arts. George Stoney Associates. Southern Voices 10/31/84; Umatic. |
| Videotape VT-4970/216 |
Production Title Unknown, Year Unknown175. Southern Voices. Length 60:00; Umatic. |
| Videotape VT-4970/217 |
Production Title Unknown, Year UnknownTales from the Heights; VHS. |
| Videotape VT-4970/218 |
Production Title Unknown, Year UnknownUrban Reform. English Version; VHS. |
| Videotape VT-4970/226 |
Production Title Unknown, Year UnknownVisions of Home; VHS. |
| Videotape VT-4970/219 |
Production Title Unknown, 1996Who's Getting Rich… And Why Aren't CBS White Paper, Aug. 9/96; VHS. |
| Videotape VT-4970/220 |
Production Title Unknown, Year UnknownExtra. Zamucci. Zanussi. Deanna Kamiel; Umatic-S. |
| Videotape VT-4970/221 |
Production Title Unknown, Year UnknownLabel description: WEDU Interview George Stoney; Betacam SP. |
| Videotape VT-4970/223 |
Production Title Unknown, Year UnknownBill- Santa Claus 3 min. 20 sec. Unemployment Who's To Blame pro. George Stoney, 9 min. 20 sec; Umatic. |
| Videotape VT-4970/224 |
Autumn Flight, 1967George Stoney Autumn Flight; BetacamSP. |
| Videotape VT-4970/225 |
Songs for Ralph, Year UnknownGeorge Stoney. Songs for Ralph; BetacamSP. |
| Videotape VT-4970/226 |
Stoney Evening Part A, 2009Recorded lecture with George Stoney at the University of North Carolina at Chapel Hill on 16 October 2009. Mini DV. |
| Videotape VT-4970/227 |
Stoney Evening Part B, 2009Recorded lecture with George Stoney at the University of North Carolina at Chapel Hill on 16 October 2009. Mini DV. |
| Videotape VT-4970/161 |
Production Title Unknown, 1984LINX 1984. @ Acme; Betamax. |
| Videotape VT-4970/162 |
Production Title Unknown, 1984Beach, August 1984; Betamax. |
| Videotape VT-4970/163 |
Production Title Unknown, Year UnknownGen 1; Betamax. |
| Videotape VT-4970/164 |
Production Title Unknown, Year UnknownGen 2; Betamax. |
| Videotape VT-4970/165 |
Production Title Unknown, Year UnknownGen 3; Betamax. |
| Videotape VT-4970/166 |
Production Title Unknown, 1996Talk of Po HI's visit to Sao Paul recorded 10/96; Betacam SP. |
| Audiocassette C-4970/61 |
Production Title Unknown, 1975Calcutta Jan. [?] 75 [?]. |
| Audiocassette C-4970/62 |
Production Title Unknown, Year UnknownHousing Tape Part II. |
| Audiocassette C-4970/63 |
Production Title Unknown, Year UnknownChords of Protest - Radio Variety- M Judge. |
| Audiocassette C-4970/64 |
Production Title Unknown, Year UnknownI. The Albatros, Athens, Greece. |
| Audiocassette C-4970/65 |
Production Title Unknown, Year UnknownMake your Own Animated Cartoon. |
| Audiocassette C-4970/66 |
Production Title Unknown, Year UnknownMicky Tape -interview with resident from [?]. |
| Audiocassette C-4970/67 |
Production Title Unknown, Year UnknownPast Present Part I, introducing, interview, performances [?]. |
| Audiocassette C-4970/68 |
Production Title Unknown, 1976Walter Lassally on Thursdays Children (1953) Every Day Except Christmas (1956) - 10/28/76. |
| Audiocassette C-4970/69 |
Production Title Unknown, 1975Carol Sing 1975. |
| Audiocassette C-4970/70 |
Production Title Unknown, Year UnknownWBAI [?] Depression Songs [?] 1929-31 incomplete copy. |
| Audiocassette C-4970/71 |
Production Title Unknown, 1980IV. Tel Aviv [?] June 11/80-on. |
| Audiocassette C-4970/72 |
Production Title Unknown, Year UnknownC331 Wrap-Up Panel Discussion 1 of 2. |
| Audiocassette C-4970/73 |
Production Title Unknown, Year UnknownC331 Wrap up Panel Discussion 1 of 2. |
| Audiocassette C-4970/74 |
Production Title Unknown, Year UnknownSchool of Theology at Claremont Foothill Boulevard at College Avenue Claremont, California 91711/ Mr. Jim Brown George Stoney Associates 240 Waverly Place, New York, NY 10014. |
| Audiocassette C-4970/75 |
Production Title Unknown, Year UnknownBob Brown, 36 Collinwood Road, Mapelwood NJ 07040. |
| Audiocassette C-4970/76 |
Production Title Unknown, 1980II. Amaan [?] 6/3/80. |
| Audiocassette C-4970/77 |
Production Title Unknown, Year UnknownIII. Jerusolz [?]. |
| Audiocassette C-4970/78 |
Production Title Unknown, Year UnknownSteiner 1. |
| Audiocassette C-4970/79 |
Production Title Unknown, Year UnknownSteiner 2. |
| Audiocassette C-4970/80 |
Production Title Unknown, Year UnknownDr. J.D. Elder, Inst of AFR Studies, U of I, Ibadan. |
| Audiocassette C-4970/81 |
Production Title Unknown, Year UnknownDr. J.D. Elder, Inst of AFR Studies, Univ of Ibadan, IBADAN, Nigeria. |
| Audiocassette C-4970/82 |
Production Title Unknown, Year UnknownIno village [etc.]. |
| Audiocassette C-4970/83 |
Production Title Unknown, 1976[?] A. Mellan HH Ming, Translate Village songs 12/5/76 [?]. |
| Audiocassette C-4970/84 |
Production Title Unknown, 1976Micellan HH [?] 12/5/76. |
| Audiocassette C-4970/85 |
Production Title Unknown, Year UnknownSIDE A: Harps: G. Roque chat [?], SIDE B: Bach / SIDE A: Harps: G. Roque chat, SIDE B: Bach. |
| Audiocassette C-4970/86 |
Production Title Unknown, Year UnknownNo description. |
| Audiocassette C-4970/87 |
Production Title Unknown, Year UnknownNo description. |
| Audiocassette C-4970/88 |
Production Title Unknown, Year UnknownNo description. |
| Audiocassette C-4970/89 |
Production Title Unknown, Year UnknownFaith Alive, Unit IV, Easter. |
| Audiocassette C-4970/90 |
Production Title Unknown, Year UnknownNight Moves An Interview with Bruce Surtees. |
| Digital Video Disc DVD-4970/10 |
George Stoney, 2009Oct.16.09. MOV FILE 455 MB QUICKTIME. An Evening with George Stoney. Videorecording of Proceedings; DVD |
| Data Compact Disc DCD-4970/1 |
George C. Stoney Pictures, 2010George C. Stoney Pictures. 2.10.10; Data CD. |
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Subseries 5.11. Loose Papers, 1950s-2010.
Arrangement: by format.
Papers pulled from 16mm film cannisters and 1/2-inch open reel containers, including handwritten notes and lab notes.
| Folder 1191 |
16mm film notes, 1950s-1990sLoose papers from 16mm film cans. |
| Folder 1192 |
1/2 inch open reel notes, 1950s-1990sLoose papers from 1/2 inch open reel containers. |
| Folder 1193 |
Loose Papers, 1950s-2010Documentary Educational Resources; contains a cover photo of George Stoney, Carolina Alumni Review; a story about George Stoney, and empty boxes with notes. |
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Subseries 5.12A. Race or Reason: The Bellport Dilemma, 1970-2007 and undated (Addition of April
2019).
Acquisitions Information: Accession 103568
Processing Information: Titles for audiovisual materials compiled from original containers.
Primarily papers and audiovisual materials related to Race or Reason: The Bellport Dilemma (2003), a documentary film by Betty Puleston and Lynne Jackson. Stoney produced the film, which revisits the relations among black, white, and Puerto Rican high school students in a small town in Long Island, N.Y. during the 1970s. Papers consist mostly of Betty Puleston's research files, including clippings, notes, and timelines, as well as materials relating to the production budget. Audiovisual materials consist of production elements and reference materials, including videotape masters and dubs and an audiocassette recording related to the production. The series also contains videotapes related to Paulo Freire, which are most likely related to Finding Freire, Stoney's work-in-progress documentary film about the Brazilian educator.
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Series 5A. Audiovisual Materials, 1975-1986 and undated (Addition of July 2013).
Acquisitions Information: Accession 101852
Processing Information: Titles compiled from original containers.
This accession contains additional materials that are not available for immediate or same day access. This series contains additional paper materials that are not processed and are currently not available to researchers. For information about access to these materials, contact Research and Instructional Services staff. Please be advised that preparing unprocessed materials for access can be a lengthy process.
Film elements related to Stoney's documentary production, How the Myth Was Made: A Study of Robert Flaherty's Man of Aran (1978). The series also includes scattered video recordings that include material related to on the Catholic University of San Paulo in Brazil, kibbuts in Israel, and the Highlander Research and Education Center. The recordings about or on Brazil may relate to the work-in-progress, Finding Freire, a George C. Stoney film about the Brazilian educator, Paulo Freire.
| Film F-4970/290 |
Man of Aran, 12 April 197816mm motion picture film 75 ft. Negative |
| Film F-4970/291 |
Man of Aran, 12 April 197816mm motion picture film 75 ft. Negative |
| Film F-4970/292 |
Man of Aran, 12 April 197816mm motion picture film 100 ft. Negative |
| Film F-4970/293 |
Man of Aran, 12 April 197816mm motion picture film 125 ft. Negative |
| Film F-4970/294 |
Man of Aran, 12 April 197816mm motion picture film 75 ft. Negative |
| Film F-4970/295 |
Man of Aran, 12 April 197816mm motion picture film 50 ft. Negative |
| Film F-4970/296 |
Man of Aran, 12 April 197816mm motion picture film 50 ft. Negative |
| Film F-4970/297 |
Man of Aran, 12 April 197816mm motion picture film 50 ft. Negative |
| Film F-4970/298 |
Man of Aran, 12 April 197816mm motion picture film 25 ft. Negative |
| Film F-4970/299 |
Man of Aran, 12 April 197816mm motion picture film 25 ft. Negative |
| Film F-4970/300 |
Man of Aran, 12 April 197816mm motion picture film 25 ft. Negative |
| Film F-4970/301 |
Man of Aran, 12 April 197816mm motion picture film 25 ft. Negative |
| Film F-4970/302 |
Man of Aran, 12 April 197816mm motion picture film 25 ft. Negative |
| Film F-4970/303 |
Man of Aran, 12 April 197816mm motion picture film 25 ft. Negative |
| Film F-4970/304 |
Man of Aran, 12 April 197816mm motion picture film 25 ft. Negative |
| Film F-4970/305 |
Man of Aran, 12 April 197816mm motion picture film 25 ft. Negative |
| Film F-4970/306 |
Man of Aran, 12 April 197816mm motion picture film 13 ft. Negative |
| Film F-4970/307 |
Man of Aran, 12 April 197816mm motion picture film 25 ft. Negative |
| Film F-4970/308 |
Man of Aran, 12 April 197816mm motion picture film 25 ft. Negative |
| Film F-4970/309 |
Man of Aran, 12 April 197816mm motion picture film 275 ft. Negative |
| Film F-4970/310 |
Man of Aran, 12 April 197816mm motion picture film 125 ft. Negative |
| Film F-4970/311 |
Man of Aran, 12 April 197816mm motion picture film 250 ft. Negative |
| Film F-4970/312 |
Man of Aran, 12 April 197835mm motion picture film Negative |
| Film F-4970/288 |
How the Myth Was Made, F.G. master35mm motion picture film 100 ft. Positive |
| Film F-4970/289 |
How the Myth Was Made, F.G. master35mm motion picture film 900 ft. Positive |
| Film F-4970/313 |
How the Myth was Made, 6 December 197716mm motion picture film 75 ft. Negative |
| Film F-4970/314 |
How the Myth was Made16mm motion picture film 50 ft. Negative |
| Film F-4970/315 |
How the Myth was Made16mm motion picture film 75 ft. Negative |
| Film F-4970/316 |
How the Myth was Made16mm motion picture film 50 ft. Negative |
| Film F-4970/317 |
How the Myth was Made16mm motion picture film 100 ft. Negative |
| Film F-4970/318 |
How the Myth was Made16mm motion picture film 75 ft. Negative |
| Film F-4970/319 |
How the Myth was Made16mm motion picture film 50 ft. Negative |
| Film F-4970/320 |
How the Myth was Made16mm motion picture film 150 ft. Negative |
| Film F-4970/321 |
How the Myth was Made16mm motion picture film 50 ft. Negative |
| Film F-4970/322 |
How the Myth was Made16mm motion picture film 150 ft. Negative |
| Film F-4970/323 |
How the Myth was Made16mm motion picture film 200 ft. Negative |
| Film F-4970/324 |
How the Myth was Made16mm motion picture film 100 ft. Negative |
| Film F-4970/325 |
Harry and George Argument16mm motion picture film 450 ft. mag stock |
| Film F-4970/326 |
Harry and George Argument16mm motion picture film 450 ft. Positive |
| Film F-4970/327 |
Maggie with Stephen Dirrane and Pictures16mm motion picture film 800 ft. Positive |
| Film F-4970/328 |
Maggie with Stephen Dirrane and Pictures16mm motion picture film 800 ft. mag stock |
| Film F-4970/329 |
Cattle Loading on Inishman16mm motion picture film 225 ft. Positive |
| Film F-4970/330 |
Marcus: Sharks and Setting Lobster Pots, 197916mm motion picture film 800 ft. Positive |
| Film F-4970/331 |
Marcus: Sharks and Setting Lobster Pots, 197916mm motion picture film 800 ft. Mag Stock |
| Film F-4970/332 |
Maggie and Harry at Flaherty Cottage16mm motion picture film 900 ft. Mag and Pix |
| Film F-4970/333 |
Maggie and Harry at Flaherty Cottage16mm motion picture film 900 ft. Mag and Pix |
| Film F-4970/334 |
Man of Aran interneg work print16mm motion picture film 400 ft. Negative |
| Film F-4970/335 |
Harry: At Kilronew Dock and Dock sync material; Marcus: Sharks and setting lobster pots16mm motion picture film 400 ft. Positive |
| Film F-4970/336 |
Harry: At Kilronew Dock and Dock sync material; Marcus: Sharks and setting lobster pots16mm motion picture film 400 ft. Mag Stock |
| Film F-4970/337 |
Marcus: sharks and Setting Lobster Pots; Voiceover about sharks16mm motion picture film 550 ft. Mag Stock |
| Film F-4970/338 |
Marcus: sharks and Setting Lobster Pots; Voiceover about sharks16mm motion picture film 100 ft. Mag Stock |
| Film F-4970/339 |
Marcus: sharks and Setting Lobster Pots; Voiceover about sharks16mm motion picture film 500 ft. Positive |
| Film F-4970/340 |
Showing "Man of Aran" on TV and Discussion16mm motion picture film 800 ft. Positive |
| Film F-4970/341 |
Showing "Man of Aran" on TV and Discussion16mm motion picture film 800 ft. Mag Stock |
| Film F-4970/342 |
Cattle Load on Inishman16mm motion picture film 800 ft. Mag Stock |
| Film F-4970/343 |
Cattle Load on Inishman16mm motion picture film 450 ft. Mag Stock |
| Film F-4970/344 |
Maggie with her family, dance16mm motion picture film 450 ft. Positive |
| Film F-4970/345 |
Maggie with her family, dance16mm motion picture film 450 ft. Mag Stock |
| Film F-4970/346 |
Maggie: Various Scenes16mm motion picture film 550 ft. Positive |
| Film F-4970/347 |
Maggie: Various Scenes16mm motion picture film 400 ft. Mag Stock |
| Film F-4970/348 |
P.J. Mullen: Sharks, Elizabeth Rivers16mm motion picture film 500 ft. Positive |
| Film F-4970/349 |
P.J. Mullen: Sharks, Elizabeth Rivers16mm motion picture film 500 ft. Mag Stock |
| Film F-4970/350 |
Harry: With George at lab and Flaherty Home16mm motion picture film 125 ft. Positive |
| Film F-4970/351 |
Harry: With George at lab and Flaherty Home16mm motion picture film 125 ft. Mag Stock |
| Film F-4970/352 |
Harry: With George at lab and Flaherty Home16mm motion picture film 300 ft. Mag Stock |
| Film F-4970/353 |
Harry: With George at lab and Flaherty Home16mm motion picture film 300 ft. Positive |
| Videotape VT-4970/273 |
Catholic University of Rio, 14 October 1986Betacam |
| Videotape VT-4970/274 |
Catholic University of Sao Paulo, Original of video letter to NYUBetacam |
| Videotape VT-4970/275 |
Chapultepec Park, NY Street Theater, Music in Washington Square 07 September 1975, December 1984Betacam |
| Videotape VT-4970/276 |
China Journal: Dianne Harrison, Ein Dor, Israel, 1984-1985Betacam |
| Videotape VT-4970/277 |
Ein Dor, 1984-1985, 3 December 1985Betacam |
| Videotape VT-4970/278 |
Highlander Center: Uranium Ballet Workers, Save the Land and People, High point workers, 15 December 1985Betacam |
| Videotape VT-4970/279 |
Interview with Sergio, 6 March 1984Betacam |
| Videotape VT-4970/280 |
Joshua Zamir talks with George Stoney about Kibbuts Ein Dor Israel, 21 December 1983Betacam |
| Videotape VT-4970/281 |
Krao Indians of Brazil Tape 2, 29 April 1985Betacam |
| Videotape VT-4970/282 |
Macio: video letter and Zumbi festivalBetacam |
| Videotape VT-4970/283 |
"Message from Brazil" Krao Indians video letterBetacam |
| Videotape VT-4970/284 |
N.J. Trip- NYU UGF-TV, 26 November 1986Betacam |
| Videotape VT-4970/285 |
NY responds to Krio Indians, 28 November 1986Betacam |
| Videotape VT-4970/286 |
NYU Students letter to BrazilBetacam |
| Videotape VT-4970/287 |
Response by NYU students to video letter from Catholic U. Sao Paulo, 21 June 1986Betacam |
| Videotape VT-4970/288 |
"Saint Jane our Lady of the Strays" with Jane Easton, November 1984Betacam |
| Videotape VT-4970/289 |
Students respond to video letter from Catholic U. Sao Paulo, 6 March 1986Betacam |
| Videotape VT-4970/290 |
Tape about Apple Bytes, Brazil, November 1984Betacam |
| Videotape VT-4970/291 |
Video Letter at Catholic University of San Paulo, 26 November 1986Betacam |
| Videotape VT-4970/292 |
Video Letter at Catholic University of San PauloBetacam |
| Videotape VT-4970/293 |
Video Letter to Catholic University of Sao Paulo, Brazil by NYU freshmen, 7 September 1975Betacam |
| Videotape VT-4970/294 |
Video Letter to Rio from NYU Freshmen: Tape 3Betacam |
| Videotape VT-4970/295 |
Video Response: NYU Freshmen to Catholic U of Sao PauloBetacam |
| Videotape VT-4970/296 |
Warrenton Hudlent, Denice OliverBetacam |
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Series 6A. Papers, Photographs, and Audiovisual Materials, 1944-2011 and undated (Addition
of August 2015).
Acquisitions Information: Accession 103005
Processing Information: Titles for audiovisual materials compiled from original containers. Photocopied letters from Stoney to Mary Bruce may be duplicates of letters found in Folder 1-4.
This series contains additional materials that are not available for immediate or same day access. This series contains additional digital media that is not processed and currently not available to researchers. For information about access to these materials, contact Research and Instructional Services staff. Please be advised that preparing unprocessed materials for access can be a lengthy process.
Scattered papers, photographs, and videotapes related to Stoney and his various film productions. Papers consist mostly of photocopied letters from Stoney to his father and to his future wife, Mary Bruce (1926-2004). Other paper materials include papers found with the videotapes in the series; clippings that mostly relate to the All My Babies reunion; materials relating to 1989 Perugia student works festival in Perugia, Italy; letters and materials on Stoney's family tree from Graham Egercaz; materials relating to memorials for Stoney; an oral history transcript from Jessie Wilkerson; and printed publications, including an essay about George Stoney and Thomas Wolfe by Jan G. Hensley and a 1999 copy of Wide Angle dedicated to Stoney. Photographs consist of original prints and negatives and copy prints depicting Stoney, his family, and film productions, including Mr. Williams Wakes Up (1947), Critical Decades (1965), Hail to the Hearty (1967), Up Against the System (1969), People With Collostamies (1973), Shepherd of the Night Flock (1975), How the Myth was Made (1978), The Weavers: Wasn't that a Time (1982), and Southern Voices (1985), among others. Videotapes consist mostly of materials related to film productions by Stoney, including All My Babies, Shepherd of the Night Flock, and others. The majority of these tapes appear to be copies or transfers made from original elements. Other videotapes include clips or footage of Stoney; materials related to the work-in-progress, Finding Freire, a George C. Stoney film about the Brazilian educator, Paulo Freire; and original footage related to the Krahos of Brazil, including recordings with Chief Po-Hi.
| Box 47 |
Papers, 1944-2011 and undated |
| Image Folder 65 |
George Stoney in army |
| Image Folder 66 |
Pictures of George Stoney's Dad by George Stoney |
| Image Folder 67 |
Production stills and family photographs |
| Videotape VT-4970/228 |
Shepherd of the Night FlockBetacam SP |
| Videotape VT-4970/229 |
Shepherd of the Night Flock, TA master 1975Betacam |
| Videotape VT-4970/230 |
A Message from Brazil, masterBetamax |
| Videotape VT-4970/231 |
After 61 Years of Silence: Honea Path Remembers, master, 1996VHS copy made from BetaSP |
| Videotape VT-4970/232 |
Honea Path RemembersMiniDV from television broadcast about uprising of '34 |
| Videotape VT-4970/233 |
Honea Path RemembersBetacam SP |
| Videotape VT-4970/234 |
Aldeia Makrare, 1989VHS |
| Videotape VT-4970/235 |
Alexai, Po-Hi, and Paulo at NYUVHS |
| Videotape VT-4970/236 |
All My Babies, 1952Betacam SP |
| Videotape VT-4970/237 |
All My BabiesBetacam SP |
| Videotape VT-4970/238 |
All My Babies: A Midwife's Own Story, 1952Betacam SP |
| Videotape VT-4970/239 |
Booked for Safekeeping, 1961VHS police training film |
| Videotape VT-4970/240 |
The Cry for Help, 1962VHS police training film |
| Videotape VT-4970/241 |
An Evening with George Stoney, master, 22 October 1999Betacam SP |
| Videotape VT-4970/242 |
Everyone's Channel, Stoney's personal copyU-Matic A history of public access directed by David Schulman with George Stoney interviews. |
| Videotape VT-4970/243 |
Father Patrick in Sao PauloVHS |
| Videotape VT-4970/244 |
George Stoney Clips, 13 February 2006Betacam SP A reel of clips chosen and edited by Mike Hazard. |
| Videotape VT-4970/245 |
Getting Out, submaster2005Betacam SP |
| Videotape VT-4970/246 |
The Girls from RioVHS |
| Videotape VT-4970/247 |
History and Importance of Public Access at MNN staff meeting, summer 2002VHS |
| Videotape VT-4970/248 |
How One Painter SeesU-Matic |
| Videotape VT-4970/249 |
How One Painter Sees, preview, 1984-1985VHS copy made from BetaSP |
| Videotape VT-4970/250 |
How One Painter Sees, 1986; Coping with Difficulty, 1998Betacam SP |
| Videotape VT-4970/251 |
How the Myth was Made, 1976-1977VHS copy made from BetaSP |
| Videotape VT-4970/252 |
Kayapo Out of the ForestVHS |
| Videotape VT-4970/253 |
Kayapo Out of the ForestVHS |
| Videotape VT-4970/254 |
The Mask, Cleveland, Ohio, 1963VHS police training film |
| Videotape VT-4970/255 |
Paulo Freire SamplerBetacam SP Beta edit in Portuguese and English. |
| Videotape VT-4970/256 |
Planning for FloodsBetacam SP beta from film transfer. |
| Videotape VT-4970/257 |
Po-Hi Meets News Group, November 1989VHS |
| Videotape VT-4970/258 |
Po-Hi tape 1VHS |
| Videotape VT-4970/259 |
Po-Hi tape 2VHS |
| Videotape VT-4970/260 |
Po-Hi, Paulo in NYC, October 1989VHS |
| Videotape VT-4970/261 |
The Runaway, 18 June 2009Betacam SP Film made by George Stoney and Louise Stoney. Beta of film to tape transfer of silent film. |
| Videotape VT-4970/262 |
Southern Voices, 1984VHS copy made from BetaSP |
| Videotape VT-4970/263 |
The Struggle of the Kaiapo Indians in BrazilVHS |
| Videotape VT-4970/264 |
These are my People, 1969VHS VHS from National Film Board of Canada. Produced by George Stoney. |
| Videotape VT-4970/265 |
Tonacci: Indians of Brazil Conversas No Maranhao, 1982VHS |
| Videotape VT-4970/266 |
Unidentified Video RecordingVHS |
| Videotape VT-4970/267 |
The Uprising of '34, submaster, 1 May 1995Betacam SP |
| Videotape VT-4970/268 |
The Uprising of '34, titled non-broadcast versionBetacam SP |
| Videotape VT-4970/269 |
The Uprising of '34, 1996VHS copy made from BetaSP |
| Videotape VT-4970/270 |
Video in the Villages; A Festa de Moga; Pemp, 1987-1989VHS |
| Videotape VT-4970/271 |
Video Letter and PUC BrazilVHS |
| Videotape VT-4970/272 |
WEDU TV Interview with George Stoney, Tampa, Fla.July 2004VHS Interview arranged by Dave Olive and producted by Kim Tucker. |
| Digital Folder DF-4970/1 |
Bryan Konefsky interview with George Stoney, 2010 |
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Series 6A. Papers, 1978 (Addition of January 2020).
Acquisitions Information: Accession 20200117.2
Full transcript (about 80 pages) of an interview with George Stoney. The interview was conducted by Pauline Spiegel, who was Stoney's student at New York University in 1978. Portions of the interview were published in The Anthropology of Visual Communication Newsletter, Vol. 7 No.3, Spring-Fall, 1979. Also included is Spiegel's copy of Stoney's Documentary Film course syllabus, and her own film diary kept during the class, which contains Stoney's handwritten comments.
| Box 48 |
Interview of George Stoney by Pauline Spiegel |
Documentary Film course syllabus |
|
Film diary |
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Items Separated